Adicionar um enredo no seu idiomaA young and famous sword master desperately wants to lead an anonymous life, but hordes of swordsmen insist on dueling him to death, which leads to a lot of senseless killing.A young and famous sword master desperately wants to lead an anonymous life, but hordes of swordsmen insist on dueling him to death, which leads to a lot of senseless killing.A young and famous sword master desperately wants to lead an anonymous life, but hordes of swordsmen insist on dueling him to death, which leads to a lot of senseless killing.
Derek Tung-Sing Yee
- Third Master Hsieh Hsiao-feng, Ah Chi
- (as Tung-Shing Yee)
Lo Lieh
- Hero Huang Ting
- (as Lieh Lo)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Pleasing purposeful and taut Swordsplay - movie based on stories by Gu Long, about the supremacy of the Jiang Hu. Third master [ Derek Yee ] is the #1 at the moment , considered as the best sword fighter, but he's tired of his way of life, pretends his death and begins a simple life. Too early for Yen Shi kwan [ Ling Yun ], who aimed the whole life for fame and the answer if he could be the real #1.
Death Duel is a little different from other Gu Long movies directed also by Chu Yuan, no obscure jumble of plot and persons here, it's strictly concentrated oh Third Master and his tries to survive the power struggle, where he's attacked again and again. The then 20yrs old Derek Yee [ now director of movies like ONE NITE IN MONGKOK, VIVA EROTICA, FULL THROTTLE ] does a strong impression, mainly optically and particularly with his mimic, and performs the action sequences well. These are well choreographed, unbloody swordplay with martial arts and jumps varied, there's also good use of the environment Optically the film is rather lyric - magical, many red and blue contrasts, much fog, added a calm, but appropriate score. Really entertaining 90mins.
Movie has some relation to the other Gu Long picturizations like KILLER CLANS and MAGIC BLADE, Ti Lung has a cameo as his Swordsman Fu and Lo Lieh as the killer Han Tang.
Death Duel is a little different from other Gu Long movies directed also by Chu Yuan, no obscure jumble of plot and persons here, it's strictly concentrated oh Third Master and his tries to survive the power struggle, where he's attacked again and again. The then 20yrs old Derek Yee [ now director of movies like ONE NITE IN MONGKOK, VIVA EROTICA, FULL THROTTLE ] does a strong impression, mainly optically and particularly with his mimic, and performs the action sequences well. These are well choreographed, unbloody swordplay with martial arts and jumps varied, there's also good use of the environment Optically the film is rather lyric - magical, many red and blue contrasts, much fog, added a calm, but appropriate score. Really entertaining 90mins.
Movie has some relation to the other Gu Long picturizations like KILLER CLANS and MAGIC BLADE, Ti Lung has a cameo as his Swordsman Fu and Lo Lieh as the killer Han Tang.
I really enjoyed this movie, but must admit I spent the whole time feeling disappointed at the same time.
The story is really good, delivering an interesting tale supported by mostly good acting. The fighting is a bit hit and miss, some of the fights are good others, not so much.
It then dawned on me that this movie screams 'remake', however I think we have missed the chance to see it at its best.
For those of you into this genre, picture this movie in your minds eye with Jet Li in it during his prime? OMG.
It would have been one of the all time classics!
The story is really good, delivering an interesting tale supported by mostly good acting. The fighting is a bit hit and miss, some of the fights are good others, not so much.
It then dawned on me that this movie screams 'remake', however I think we have missed the chance to see it at its best.
For those of you into this genre, picture this movie in your minds eye with Jet Li in it during his prime? OMG.
It would have been one of the all time classics!
If you are considered one of the best sword man ... well you know you will have others who will test that. And that is putting it mildly. It doesn't matter how you feel about things or how you treat others, it is about the title. Well that is what most would say of course.
Then again how much of a reason do we need to see Sword fights in a Shaw Brothers movie? Exactly! But it is refreshing to see that a plan is put in place, that while wicked and morally very low ... it is something many may have wondered ... like why don't you try a dirty trick on someone that is unbeatable? Here we get something that is satisfying and despicable at the same time. The story may seem like it is knitted together by a string but it still works. And consdering this probably was all shot in a studio ... well it really looks good for that. Not to mention the really good stunts (forget about the fake blood and enjoy it for what it is)
Then again how much of a reason do we need to see Sword fights in a Shaw Brothers movie? Exactly! But it is refreshing to see that a plan is put in place, that while wicked and morally very low ... it is something many may have wondered ... like why don't you try a dirty trick on someone that is unbeatable? Here we get something that is satisfying and despicable at the same time. The story may seem like it is knitted together by a string but it still works. And consdering this probably was all shot in a studio ... well it really looks good for that. Not to mention the really good stunts (forget about the fake blood and enjoy it for what it is)
This is what the martial arts films were meant to be like, before the hacks made them into clowns jumping all over the place, kicking and striking a thousand times, with 90 back flips in each fight.
