A Viagem dos Condenados

This is a very down to earth film about German Jews who were kicked out of Hamburg, Germany and were placed on a ship called the S/S St. Louis headed to Havana, Cuba. This ship carried 937 passengers, some children and Jewish people with all kinds of backgrounds, even prisoners from concentration camps who were teachers. The Nazi movement was showing great Anti-Semitism during the Year 1939 before World War II started. Faye Dunaway, (Denise Kreisler) gave an outstanding performance as a very pretty, rich, sexy wife of Dr. Egan Kreisler, (Oskar Werner). There is a young man who works on the ship and is a German and he falls in love with a very pretty Jewish girl and they become very close together and had to make some horrible decisions. Great film which tells the true story of what happened to most of the people who were on board this horrible cruise of Nazi Germany.

Usually, it seems like whenever a movie has a giant cast, then that's the movie's only strength. "Voyage of the Damned" did have more to it than simply its cast. Faye Dunaway, Oskar Werner, Orson Welles, Max Von Sydow, Jonathan Pryce, Malcolm McDowell, Lee Grant, James Mason, and a bunch of other big names star in this true story of a ship that left Nazi Germany bound for Cuba. The passengers were German Jews who believed that they were on their way to freedom in Cuba, but realized when they arrived that there was never any plan to set them free.

Maybe the cast does overshadow the plot, but it's still worth seeing. The movie is out of print, so you might have trouble finding it. Portland's Movie Madness has a copy, in case you ever come to Portland.

Goodish, and well-intentioned, but not great. Based on a true story, this should be a gut-wrenching emotional roller-coaster ride. The movie feels cold, empty and sterile, despite its subject matter. While we are given glimpses of the despicableness of the Nazi regime, the movie pulls its punches.

In place of genuine emotion, we have overwrought sub-plots, and an excess of sub-plots. This makes the movie overly long, without really adding to the drama. Some of the acting is in line with this overwroughtness, being over-acted, almost camp.

Not all the performances are so bad, though. Max von Sydow is excellent as the captain. Minor roles include a host of big names: Orson Welles, James Mason, Denholm Elliott, Katharine Ross, Jose Ferrer, Ben Gazzara.

Worth watching as a reminder of a dark period in human history, and the lengths of human bigotry.

This film details a very dark chapter in U.S. (in fact, World) history. As a propaganda tactic, to attempt to dismiss the notion that they were committing genocide, WWII Germany fills a cruise ship with Jewish citizens and sends them off to Cuba, purportedly so that they can be free. Unfortunately, Cuba will not allow the passengers to disembark, nor will the United States and so the ship must turn back, thus becoming the voyage of the damned. The cast is jam packed with stars of the day and most of them are great. Among the standouts are Von Sydow as the Captain--a pawn in the political game, McDowell as a sympathetic crewman, Dunaway as an aloof, glamorous German married to a Jew (Werner), Wanamaker as a desperate, concerned victim of circumstance and Ross (in one of her most heartfelt roles) as the daughter of two of the passengers. Most notable are Pryce & Koslo, unforgettably vulnerable as concentration camp escapees and Grant as the emotionally stunned wife of Wanamaker. Dunaway and Oscar-nominated Grant share the film's most memorable scene as Grant becomes unhinged by the events around her. The film has a sense of cruelty and dread, even if one is not aware of the outcome, and it can be painful to behold, but this is a story that needs to be told and the drama is, at times, quite compelling. Certainly the cast of familiar faces makes it easy to take. Bloated, cue-card-reading Welles is one drawback, but fortunately, he is not on screen long.

This is a really remarkable film of great importance. It concerns the voyage of an ocean liner from Hamburg in Germany to Cuba, loaded with Jews who have bought their way out of the Nazi nightmare by paying money to Heinrich Himmler. The voyage across the Atlantic is long and slow, with much drama taking place on the way. But when the ship reaches Cuba, the Jews are not allowed to disembark after all, and the whole voyage turns out to have been a 'set-up', a cover for a military cargo arrangement. The film has an all-star cast of prominent film actors of the 1970s. There are so many of them it almost seems as if the whole of Hollywood tried to squeeze into the cast list. The stars include Faye Dunaway, Orson Welles, James Mason, Max von Sydow as the ship's captain, Jose Ferrer, Julie Harris, Oscar Werner in his last film, Maria Schell, Wendy Hiller (who is marvellous, as always), Sam Wanamaker, Ben Gazzara, and the list goes on. Some of these stars appear only fleetingly, between decks as it were, and others have real parts. Some like Orson Welles and Fernando Rey are even on land, and not at sea at all. (After all various diplomats in capital cities have to be seen debating whether to save the Jews or not, or the story would have no context.) Some of the younger stars of the day such as Katharine Ross, Lynne Frederick, and Malcolm McDowell are now largely forgotten as 'names', but were 'big' then. In his first feature film role, Jonathan Pryce is spectacular. Supporting actors like Lee Grant, Victor Spinetti and Luther Adler were familiar then but few now remember them at all, despite the many roles they played on countless occasions, so that everyone at least knew their faces. The film was directed by Stuart Rosenberg and was based on a best-selling novel, which in turn was based upon the notorious real events which actually happened and were an international scandal. The name of the ship was the S.S. St. Louis, and there were 937 Jewish passengers aboard. I cannot reveal the ending of the film or the fate of these passengers, but the historical remarks under 'Trivia' in the IMDb entry add information which partially corrects details of the facts as portrayed in the film.