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6,7/10
2,2 mil
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Adicionar um enredo no seu idiomaA famous poet who hasn't written a word in two years unconsciously plagiarizes the work of Stefan George, while dealing with several mistresses, his dim-witted brother, and a murder investig... Ler tudoA famous poet who hasn't written a word in two years unconsciously plagiarizes the work of Stefan George, while dealing with several mistresses, his dim-witted brother, and a murder investigation.A famous poet who hasn't written a word in two years unconsciously plagiarizes the work of Stefan George, while dealing with several mistresses, his dim-witted brother, and a murder investigation.
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10robwms63
I had seen quite a few Fassbinders when I came across this one and was blown out the door. It is not only one of his funniest film, but a kind of humor that is really unique. Of course, being Fassbinder, it is dark, but there's also a sense of the darkness becoming comical in its haphazard unfolding. Smaller characters emerge and add depth. This isn't the usual RWF setup where one or two characters disintegrate under a microscope. This work's phenomenal density is all the more astonishing given Fassbinder's tremendous output (and ironic given the plot is about a blocked/dysfunctional writer). Don't miss this.
Rainer Werner Fassbinder's 1976 dark comedy that for all intents & purposes is not for everyone. A sardonic writer is strapped for cash & looks for any way to refill his coffers. He lives w/his dying, neglected wife & his brother, who is virtually non-communicative, loves to play w/dead flies & occasionally pinch the breasts of any strange woman who visits their apartment. Our anti-hero may not share his bed w/his hausfrau but he does invite a hooker over to the house for love-play (his wife has to foot the bill) & he tortures a number of sycophants (female of course) who fall sway to his supposed powers of verse while bilking them of any funds they have on hand. Not to mention the fact he killed a woman in the first reel & an annoying police detective keeps coming around sniffing for clues. More of an attack on creative pursuits (in this case the artistic scribe) than an out & out laugh-fest, this is an excoriation of all things literary (at one point our blocked writer declares he has broken through & begun writing again only to be found out he's merely a plagiarist) w/all the attendant lunacy & fake hosannas mere mortals thrust onto writers when in reality there may be no there, there. Not a particularly likeable fable to be sure, this film still should be screened for those Fassbinder's completists (for a man who made so much in so little time before his untimely demise) hoping to gain some insight into the man's work & his outlook on the vaulted elite.
In the case you've seen a lot of Fassbinder's films, this is worth a shot. You will definitely not be bored, so there's that. The film can be abrasive and there really aren't any likable characters. If you don't like that kind of stuff then avoid this. I can't blame you. I hated the first hour, then I reluctantly started respecting it, realizing that it was a satire and black comedy not a straight drama, pi**ing on the myth of the artistic genius and the wide berth we grant them (or did before the Me Too movement).
This protagonist actually reminded me a lot Pablo Picasso, a notorious wife-beater and all around jerk. Of course no would pay to see their sacred cows brought down a peg, so we have stand-ins like this guy. But the critique still works.
It's a biographical film, but not of the typical hacky kind that every director seems to make. Fassbinder had undoubtedly seen a lot of sycophants and brainless hangers-on in his life, self-aware enough to sense how full of **** people were when they were in the presence of a celebrity, knowing that he really could only trust a few people, compelled to "develop" and chronically produce or become irrelevant. Fassbinder would know. He died after making forty films in a decade, his heart exploding from too much coke.
This protagonist actually reminded me a lot Pablo Picasso, a notorious wife-beater and all around jerk. Of course no would pay to see their sacred cows brought down a peg, so we have stand-ins like this guy. But the critique still works.
It's a biographical film, but not of the typical hacky kind that every director seems to make. Fassbinder had undoubtedly seen a lot of sycophants and brainless hangers-on in his life, self-aware enough to sense how full of **** people were when they were in the presence of a celebrity, knowing that he really could only trust a few people, compelled to "develop" and chronically produce or become irrelevant. Fassbinder would know. He died after making forty films in a decade, his heart exploding from too much coke.
I can't give Fassbinder less than a 6 or 7 for anything. this "screwball comedy" effort is nothing if not unique. it has a very fast "noises off" type quality and might play better on stage with lightning quick changes/entrances and exits etc.
as it is... it's not unamusing but I have to admit I was ... not any more impressed with it the 2nd time I saw it than I was the first. "mannered" would be another word to describe it. the phrase "busy busy busy" also comes to mind. it would not have suffered from having the Volker "Ficken Fliegen" character removed and the enormouos number of times people spit at one another might have been lessened to no loss of comedic effect.
for me "the bitter tears of petra von kant" is a brilliant but very black comedy. this more overt "haha" attempt to deliver laughs... falls short in a lot of ways, leaving various components with elements left to be desired shall we say... yeah I guess I feel certain that a somewhat toned down version of this film would be a superior one.
still just for originality I'll give it a 7
as it is... it's not unamusing but I have to admit I was ... not any more impressed with it the 2nd time I saw it than I was the first. "mannered" would be another word to describe it. the phrase "busy busy busy" also comes to mind. it would not have suffered from having the Volker "Ficken Fliegen" character removed and the enormouos number of times people spit at one another might have been lessened to no loss of comedic effect.
for me "the bitter tears of petra von kant" is a brilliant but very black comedy. this more overt "haha" attempt to deliver laughs... falls short in a lot of ways, leaving various components with elements left to be desired shall we say... yeah I guess I feel certain that a somewhat toned down version of this film would be a superior one.
still just for originality I'll give it a 7
This is Fassbinder going for slapstick comedy, sort of. Everybody seems to have taken too much coffee or something in this movie. As I had seen some of his heavier stuff, this came as a very welcome surprise, with a quicker pace and some belly laughs. One of his best!
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- ConexõesFeatured in Schau mir in die Augen, Kleiner (2007)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Satan's Brew
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- DEM 600.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 8.144
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.623
- 16 de fev. de 2003
- Faturamento bruto mundial
- US$ 8.148
- Tempo de duração1 hora 52 minutos
- Mixagem de som
- Proporção
- 1.37 : 1
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