Hawmps!

I love this movie. I know that it's not the greatest film ever made, but it's just so much fun. My older brother took me to see this when it came out in 1976. Ever since then, I've thought of this as "F Troop: The Movie." It even stars James Hampton, who was the bugler, Cpl. Dobbs, on "F Troop." It's a shame that Forrest Tucker, Larry Storch, and Ken Berry aren't in this film, but Christopher Connelly, Slim Pickens, Jack Elam, and Denver Pyle are always great...And when that band starts playing in the saloon, I laugh every time. This is of those movies like "The Apple Dumpling Gang" and (the original) "That Darn Cat" that entire families can watch together and get a good laugh.

HAWPS was produced by the creator of Benji, and it contains the same family-oriented take on a not so familiar subject, In the Mid-1800s the US military considered the use of Camels to transport Calvary troops on the Western plains. The project was not a success, but this fun family western details some of the chaos that might have ensued ! James Hampton(F-Troop) does a fine job as the lead, and Jack Elam nearly steals the film as a cantankerous and black-hearted villain. Slim Pickens is also on hand as a rival Sergeant. Denver Pyle is the bewildered Fort Commander amazed by the entire fiasco that takes place.The Camels are a sight to behold also,

A fun, lighthearted and pleasant western, with a number of genuine belly laughs! Enjoyed it !

It would be difficult, I suggest, to say enough in praise of the genial and narrative positives of "HAWMPS". Its writers and director managed somehow to make the film engaging, easy to follow, ethical, and logical at the same time in my opinion, not always the expected qualities of a western "send up" . The writers, William Bickley, director Joe Camp and Michael Warren kept the dialog rather swift and on target, without engaging in too many long digressions, extraneous stories, etc. Director Camp also gave the film plenty of well-staged "slapstick" physical moments; but a study of these will reveals that virtually none were wasted--instead they all contributed to the fundamental storyline...The War Department's dispatching of James Hampton, about the only man who would accept the job, to assess the practicality of replacing horses in some jobs in the American West, with camels was. This attempt, which happened in history, is then staged for the audience step-by-hilarious-step. The veteran cavalry troop assigned to this experiment expected fine Arabian mounts; and their new Eastern leader, Hampton, couldn't bring himself to tell them that they were not getting new horses until it was too late. From this point in the story on, everything that happened, I suggest, revealed the Army's leaders' mental shortcomings. Hampton's seriousness about becoming the leader of men he really wanted to be and everyone else's inability to understand their own motives in regards to the camels complete the picture of the picture. The film's makers, I suggest, wasted almost no opportunity where they might reveal character and changing emotions by means of speech as well as action--no small asset to an action film. The cinematography by Don Reddy is always above average, and the original music by Euel Box sustains the moods evoked very well. Production designer Harlan Wright and Art Director Ned Parsons gave the film a dusty, western and believable look everywhere, in my judgment. In the cast, outstanding work was turned in by Jack Elam as Bad Jack Cutter, Slim Pickens as the leader of a rival cavalry troop, James Hampton and Chris Connelly as the leaders of the experiment, Denver Pyle as an artillery-happy commanding officer, Gino Conforti as the camels' imported caretaker and riding instructor, and everyone else concerned. One reason the characters are so memorable, I suggest, is that their motives are rendered so clear throughout the proceedings. I recommend the film for a number of scenes, including the original decision in Washington, the arrival of the camels, the first and second transits of a nearby town, the learning-to-ride sequence, the saloon fight refereed by veteran actor Herb Vigran, and the protracted contest that constitutes the final third of the film. I add my approval also to the way in which all details at the end are wrapped up logically, neatly and amusingly. This film is almost unique, I suggest, in its good-hearted approach to finding comedy in a realistic situation in the American West without demeaning the western genre. I found it to be unexpectedly likable, occasionally touching and enjoyable throughout. Recommended.

FOLLOWING THE UNEXPECTED success of his BENJI (Mulberry Square, 1974), Writer/Director/Producer Joe Camp came up with another brainstorm. Why not take a true, albeit little known story about the U.S. Cavalry and turn into a true "G" rated, family picture? THE STORY TO which refer concerned an experiment that the U.S. Army tried with the use of camels as transportation of troops. This occurred circa 1850 in the Southwest (Arizona or New Mexico*). We hear that the tryouts for "the Ship of the Desert" failed; but we can't fault Uncle Sam for trying.

WHEREAS CAMELS DIDN'T pass muster, their legacy has proved to be the perfect sort of fodder for Hollywood Producers; who are looking for something to put o the screen. After all, we've all seen Westerns featuring bank hold-ups, train robberies, cattle rusting, range wars, battles with hostile Indian tribes and so on.

BUT WE DON'T know of any one of these Horse Operas that featured camel bronk-riders, camel rodeos, camel stage coaches or camel stampedes. (Catch on?)

ALTHOUGH THE STORY is historical in origin and is proof of the old adage that: "Truth is stranger than fiction!"; the production team* decided to give it decidedly comic tone.

IT REALLY DIFDN'T take much to move it into the camp of Family Comedy, or really Farce; as the opening premise seemed to be so incredible. All that had to be done was to assemble a cast, dress 'em up Cavalry style and go out to the Mojave and film it.

ANDSWERING THE CALL to "humps" were a talented cast of mostly supporting people. James Hampton, a mostly TV actor (Hannibal Dobbs on F TROOP) headed up the list**. Following up Mr. Hampton's lead were: Christopher Connelly, Slim Pickens (from DR. STRANGELOVE), Denver Pyle (BONNIE & CLYDE), Gino Conforti, Mimi Maynard, and durable, versatile Herb Vigran. Even the trainer of "Benji" and the other four legged actors, Frank Inn, stepped before the cameras as Cavalry Camp Cook.

THE STORY ON screen, such s it was, gave plenty of opportunities for hamming, obvious humor and family friendly goings on. The writers' embellishment on what is so little known about the real occurrences of the 1850's incident gave them plenty of leeway to steer the movie in any direction that they wanted. That led us to Matinees, Family Fare and of course a "G" Rating.

HORRORS! TODAY THAT would be considered a Kiss of Death!

NOTE * We cannot lose out without mentioning how kind Writer/Producer/Director, Mr. Joe Camp, was to us so may years ago. After we had seen it with our older girl, Jennifer age 3, we dropped him a note of appreciation. He replied with a letter on official MULBERRY SQUARE PRODUCTIONS Letterhead and enclosed a BENJI Movie Poster for little Jen. Whenever a now production was coming out, he'd send her another poster; as he did for HAWMPS!

NOTE ** In all fairness, we aren't trying to relegate any of these fine thespians to a lower status. Remember, "There are no small parts, only small people!" In the case of Mr. Hampton, we remember him best for is role as prison inmate, "the Caretaker" in Burt Reynolds' starring vehicle, THE LONGEST YARD (Paramount, 1975).

Like other reviewers of this film I, too, saw it in 1976 when it originally ran in the theater. One of my most prized possessions, which I have to this day and will NEVER give away, is a promotional "Camels are cush" promotional button that was given away to those who saw the film. The one line I always remembered was the "Give me a two by four and I'll beat it" line a camel soldier says early in the film. I have very fond memories of all of the Joe Camp films and regret that no one (and I'm including Disney!) makes those great family-oriented films anymore.

Unfortunately I, too, have only a Best Video (talk about irony!) VHS copy of this film. I agree that the quality leaves something to be desired but, still and all, it's worth watching on occasion (say, after a hard day at work and you need to relax). I pray that Joe Camp will personally allow a DVD release from the original negative, as this film is what America needs in these hard times.