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4,3/10
2 mil
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Adicionar um enredo no seu idiomaTourists are kidnapped by a devil-worshipping cult, and a priest tries desperately to save them. A gruesome tale of the devil and human sacrifice.Tourists are kidnapped by a devil-worshipping cult, and a priest tries desperately to save them. A gruesome tale of the devil and human sacrifice.Tourists are kidnapped by a devil-worshipping cult, and a priest tries desperately to save them. A gruesome tale of the devil and human sacrifice.
Kostas Karagiorgis
- Milo
- (as Costa Skouras)
Dimitris Bislanis
- Sgt. Vendris
- (as Fernando Bislani)
Anna Matzourani
- Widow - Mrs. Mikaelis
- (as Anna Mantzourani)
Nikos Verlekis
- Ian
- (as Nikos Verlel Verlekis)
Vanna Reville
- Beth
- (as Gelsomina)
George Veulis
- Chauffeur - Max
- (as George Vevlis)
Meira Shore
- Maid
- (as Meira)
Jessica Dublin
- Mrs. Zagros
- (as Jessica)
Robert Rietty
- Sgt. Vendris
- (narração)
Avaliações em destaque
Well, pardon me for being excited at the prospect of watching Donald Pleasence and Peter Cushing in a '70s horror film. It does not take long to see why this film, titled "Land of the Minotaur" in the US but also possessing the horrendous title "The Devil's Men", is not more widely seen today or spoken about. It is such a dull film lacking in scares, drama and any other sort of talent that it is a wonder that Cushing and Pleasence were even in it. It has to have been a good pay-day for them. In fact, the entire budget must have went towards securing their contracts, because evidently there was nothing else left by the time they went to shoot this absolute borefest. Nothing happens, and there is nothing of interest apart from the banter between the priest and the PI, that swings between jovial and nasty. The director must have slept his way through the film, the editor had nothing to do because the film gives the impression that what was shot as quickly as possible and stuck together. Every single trope you can think of from Satantic horror films makes its way in here, and is done in a way that the film-makers shrugged and said "They've seen it before, why bother making an effort or putting a new spin on it?"
I am surprised of Cushing and Pleasence not being able to see through this one when they were approached.
A pretty drudgy effort from all concerned. Peter Cushing is the sinister baron living in a castle in Greece when young people start to go missing. A priest (Donald Pleasance) is soon hot on the trail and together with Kostas Karagiorgis discovers a coven (?) of pagan minotaur worshippers. It is odd to see Cushing playing the baddie quite this blatantly, and perhaps if he featured a little more then the film would be better. Unfortunately, it's all just a bit too procedural - lots of screaming, a fair bit of rather gratuitous nudity, and lots of thick, gloopy, tomato sauce - without the style of a Hammer production to underpin it. Watchable, though, if you like the genre - and there is a cracker of a song at the end that really doesn't fit at all.
The Devil's Men. A Satanic cult led by horror legend Peter Cushing are committing human sacrifice to a Minotaur figure in rural Greece and it's down to priest Donald Pleasence (another horror legend) and his friend from New York to put an end to it.
I've read mainly negatives about this movie and it certainly has flaws. For a start Cushing looked to me like he was merely going through the motions. Pleasence played an Irish man but his accent kept slipping. Having an interest in the occult I felt that there was a lack of information about the cult, it's beliefs, origins, etc. And the finale was rather sill, but entertaining. However, on the positive side it is visually very good, plenty of colour and great use of Greek locations. The musical score, by Brian Eno, is effectively menacing. Some reviewers found it boring but I did not. Being a 1970's Euro horror movie we get some nudity, plus a fair amount of blood and gore. It's really not too bad.
After an English and French couple- followed by 2 Americans and an Australian girl- go missing, while searching for the ritual grounds of an ancient Minoan cult, a private detective from New York is hired, by a local priest, to investigate their disappearances.
It turns out that this Greek village is home to a long forgotten priesthood, that worships the idol of a Minotaur possessed by Satan, himself.
Their priest is a local baron, who has been exiled from his homeland.
And they are grooming a young girl to be the priestess, responsible for making sacrifices to their demon god.
The closer the two men get to answers...the more people die.
And they just barely escape with their own lives.
Now, the only way to stop this demonic cult, is by eliciting some divine intervention.
For, if they are to save the last couple, before they too are sacrificed, then they must descend directly into the belly of the beast to do so- the Minotaur's lair...from which no one leaves alive.
And only God can save them...if it's not already too late...
While not the best satanic cult oriented folk horror ever made...it has some positive elements.
For instance, the Minotaur's lair is pretty damn cool.
But the ending was all a bit rushed, and rather implausible.
Which detracts from the overall enjoyability a little, however, it's entertaining enough to be worth a watch.
5.5 out of 10.
It turns out that this Greek village is home to a long forgotten priesthood, that worships the idol of a Minotaur possessed by Satan, himself.
Their priest is a local baron, who has been exiled from his homeland.
And they are grooming a young girl to be the priestess, responsible for making sacrifices to their demon god.
The closer the two men get to answers...the more people die.
And they just barely escape with their own lives.
Now, the only way to stop this demonic cult, is by eliciting some divine intervention.
For, if they are to save the last couple, before they too are sacrificed, then they must descend directly into the belly of the beast to do so- the Minotaur's lair...from which no one leaves alive.
And only God can save them...if it's not already too late...
While not the best satanic cult oriented folk horror ever made...it has some positive elements.
For instance, the Minotaur's lair is pretty damn cool.
But the ending was all a bit rushed, and rather implausible.
Which detracts from the overall enjoyability a little, however, it's entertaining enough to be worth a watch.
5.5 out of 10.
Peter Cushing and Donald Pleasance are legendary actors, and director Kostas Karagiannis was the man behind the successful Greek Giallo-esquire thriller Death Kiss in 1974; and yet when you combine the three talents, all you get is this complete load of drivel! God only knows what drove the likes of Peter Cushing and Donald Pleasance to star in this cheapie devil worship flick, but I really do hope they were well paid as neither one deserves something as amateurish as this on their resumes. The story focuses on a group of devil worshippers that kidnap some kids, leading another group to go after them. The pace of the plot is very slow and this ensures that the film is very boring. The plot is also a long way from being original and anyone with even a passing interest in the horror genre will have seen something a bit like this, and no doubt done much better. The obvious lack of budget is felt throughout and the film doesn't manage to overcome this at any point. This really is a depressing and miserable watch and not even a slightly decent ending manages to up the ante enough to lift this film out of the very bottom of the barrel. Extremely poor stuff and definitely not recommended!
Você sabia?
- CuriosidadesDonald Pleasence was originally offered the role of Baron Corofax. He only agreed to do the film if he could play Father Roche instead, because he was tired of playing villains.
- ConexõesFeatured in Don't Scream: It's Only a Movie! (1985)
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