Atrás dos Muros do Convento

BEHIND CONVENT WALLS tells the disturbing story of what really goes on in these bastions of female sanctimony. As suspected, once they're done with their duties and devotions, off go the clothes! As if dancing and wearing straw hats weren't bad enough, these sisters of sin engage in all manner of carnal activity! Not-at-all surprisingly, they're all young, nubile beauties, ready for action!

What is an ancient, shrewish Reverend Mother to do? Why, scream, condemn, and bring down the law, of course! This method works in the same way that gasoline can be used to extinguish a bonfire! As a result, fleshly fun-time explodes exponentially!

So, the Reverend Mother institutes harsher rules. Nudity skyrockets. You haven't truly lived until you've witnessed a nun, dressed only in her habit, playing a violin!

Ugly, hairy men are introduced to carry on with the naked novitiates. Annnd, if hairy men aren't available, well, it's like the song says, "Sisters are doing it for themselves". You'll never look at Jeezuz in quite the same way again. Guaranteed.

For fans of the nun exploitation sub-genre, this is certainly one of the more blasphemous examples. Religious symbols and iconography have rarely been mingled with sensuality so blatantly. This makes KILLER NUN look like a Sunday school play!...

Young nuns dance, play musical instruments, walk around their convent naked and indulge in various sexual activities, much to the displeasure of Mother Superior. That's pretty much the plot, boredom had set in about half way through. Lots of female full frontal nudity, including close ups of genitals. Is this a Borowczyk art-house movie or just an excuse for some softcore porn? Probably a bit of both but for me it was unimpressive on both counts. I did watch the cut Redemption VHS but I doubt an extra 24 seconds of footage would change my mind. There are much better "nunsploitation" movies out there.

Let's get the obvious out in the open right away: She'll have nun of that. Never gets old, though if we're talking old nun, she does get old. Also doesn't want the other nuns to have fun. Well she won't become Cyndi Lauper anytime soon then. But the nuns are resourceful and find "wood" in the strangest places ... both literally and metaphorically speaking if you know what I mean.

If you don't let me tell you that this is sleaze at its finest (if that's your cup of tea of course). Still it does drag and it feels very episodic with all the nuns and their different ways to "heaven" (or climax that is). If I make this sound better than the actual experience of you watching this will be, don't blame me. I had to write something and describing penetration scenes or torture (physical or other kind) isn't the way I wanted to go. Suffice to say, this is not for any church goers .. well not the "right" ones

I've watched quite a number of so called "Nunsploitation" or "Convent Erotica" movies and at least eight of Walerian Borowczyk's erotic escapades and I think that "Interno di un Convento" aka "Behind the Convent Walls", truly deserves the term "Art-House Movie". In my opinion, it has to be considered one of the few artistic peaks, among the several dozens stinkers (mainly purely exploitative), which crowded European screens, during the '70 and '80s. The director shows us here more then a glimpse of his cinematic genius, crafting a little movie on a "shoestring budged", full of mesmerizing images and sounds. The cinematography (the movie seems almost entirely shot on a hand-held camera and in natural light) is simply gorgeous. Streams of bright sunlight flow towards the viewers from the background windows of beautiful Renaissance settings, creating dream-like visuals, in which the bodies of the female interpreters, quite often involved in steamy erotic games, appear almost floating weightlessly at mid air. By the way, Marina Pierro as "Sister Veronica" and Ligia Branice as "Sister Clara", are unbelievably beautiful even in (or half out) their rough monastic robes. The Mediaeval harpsichord, violin and organ scores, which underline the most climatic sequences, provide the proper musical frame for this dark tale of forbidden love affairs, sacrilegious erotic rituals, psychological and physical abuse and murder. The movie has a few dull moments where it seems that it is going nowhere, but then it gets back on track with a few pleasant surprises. There are two sequences which, personally, I consider among the most outstanding of the whole picture. The first begins with a flock of nuns busy cleaning up and decorating the chapel using straws of red carnations. Suddenly one of them, practicing on her violin, strikes a few musical notes of what seems to be a very lively tune. This attracts the attention of all the other nuns, who start looking at her in great expectation...Encouraged by her sisters, she strikes another series of notes, which immediately originates giggling of approval from the audience... Another nun joins right in playing the organ and they both start an improvised duet playing a very captivating "pagan" tune. Like stricken by a sudden electric discharge, the nuns immediately forget all about their work duties. The whole Sisterhood improvises a party and start dancing and jumping around happy and thoughtlessly. The camera jumps right in the middle of this improvised party, cavorting around with the nuns, by means of circular dancing movements at the rhythm of the music. It's an amazing apotheosis of flying black veils, black gowns, white undergarment and red carnations... You can almost feel the sense of relieve of the poor nuns, who get carried away in a temporary escape from the frustration of their austere and mortifying living routine. The other sequence is the one everybody who has seen the movie, obviously talks about... It's probably the only really explicit and graphic scene of the whole movie, but I think that the way it has been shot and directed, makes this sequence beautiful and not disturbing. Borowczyk unveils here the deepest roots of his erotic fantasies. He shows us a nun deeply (and desperately) in love with Christ. Spiritual love is not sufficient for her; her repressed senses demand to be also physically possessed by him. She reaches her objective, with the help of a home-made wooden dildo, with a Christ-like face painted on one end and a mirror...and a big deal of imagination. WOW! Definitely eroticism at his peak and definitely... not a movie for everyone! I give this one an (enthusiastic) 8 out of 10.

This is the fourth movie by Walerian Borowczyk that I've seen (after 'Goto, the Island Of Love', 'The Beast', and 'Dr Jekyll and His Women', all of which I highly recommend), and the more I see of his work, the more I like it, but also the less I understand where he is coming from. Jess Franco and Jean Rollin were blurring the boundaries between art and exploitation movies around the same time as Borowczyk, but they are both a little easier to get a handle on. What Borowczyk was aiming for in 'Behind Convent Walls' is difficult to work out, but it's fascinating viewing nevertheless. I suppose "nunsploitation" is an apt description of the movie, but it is quite unlike other examples of that genre I have seen that were made after the success of Ken Russell's 'The Devils' (e.g. 'The Sinful Nuns Of Saint Valentine' or my personal favourite 'Flavia The Heretic'). Borowczyk's approach is very different from those other movies, and 'Behind Convent Walls', despite it's most notorious scene (more on that in a minute), is quite tame compared to the eye-popping quasi-porn of 'The Beast'. This movie is mainly silly and smutty and not all that explicit as you would imagine from the title and Borowczyk's reputation. There are lots of shots of half naked nuns or nuns in their undies cavorting around,etc.etc. and it is even quite innocent for the most part. The most notorious scene in the movie, which has gone down in exploitation movie legend, is often censored from most prints (but fortunately not the version I watched), and involves an amorous nun using a homemade dildo with the face of Jesus stuck on it. It's quite a surprise when it happens, and unlike most of the rest of the movie. In some ways I was disappointed with 'Behind Convent Walls', but in other ways it was better than I expected. If that sounds confused, yes it is, but it's an honest reflection of how I feel about Borowczyk's perplexing work. He's without doubt one of the most interesting and unusual directors of all time, and his movies will make you question your preconceived ideas of what a movie can/should be. Cynical smut peddler or misunderstood maker of art movies? You decide. I'm still thinking about it!