AVALIAÇÃO DA IMDb
6,0/10
1,6 mil
SUA AVALIAÇÃO
Ladrões caem quando mais de meio milhão de dólares desaparecem após o ousado e cuidadosamente planeado roubo do Coliseu de Los Angeles durante um jogo de futebol, cada um acusando o outro de... Ler tudoLadrões caem quando mais de meio milhão de dólares desaparecem após o ousado e cuidadosamente planeado roubo do Coliseu de Los Angeles durante um jogo de futebol, cada um acusando o outro de ter o dinheiro.Ladrões caem quando mais de meio milhão de dólares desaparecem após o ousado e cuidadosamente planeado roubo do Coliseu de Los Angeles durante um jogo de futebol, cada um acusando o outro de ter o dinheiro.
- Direção
- Roteiristas
- Artistas
Priscilla Ann
- Daughter
- (não creditado)
Thordis Brandt
- Police Clerk
- (não creditado)
Calvin Brown
- Guard Charlie
- (não creditado)
Antony Carbone
- Man
- (não creditado)
Dee Carroll
- Payroll Clerk
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Though I think Leonard was a little harsh, "The Split" still isn't a very good movie. The characters are paper-thin, scenes seem to be missing, and the movie is generally predictable. And there are some unbelievable scenes, like when Jim Brown's character "tests" the potential recruits. The lame climax you've seen in countless other movies.
On the positive side, there is quite a bit of A-T-T-I-T-U-D-E here, which only something from this time period could pull off. There's a great scene when Borgnine and Brown slug it out. And the Quincy Jones soundtrack is great. I suspect the music is behind the reason why this has never been released on video.
On the positive side, there is quite a bit of A-T-T-I-T-U-D-E here, which only something from this time period could pull off. There's a great scene when Borgnine and Brown slug it out. And the Quincy Jones soundtrack is great. I suspect the music is behind the reason why this has never been released on video.
Richard Stark's novel "The Seventh" becomes a great-looking all-star heist flick with a football backdrop which, unfortunately, completely falls apart in the final quarter. Drifting thief, apparently a genius at concocting schemes and rounding up partners, comes up with a brilliant plan to rob the cash-office at the Los Angeles Coliseum during a football game. Selecting his ex-con cohorts by means of making them display their muscles (not especially their skills) is rather perplexing, though it works for the movie. What doesn't work is a sharp left turn in the narrative about an hour into the proceedings, with an absolutely unbelievable (and unforgivable) turn of events pitting the robbers against each other. This ridiculous third act smacks of desperation, and leaves Gene Hackman (as a somewhat dirty detective) with nothing but absurdity to play opposite. The rest of the cast does well until the screenplay drops the ball, and Burnett Guffey's cinematography is first-rate. *1/2 from ****
Near the beginning of this film, there is a fistfight, but it's not exciting because we don't know why the two men are fighting. A little later, there is a car chase, but it's not exciting either, because we don't know who's chasing whom or why. Later still, we find out the answers to those questions, but two potentially good action scenes have been wasted. And then the movie turns into a standard heist flick....thankfully only for a while. The focus here is not on the actual heist, but more on the aftermath. And it's there that the movie finally goes in unexpected directions.
There is, for example, the bizarre scene in which a man gets off on shooting someone with a machine-gun. There is the memorable image of a white sheet that gradually "absorbs" the blood of the body that's underneath it, and red spots start appearing on it. And there some neat plot twists along the way, mostly involving a character (I won't say which) that enters the picture when you least expect him to.
If the whole movie was as good as its final 30 minutes, I'd give it one more star, but for now this gets a ** rating.
There is, for example, the bizarre scene in which a man gets off on shooting someone with a machine-gun. There is the memorable image of a white sheet that gradually "absorbs" the blood of the body that's underneath it, and red spots start appearing on it. And there some neat plot twists along the way, mostly involving a character (I won't say which) that enters the picture when you least expect him to.
If the whole movie was as good as its final 30 minutes, I'd give it one more star, but for now this gets a ** rating.
7tavm
After football great Jim Brown died recently, I decided to watch two of his films he made after retiring from the sport that made him famous. I've long been interested in watching this one because I found out it was the first one to be rated R after the Motion PIcture Association of America (now simply reduced to Motion Picture Association) started doing the letter ratings system. R at the time meant that "no one under 16 admitted without parent or adult guardian" only raising the age limit to 17 two years later. Anyway, Brown ends up planning a heist of the box office earnings from a football game with Donald Sutherland, Ernest Borgnine (two of Brown's previous co-stars from The Dirty Dozen), Warren Oates, Jack Klugman, and Julie Harris in on the action. Diahann Carroll is his leading lady and Gene Hackman is a police detective on the trail. I liked most of the goings-on most of the time though I admit some scenes confused me. But The Split was really intriguing to me especially when Quincy Jones' score was used. So I recommend The Split for anyone looking for one of Jim Brown's early films. Next, I'll review him in El Condor.
This movie had everything necessary for a great movie but fell short while still an entertaining flick.
The amazing cast features early performances by Jim Brown, Gene Hackman and Donald Sutherland. Other stars include Ernest Borgnine, Jack Klugman and Julie Harris.
How could this go wrong?
The plot centers around a heist which is reminiscent of The Killing but replaces the racetrack with a football stadium (Los Angeles Memorial Coliseum).
The action is mostly good though perhaps slightly overboard at times.
The story is largely believable though the scenes with Brown's girlfriend are at times problematic though not insurmountable.
There are some other issues with the script but not major dealbreakers. Things get a little sloppy in the second half and the director tries to tie it all together in a rushed knot at the end which brings the movie down a notch.
This is really must-see for any Gene Hackman fan since it is one of his earlier roles and he shows all of the character traits which made him a great star.
Mostly, this film has some appealing parts namely in the way of its stars but too many little flaws which are emblematic of the time period when films were getting sloppier.
Você sabia?
- CuriosidadesWhile promoting this film, Jim Brown told critic Roger Ebert "What I want to do is play roles as a black man, instead of playing black man's roles. You know? The guy in 'The Split,' for example, could be any color. And I don't make a big thing out of my race. If you try to preach, people give you a little sympathy and then they want to get out of the way. So you don't preach, you tell the story. I have a theory, an audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it. If there's a bigot in the audience, he has to keep reminding himself, that's a black man, that's a Negro, because the story line has left him 'way behind, man. Away behind. Just tell the story, and before you know it, that cat will be identifying with you, and he won't even know how it happened."
- Erros de gravaçãoDuring the car chase scenes between McClain and Kifka, they are mainly on dirt roads, but tires are heard squealing - which does not happen on unpaved roads.
- Citações
Dave Negli: Listen, Marty, the last man I killed I did it for $5000. For $85,000 I'd kill you 17 times.
- ConexõesFeatured in Jim Brown: All American (2002)
Principais escolhas
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- How long is The Split?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El atraco al estadio
- Locações de filme
- Los Angeles Memorial Coliseum - 3911 S. Figueroa Street, Exposition Park, Los Angeles, Califórnia, EUA(Stadium and football game footage)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 30 minutos
- Mixagem de som
- Proporção
- 2.39 : 1
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