A Nova Transa da Pantera Cor-de-Rosa

This Pink Panther film ranks as one of the best there ever was... The plot was simple, Chief Inspector Dreyfuss (who is becoming a psycho since A Shot in The Dark), escapes from the mental institute and plan to kill Inspector Clouseau (which is by far one of the best comedy characters of all time). He then kidnaps a professor of high rank and builds a Doomsday device to kill off the world so that Clouseau is gone. Peter Sellers is at his best still as the bumbling Inspector Clouseau, getting into and out of trouble with hilarious concepts and quotes. Dreyfuss is very funny and shows his psychotic personality when he becomes an even more psychotic person. Best scene is when Clouseau and his manservant Kato, wreck Clouseau's apartment as they usually do. THIS is comedy at it's finest along with A Shot in The Dark.

"The Pink Panther Strikes Again" is an apt title for this hilarious 1976 film starring Peter Sellers and Herbert Lom. In this story, Dreyfus, driven mad by Clouseau, escapes from the mental asylum. Determined to destroy Clouseau once and for all, he kidnaps the inventor of a Doomsday device along with his daughter. This machine makes buildings disappear without a trace, and can do the same to people and whole countries. The world has 7 days to kill Clouseau or Dreyfus, who has already used it to destroy the United Nations in a dazzling display of power, will turn it on the world. When the inventor says something about using it on Clouseau, Drefus replies that to Clouseau, this doomsday machine would be as effective as a water pistol. Yes, it's true, the man is a menace with an uncanny way of killing and trashing anything around him and walking out unscathed.

There are too many funny bits to go into, but Clouseau trying on his hunchback disguise and overinflating it so that he floats outside is great; Clouseau attempting to get into the castle is wonderful; there's the drag club scene, the scenes with Olga (Lesley-Anne Down) - well, the movie will keep you laughing. And, if you're like me, it's just what the doctor ordered.

This was the fourth movie in the Pink Panther franchise and, despite the title, the titular diamond that was the namesake of the original and The Return of… has nothing to do with this entry. By now, Pink Panther had come to mean not gimmick for the sake of a comedy plot, but the world of the wonderfully inept Inspector Clouseau, and a vibrant brand of latter-day screen slapstick.

One of the most consistently brilliant elements of the earlier pictures was Clouseau's relationship with the increasingly demented Dreyfuss. For The Pink Panther Strikes Again, this relationship becomes the central premise of the whole movie. As such the scope is there for more-or-less continuous comedy with very little else to complicate it. Apart from, that is, a James Bond spoof slant, with Dreyfuss taking on the role of the eccentric super villain. This in turn allows for some large-scale actiony gags, reminiscent of the wilder escapades of silent comics Buster Keaton and Harold Lloyd. Peter Sellers's stunt double Joe Dunne received a lot of work here.

This also allows for a greater part to be taken in comic staging by director Blake Edwards. A Shot in the Dark was nearly all Sellers, and that was very good in its way, but for Strikes Again we really get to see Edwards's outsize and somewhat surreal comic creations at their most unbridled, from the perfectly-timed three way fight between Clouseau, Cato and Dreyfuss to Clouseau's bungled attempts to get into Dreyfuss's castle. But Edwards still has a way with the smaller comedy confection, as usual his trademark tactic being to make almost everything invisible to the audience, showing just enough to make a gag work. For example, there is a very funny set-up in a public toilet where we only see the feet at the bottom of the cubicles.

There's a lot of verbal comedy too in the Blake Edwards/Frank Waldman screenplay, which is of a middling quality and gets a little tiresome at times. But as we see for example in the scene where Sellers interrogates the professor's house staff, Sellers and Edwards have brilliant timing in punctuating a talky scene with physical gags. Occasionally the humour gets just a little too silly, and there are a lot of clichés – such as the "that is not my dog" line, which I'm sure predates this movie, and the stepping-on-a-rake gag, which predates cinema.

But perhaps this latter is a deliberate tribute to the staples of slapstick. It becomes apparent, as Clouseau inadvertently survives numerous assassination attempts, that he succeeds purely by virtue of the fact that he is a slapstick hero and a wake of chaos must follow him wherever he goes. It is a kind of meta-comedy. And herein lies one of the slightly disappointing things about this movie. Often Clouseau is saved, not directly by his incompetence, but by sheer luck. When a giant pretzel stops him getting skewered by a killer disguised as a buxom wench, it is funny, but it is not really a Clouseau gag. It seems, with Sellers's lessening interest in the franchise (not to mention the heart condition which kept the aforementioned Mr Dunne employed), that perhaps the character around whom the whole thing revolved was beginning to be watered down.

After making life intolerable for clumsy Inspector Closeau (Peter Sellers) , former Chief Inspector Charles Dreyfuss (overacting Herbert Lom) goes nutty and is interned in asylum . One time escaped from the mental asylum , the mentally ill Dreyfuss tries to destroy the world by means of a ray-laser . Besides , he hires a group of hit men to kill Jacques Closeau who's gone to England to investigate the abduction an eminent scientific forced to build a fantastic machine and being helped by British policemen (Colin Blakely , Leonard Rossiter).

This release is the fourth part of Closeau series and an enjoyable comedy starred by the great Peter Sellers as the inept and bungler Inspector of the French Surete . The movie gets entertaining and hilarious moments here and there . This slapstick contains funny scenes and never slowdown . Herbert Lom parodying his ¨Phantom of opera¨ personage is excellent . There appear as secondaries the usual series , such as Burt Kwouk as Cato , Grahame Stark and a gorgeous Lesley Anne Down who replaced Maud Adams . Omar Sharif , who had just played with director Blake Edwards on " The Tamarind Seed " has a brief cameo as an eastern murderer . Lively and atmospheric music by habitual Henry Mancini and magnificent opening and ending cartoon titles by Richard Williams . Colorful cinematography Harry Waxman , being mostly shot in Europe : Paris , France , Bavaria , Germany , Ireland and Shepperton Studios , Surrey , England . The film was well penned and directed , as always , by Blake Edwards . Several chuckles and gags , the result of which is one of the funniest from series along with ¨A shot in dark¨ , ¨Return of pink panther¨, and ¨Revenge of pink panther¨. The flick will appeal to pink panther series and Peter Sellers fans . This is arguably one of the best pink panther . Two thumbs up.

By rights this should have been just another moderately amusing pink panther film. Instead "The Pink Panther Strikes again" is an uproariously funny film that is not only the best in the series but one of the funniest comedies of all time.

As usual the main charactor is Klutzy French inspector Jacquez Clouseau. In this outing Clouseau has been promoted to chief inspector thanks mostly due to that fact his sheer idioicy has driven his former boss Charles Dreyfus insane.

After spending three years in an asylum, Dreyfus seemingly has overcome his Clouseau complex. However on the day the former chief inspector is to be released his old 'friend' Clouseau pays him a pratfall laden visit. Within minutes Clouseau's bumbling antics undo three years of intense psycho therapy and Dreyfus flies into a murderous rage.

His release revoked, Dreyfus is committed for life but refuses to except his fate. He escapses with one objective in mind, kill Clouseau. But the insideous plotting of a determined madman is nothng compared to blind luck and Clouseau none to gracefully eludes every attempt on his life.

Undaunted, the lunatic Dreyfus embarks on his most sinister scheme to date. A plot designed to force the governments of the world to use their top assassins to destroy Clouseau once and for all.

Peter Sellars is priceless as Clouseau. Herbert Lom is nearly as good as straightman supreme Charles Dreyfus. Still much of the success for the film belong to producer Blake Edwards who oversaw nearly every aspect of this brillant farce.