Lager SSadis Kastrat Kommandantur

Yet another nazi-prison movie, that followed after Ilses success. This one has the usual stuff;lesbian warden, sadistic guards, forced co-workers and lotsa young women in shower/softcore sex scenes. The only highlight in this movie, is when the hero has his testicles removed, so the Kommandant can have them implanted (he lost them on the front, to a russian girl). Rather predictable and the torture scenes are kindda boring - for anyone who have seen this type of movie before.

SS Experiment Camp was one of the films to kick-start the video nasty furor in the UK. As a result, for the past 25 years or so, it has been considered a notorious film. However, like The Driller Killer, it primarily attained it's infamous status due to the crude cover art used on it's video box. Those people who actually watched the film discovered that it was nowhere near as shocking as it's reputation suggested. Furthermore, it is actually unintentionally hilarious on a number of occasions. SS Experiment Camp is a bit of an enigma.

The story involves a group of women who are delivered to the aforementioned SS Experiment Camp. While there they are subjected to some inexplicable experiments, which often seem to involve forced copulation with a group of Nazi studs (who it has to be said all look strangely Italian). The purpose of the experiments is to find the best stud from this Aryan select and transfer his balls onto the camp commandant who, as we discover, lost his when a Russian woman he was raping bit his off.

Now, the above synopsis may well make the film sound deeply depraved and offensive. Well, it is sleazy and in highly dubious taste but the execution of the film is so amateurish and unrealistic that it really sounds a lot worse than it actually is. The depiction of the camp is more Butlins than Belsen at times. The inmates seem relatively unconcerned for the most part and the Nazi baddies are often hilariously unconvincing. That said, there are some nasty moments, particularly the treatment meted out to the young girl at the orgy; she ends up hanging naked upside down in a shot that recalls the aforementioned distasteful cover shot. But, generally speaking, sequences that achieve such offense are uncommon here. The scenes showing the experiments, while certainly tasteless, are often more strange than anything else. The copulation in a tank of water idea being an example where it is too bizarre to take altogether seriously.

The film does, however, have two uproariously funny sequences. In neither case is the humour intentional...

Funny scene #1: In the first scene we have one of the Nazi studs returning to the dorm and saying how much he is looking forward to banging some hot women in the next experiment. The good Nazi, Helmut, takes offense at this and says, "I think every time you open your mouth you talk sh*t", to which the bad Nazi replies, after a long pregnant pause, "Hey, I don't like that last remark you made....about sh*t". Cue a silly fight.

Funny scene #2: The second hilarious scene begins when Helmut discovers, just as he is about to have sex, that he has no balls. He then runs naked through the camp in search of the commandant. Once he finally confronts him, he delivers the truly immortal line, "OK you bastard...what have you done to my balls?".

Both of the above scenes make the film worth enduring in a comedy sense.

It's very sleazy. There's acres of full-frontal naked female flesh. It's occasionally gratuitously violent. But above all, the notorious SS Experiment Camp is, in the final analysis, a rather silly film.

This is one of the many sleazy World War 2 Nazi camp movies. The poor female POW's get raped and groped by all and sundry at the camp, but in an amusing comic twist the commandant decides he wants a new pair of testicles and so removes them from one of the hunky guards, who doesn't seem to realise until he goes to bonk one of the French prisoners. This provides one of the most amusing scenes when he confronts the commandant and says "What have you been doing with my balls?". This is another title responsible for the "Video Nasties" furore by the media. Although by today's standards it could be passed with BBFC cuts.

"SS Experiment Camp", as it's known in Britain, first found fame with its promotional poster - in the early days of video in the UK, when only cheap titles were being released, video store owners brightened up their shops with its lurid artwork of a tortured semi-naked girl hanging upside down in a prison yard, with the spooky face of an evil Nazi officer hovering behind. The result was outrage, and the beginning of the Video Nasties panic, resulting in the banning of this and almost 80 other films.

I don't think "SS Experiment Camp" is currently available uncut anywhere in the world, which is hardly surprising - even Anchor Bay would turn their noses up at this one. Obviously it's in UNBELIEVABLY poor taste, and yes it does take ludicrous liberties with its portrayal of Nazi death camps, but what really stands out about this movie is how appallingly bad it is. All these things come together most startlingly in the memorable scene where a lady prisoner, who has been repeatedly raped to orgasm by a sadistic female doctor, piles marmalade onto her bread and sighs "I haven't had marmalade for ages...if these guys keep treating us like this, they've got my vote!" Jaw-dropping.

The torture scenes aren't very realistic, but they're INCREDIBLY mean-spirited (the even-worse sequel to this movie, the charmingly titled "SS Camp 5: Women's Hell" has more torture, which the filmmakers absolutely revel in). "SS Experiment Camp" is a very, very badly made film - those of us with a taste for extremely sick kitsch watch it for its ludicrous, campy sleaziness - for which we should be thankful. If it was a well-made film, it would be pretty impossible to watch without puking your guts up.

SS Experiment Love Camp is a film that makes Love Camp 7 look downright lovable. And I don't mean that in a 'This isn't a film for wimps, while Love Camp 7 is' kind of way. I mean that relatively speaking, Love Camp 7 has a lot going for it and may engage or entertain you in its special fashion, but that SS Experiment Love Camp most certainly does not, and won't.

'Sex experiments in pursuit of a better tomorrow!' screams the tagline. Being carried out by various fools in a Nazi-run slave brothel during WWII, these experiments consist in the first place of observing how German soldiers couple with female prisoners in transparent waist- high water tanks, or on white-sheeted beds. Cue softcore sex scenes. The second kind of experiment involves no sex but lots of particularly idiotic violence. I'll admit that the cruelty of some of these scenes is affecting, but it's hard to get away from the pervading feeling of stupidity. For instance, can you really learn anything by sticking a tube in a woman's ear and then blasting her eardrum with several atmospheres of pressure? The folks playing the unflappable camp staff act as if they really think they can. Truly, it's not just for the purposes of sadism. 'What, she's dead? Get another one in, we'll try the experiment again.' They're also obsessed with perfecting the 'uterus transplant' procedure, a yucky effect you get to see at least three times. Unsurprisingly, these operations, which were clearly going nowhere, come to nothing. The film is for the most part a momentumless series of such softcore sex and shabbily portrayed torture scenes, further undercut by the silliest-looking dubbing I've seen in a film of this genre and the least convincing casting of a period film ever. The German troops look and act - and above all, sound - like American GIs.

Even for folks who want to watch them - like myself - these Nazi sexploitation films are acknowledged as being pretty hard to surpass in terms of bad taste, so when one is executed as dumbly as SS Experiment Love Camp, it sort of topples over into a zone where it could easily be viewed as a complete insult to humanity. You've got a film about Nazi experiments, but they're quite ridiculous. The film's hopeless in its period detail and everyone has a broad American accent. Jewishness isn't mentioned at all (not totally exceptional for this genre, but in this film, again, it somehow looks worse). There's almost no development, no suspense and no engagement value of any kind, except during the last twenty minutes, when they throw in the testicular transplant plot development which I haven't previously mentioned. The ball action and some unintended laughs are about the only things which stick out of this quite dull, dumb and thoroughly poor entry in the genre.