Here, we have a crisp story, and interesting characters. The film follows mostly "Third Master" and his attempt to become a normal man, trying to elude his fame.
It reminds a viewer of the "gunfighter" in the old West, trying to hang up his guns, but with young upstarts out to make a name for themselves, trying to goad him into a fight.
The interesting thing here is the array of other characters. Some are simple folk, some helpful, some afraid, some benevolent. Others are fighters. We find that many others also hung up their swords. At least two characters, we find, were successful in "retiring" before they reached a stage that Third Master did.
The first master also drops into obscurity for a while. The reasons are made clear later. A lot of chance meetings happen for the sake of a great fairy tale, but it's okay, because it's part of the magic.
The body count is higher than it should be. A lot of the deaths are "cliche" movie deaths, and brings this film down from the classic status it could have attained. Still, the imagery is good, and there is refreshing dialog, a lot of insight. Parituclarly good is the scene where the third master thinks he is dying, and asks others what they would do if they knew they would die tomorrow.
Later martial arts movies failed because they couldn't balance action with dialog. This film has a great balance, because too much action becomes as dull as too little. This comes from a guy who is very attention deficit, so when movies are too relentless in meaningless action for me, there is a real problem.
Here, we have a nice balance, although even this film could have toned down the action some. Put it this way. It makes the normal action Western, say "The Magnificent Seven" look slow paced in comparison.
Good film. Worth watching, but has some sadness to it.
Here, we have a crisp story, and interesting characters. The film follows mostly "Third Master" and his attempt to become a normal man, trying to elude his fame.
It reminds a viewer of the "gunfighter" in the old West, trying to hang up his guns, but with young upstarts out to make a name for themselves, trying to goad him into a fight.
The interesting thing here is the array of other characters. Some are simple folk, some helpful, some afraid, some benevolent. Others are fighters. We find that many others also hung up their swords. At least two characters, we find, were successful in "retiring" before they reached a stage that Third Master did.
The first master also drops into obscurity for a while. The reasons are made clear later. A lot of chance meetings happen for the sake of a great fairy tale, but it's okay, because it's part of the magic.
The body count is higher than it should be. A lot of the deaths are "cliche" movie deaths, and brings this film down from the classic status it could have attained. Still, the imagery is good, and there is refreshing dialog, a lot of insight. Parituclarly good is the scene where the third master thinks he is dying, and asks others what they would do if they knew they would die tomorrow.
Later martial arts movies failed because they couldn't balance action with dialog. This film has a great balance, because too much action becomes as dull as too little. This comes from a guy who is very attention deficit, so when movies are too relentless in meaningless action for me, there is a real problem.
Here, we have a nice balance, although even this film could have toned down the action some. Put it this way. It makes the normal action Western, say "The Magnificent Seven" look slow paced in comparison.
Good film. Worth watching, but has some sadness to it.
Yuen Chor was having a good run of films during the second half of the 1970's. Sentimental Swordsman, Magic Blade, Clans of Intrigue, Jade TIger were all made during this five year period. "Death Duel" is just one more during this time. As with his other films you can expect good photography, unique art direction and dozens of characters.
As with other successful Yuen Chor films, this one succeeds by focusing on one enigmatic main character for most of the film. However, the viewer will still have to deal with a lot of fascinating characters who show up and usually are killed off quickly. The body count in this film is very high. This film is very moody and the withdrawn character of Ah Chi make the story interesting. There are some uneven parts and the constant guest cameos from Shaw stars is a little annoying as you might wish that they would stick around longer in the film. That said, the script is above average, the pacing is good and by the time the ending comes around the film holds up.
Recommended.
As with other successful Yuen Chor films, this one succeeds by focusing on one enigmatic main character for most of the film. However, the viewer will still have to deal with a lot of fascinating characters who show up and usually are killed off quickly. The body count in this film is very high. This film is very moody and the withdrawn character of Ah Chi make the story interesting. There are some uneven parts and the constant guest cameos from Shaw stars is a little annoying as you might wish that they would stick around longer in the film. That said, the script is above average, the pacing is good and by the time the ending comes around the film holds up.
Recommended.
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Yen Shih-san: Who boils tea doesn't have to drink it. Things in this world are like that.
- ConexõesFeatured in Bruce Lee, a Lenda (1984)
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