O Intruso

This is really nothing more than a slightly gorier rendition of SUNSET BOULEVARD/BABY JANE hysterics. Miriam Hopkins, one of Hollywood's finest actresses during the '30's, gives an appropriately hammy performance as a demented former movie queen who, when not chugging down a bottle of vodka, is staggering around her decaying Hollywood mansion(the real-life home of famous silent screen star Norma Talmadge) plotting to make a comeback. When she breaks her leg during a drunken episode, she is assisted by a good-looking, but strange young man(John Garfield, Jr.) who passes himself off as a male nurse, but is, in fact, a sick psychopath who has been dismembering several women who live in the Hollywood hills. Despite being almost totally beyond redemption, the movie offers some occasionally worthwhile moments supplied by several familiar old-time character actors, and Miss Hopkins, in her final film role, gives a much better performance than the circumstances warrant. Also out on video as: HOLLYWOOD HORROR HOUSE. Originally titled: THE COMEBACK.

An ageing, alcoholic movie star employs a young man to assist with the staff at her Hollywood mansion but he turns out to be a drug addicted, scheming, woman murdering maniac. Miriam Hopkins play the faded star perfectly, and this was to be her final role; David Garfield convincingly plays the handsome psychopath. As others have said this is "Sunset Boulevard"/'Baby Jane" but with plenty of bloodshed plus some psychedelic drug sequences. It is something of a curiosity, trashy but fun. I can find very little written about this in my various movie books, sad because it is a film that deserves to be better known. I have the original British VHS, released by Vipco and they weren't shy in pushing this as a gory slasher movie. I guess for 1970 it was quite explicit. Available on DVD as Hollywood House of Horror.

Miriam Hopkins plays an aging,drunken and washed-out movie queen living in a decaying mansion in Hollywood Hills,California.Her nurse is a psychotic young man who enjoys murdering and dismembering women with a sharp meat-cleaver.There is an interesting contrast between Old Hollywood and New Hollywood in low-budget proto-slasher "The Savage Intruder" by Donald Wolfe.The atmosphere of late 60's Hollywood's decadence is well-captured and the acting is decent.Unfortunately the pace is slow and there is not enough suspense.The killings are pretty gory and the climax is twisted.If you are a slasher completist you should give "The Savage Intruder" a chance.7 out of 10 for this cheesy curio.

A campy B-movie that's shamelessly derivative of 'Sunset Boulevard,' 'Whatever Happened to Baby Jane?' and 'Psycho,' but which was more entertaining than I expected. Is this a good movie? No, it's not a good movie. The premise is weak (gosh do you think they could use a little more due diligence in their hiring process?) and the overall script is too. The film lacks any kind of subtlety or refinement, but maybe the alternate title "Hollywood Horror House" was a little hint of that.

On the other hand, it was Miriam Hopkins' last film, and she's a delight to watch. At age 68 and just a couple of years before her death, she throws herself into her scenes, singing a little and getting a revealing massage along the way. The film also scored points for me in its opening shots, showing how dilapidated the Hollywood sign was in 1970, eight years before being saved and rebuilt. We also get a few shots on Sunset Blvd, and I liked how 'old Hollywood' was played off the topical drug/hippie stuff (plus Davis partying with the younger generation made me smile). There is an Asian-American character (Virginia Wing) who is presented to us sans stereotypes (though she is called 'fortune cookie' and hears the jibe "no tickee, no washee", it's by the bad guy). Gale Sondergaard (age 71) rounds out what is a pretty good cast for such a film. I was less convinced by the actual psycho (David Garfield, interestingly John Garfield's son), though I guess he's suitably creepy.

As for the violence, with hands and heads being lopped off and whatnot, it's done in such a campy way as to seem not gory, which could be viewed as a plus or a minus. I guess I wish the film had been more serious and elevated, but as it is, it was a fun watch.

Savage Intruder is one of those late 60's/early 70's horror films that adorn formerly famous, formerly glamorous Hollywood starlets in their elder years. Kick-started into action by the surprise horror hit "Whatever Happened To Baby Jane" which breathed new life into Bette Davis and Joan Crawford's practically non-existent careers at that point, suddenly other actresses, who were shunned by the studios which had used them up and spit them out, started lining up to star in low-budget horror movies. Their loss is our gain, because even though Hollywood has no use for them, I find seasoned actresses to be the most fun to watch - especially in a horror film.

This one stars Miriam Hopkins and Gale Sondergaard (who was criminally black-listed by Hollywood when she refused to testify against her husband during the McCarthy-inspired "Red Scare" hysteria in the 1950s). Hopkins is (surprise-surprise) an aging actress who lives as a recluse in her Hollywood mansion of memories. Sondergaard plays her tough but caring assistant. Suddenly, a young handsome stranger who harnesses a charismatic charm as well as a bad temper worms his way into the household, fooling Hopkins but not Sondergaard.

There is a nice helping of sadism, murder and weirdness embedded into the film, sure to please lovers of these kinds of horror movies. Although it is very hard to find, this one is well worth the effort.