AVALIAÇÃO DA IMDb
7,3/10
2,6 mil
SUA AVALIAÇÃO
Os julgamentos de um ex-gerente de estação de televisão transformaram uma editora de jornais da cidade e sua equipe de jornalistas.Os julgamentos de um ex-gerente de estação de televisão transformaram uma editora de jornais da cidade e sua equipe de jornalistas.Os julgamentos de um ex-gerente de estação de televisão transformaram uma editora de jornais da cidade e sua equipe de jornalistas.
- Ganhou 13 Primetime Emmys
- 28 vitórias e 73 indicações no total
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Avaliações em destaque
Great iconic actors, writing of the highest caliber. Just good TV!
When I first heard about this show twenty six years ago (God, time flies), I thought this would be an extension of the show it spun off from, "The Mary Tyler Moore Show". What a surprise it was when this show turned out to be probably the greatest newspaper dramas in television history. The show wasn't afraid to take on controversial issues and even though it was a drama, it still had its lighter moments. Also, even though Ed Asner was the lead, it was more of an ensemble and the whole cast was great. This was an exceptional show and it is a lost classic.
10DA-4
An earlier reviewer's "bleeding heart" references suggest a right-wing orientation. Perhaps this explains his sweeping but unsubstantiated comments concerning how this show's episodes were developed. "Lou Grant" was created by James L. Brooks and Allan Burns, the writer-producers behind "Mary Tyler Moore," and Gene Reynolds, the force behind the TV incarnation of "M*A*S*H," who became the sole Executive Producer in the second year. Younger producers under Reynolds included Seth Freeman from "The Waltons" and Gary David Goldberg. However convenient it may be for people with an agenda to think otherwise the producers, not the star, dictated the content. There's no evidence Edward Asner ever suggested a single storyline, and plenty of testimony crediting others.
The entire MTM library was sold several times after Grant Tinker divested himself in order to run NBC. The likelihood of ever again seeing this fine show, which won 16 Emmys, two Humanitas prizes, and the Peabody Award, is absolutely zilch. Write to 20th Century Fox Television if you'd like the chance to see it, but don't expect to get anywhere.
The entire MTM library was sold several times after Grant Tinker divested himself in order to run NBC. The likelihood of ever again seeing this fine show, which won 16 Emmys, two Humanitas prizes, and the Peabody Award, is absolutely zilch. Write to 20th Century Fox Television if you'd like the chance to see it, but don't expect to get anywhere.
Immigration reform, hate crimes against gay people, teen pregnancy, illiteracy, eminent domain, Ponzi schemes, etc. If I stop here and ask you to finish this, you might conclude with a summary about Bernie Madoff or other recent event.
But these are just some of the many subjects shown weekly on Lou Grant from 1977 to 1982. The stories are over 30 years old but amazingly still every bit as relevant in today's society as they were then. And just as amazing was the incredible risk Mary Tyler Moore's MTM Enterprises took when she transitioned to producing a hard-hitting drama from 2 decades of comedy experience. After winning 3 Golden globes, 23 other awards, and 61 various nominations (IMDB 2012), the show has proved worth the risk in a big way.
I didn't have the education or knowledge of world events (such as it is) to appreciate the show's content when it first aired. But I'm glad I rediscovered and watched these episodes while in a nostalgic mood. Now, I can greatly appreciate how progressive MTM and her staff were in the production of Lou Grant and its relevance to today's events.
But these are just some of the many subjects shown weekly on Lou Grant from 1977 to 1982. The stories are over 30 years old but amazingly still every bit as relevant in today's society as they were then. And just as amazing was the incredible risk Mary Tyler Moore's MTM Enterprises took when she transitioned to producing a hard-hitting drama from 2 decades of comedy experience. After winning 3 Golden globes, 23 other awards, and 61 various nominations (IMDB 2012), the show has proved worth the risk in a big way.
I didn't have the education or knowledge of world events (such as it is) to appreciate the show's content when it first aired. But I'm glad I rediscovered and watched these episodes while in a nostalgic mood. Now, I can greatly appreciate how progressive MTM and her staff were in the production of Lou Grant and its relevance to today's events.
Judged by 1977-82 standards, this show was peerless.
Today, it's a bit "dated" in certain ways. But these elements actually make it a valuable portrait of its era.
Talented cast, right down the line. Terrific writing. Skillful, sensitive directing. Highly relevant. Courageous. And one of TV's all-time-best role models in the lead.
Every Emmy -- & there were MANY -- was fully deserved. Also the Peabody, the Humanitas, & all the other awards it won.
Each season was as strong as or stronger than its predecessor; this is one show that was NOT running out of steam.
In fact, during the Reagan Years, we needed it more than ever! (Would have loved to see its take on Iran-Contra.)
Shame on CBS for bowing to pressure because of Asner's politics and the show's oft-controversial scripts.
LOU still shines.
Waiting impatiently for (legal) DVD release!
Today, it's a bit "dated" in certain ways. But these elements actually make it a valuable portrait of its era.
Talented cast, right down the line. Terrific writing. Skillful, sensitive directing. Highly relevant. Courageous. And one of TV's all-time-best role models in the lead.
Every Emmy -- & there were MANY -- was fully deserved. Also the Peabody, the Humanitas, & all the other awards it won.
Each season was as strong as or stronger than its predecessor; this is one show that was NOT running out of steam.
In fact, during the Reagan Years, we needed it more than ever! (Would have loved to see its take on Iran-Contra.)
Shame on CBS for bowing to pressure because of Asner's politics and the show's oft-controversial scripts.
LOU still shines.
Waiting impatiently for (legal) DVD release!
Você sabia?
- CuriosidadesMrs. Pynchon, the widowed owner of the fictional Los Angeles Tribune, was based on Katherine Graham, the real widowed owner of the Washington Post, and on Dorothy "Dolly" Schiff, owner and publisher of the New York Post. Schiff, for example, always carried her small dog with her, like Mrs. Pynchon.
- Citações
Billie Newman: I hate it when people tell me to calm down!
- ConexõesFeatured in The 30th Annual Primetime Emmy Awards (1978)
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- How many seasons does Lou Grant have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Gazeteciler
- Locações de filme
- The Title Guarantee & Trust Building, 411 West 5th Street, Los Angeles, Califórnia, EUA(Los Angeles Tribune Building)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
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