Adicionar um enredo no seu idiomaA topless dancer attracts, seduces, then murders the men she sleeps with. She does it with a twist, however; she kills them with garden tools.A topless dancer attracts, seduces, then murders the men she sleeps with. She does it with a twist, however; she kills them with garden tools.A topless dancer attracts, seduces, then murders the men she sleeps with. She does it with a twist, however; she kills them with garden tools.
James Brand
- Lt. Ryan
- (as M.K. Evans)
Paul Hunt
- Blond Audience Member
- (não creditado)
William Rotsler
- Bearded Audience Member
- (não creditado)
Avaliações em destaque
Fairly tame and unexciting, Mantis in Lace is about a stripper in a club who tries acid one night while out with some groovy cat and has a bad trip. She hallucinates weird lights and patterns on the guy's face. Then she stabs him repeatedly with a screwdriver. End of date. She proceeds to go find other guys and brings them back to her place and does the same to them.
I was expecting more from this one. It's very, very low-budget, even by films of this type. The main actress isn't anything to write home about and the lensing by stud cinematographer Lazlo Kovacs isn't that hot. It also drags in a big way. This feels almost like a short that was padded to feature length.
Film has none of the mind-bending visuals or stylistic flourishes of Rotsler's brilliant "Like It Is" which was also released in 1968.
I was expecting more from this one. It's very, very low-budget, even by films of this type. The main actress isn't anything to write home about and the lensing by stud cinematographer Lazlo Kovacs isn't that hot. It also drags in a big way. This feels almost like a short that was padded to feature length.
Film has none of the mind-bending visuals or stylistic flourishes of Rotsler's brilliant "Like It Is" which was also released in 1968.
This is a film that takes all that was great about exploitation films in the 60s and mixes them into a heady brew sure to entertain any and all cinema deviants. Originally released in two versions (one for the sex crowd, one for the horror crowd), it's the lean and mean horror version that is the one to see. Unfortunately the version released onto DVD is the longer sexier version but some of the scenes from the horror version (an alternate psychedelic murder, splashing blood) are included as supplements. The sexier version of the film drags in many spots with extended dances in the nightclub scenes and a totally extraneous sex scene in the middle that brings the film to a dead halt. But still either version of this film is worth watching and cherishing by fans of 60s psychedelic cinema.
Well it's safe to say that Mantis in Lace doesn't have a lot in the way of a storyline. This is obvious from the outset as a sequence that should have took little over five minutes is dragged out to around half an hour, but the lack of plot line isn't important as William Rotsler's psycho thriller is really all about atmosphere. This film precedes a load of these films that were made in the seventies, and is certainly above average for its type. Most of the runtime is taken up by gratuitous nudity and phoney looking violence, as well as a fair helping of scenes involving drug use; and all of this is fine with me! The plot revolves around LSD and features a sweet young stripper who is picked up in a bar by a man. He gives her the drug and this begins a hallucinogenic nightmare as she promptly kills him and then proceeds to pick up other men from the club and take them back to her place, where they suffer a similar fate to her first 'boyfriend'. The twist is that she kills all of these guys with garden tools! There's also a rather lacklustre police investigation going on...
Despite the slow pace and thin plot, the film is entertaining for fans of this sort of stuff. Director William Rotsler builds up a fabulous trash atmosphere, which benefits the completely trashy plot line. The film stars Susan Stewart, who perhaps isn't the greatest actress of all time; but she plays her part very well and gives the film the added benefit of some eye candy. She looks good without her top on. A lot of the film takes place inside a strip club, which is an excellent setting for a film like this. The comic relief comes from the two inept police officers, who spend more time coming up with silly theories and cracking jokes than they do actually investigating the crime. But then again, this wouldn't be much of a trashy thriller if it featured decent coppers! There are practically no surprises at all in the plot and it's always obvious what is going to happen - at least it is until the end when Mantis in Lace finally shows some ingenuity (but don't expect too much). Overall, this is a nice little thriller and comes highly recommended to fans of this sort of stuff!
Despite the slow pace and thin plot, the film is entertaining for fans of this sort of stuff. Director William Rotsler builds up a fabulous trash atmosphere, which benefits the completely trashy plot line. The film stars Susan Stewart, who perhaps isn't the greatest actress of all time; but she plays her part very well and gives the film the added benefit of some eye candy. She looks good without her top on. A lot of the film takes place inside a strip club, which is an excellent setting for a film like this. The comic relief comes from the two inept police officers, who spend more time coming up with silly theories and cracking jokes than they do actually investigating the crime. But then again, this wouldn't be much of a trashy thriller if it featured decent coppers! There are practically no surprises at all in the plot and it's always obvious what is going to happen - at least it is until the end when Mantis in Lace finally shows some ingenuity (but don't expect too much). Overall, this is a nice little thriller and comes highly recommended to fans of this sort of stuff!
Gorgeous redhead Lila (Susan Stewart, whose acting career consisted largely of playing strippers and prostitutes, but who also did voice-work for Scooby-Doo) picks up men at the go-go palace she dances at, takes them to her groovy warehouse pad for LSD and sex, butchering them afterwards using a variety of sharp implements. She disposes of her victims' bodies by chopping them up with a meat cleaver, popping the pieces in a cardboard box, and dumping them. Meanwhile, two clueless cops attempt to solve the murders.
Mantis in Lace is a prime slice of sleazy psychedelic sixties sexploitation, the film delivering wall-to-wall nudity in the form of sexy strippers jiggling their bits to a baying audience of horn dogs and engaging in soft core nookie. In addition to all of the bare female flesh, the film offers fans of out-there entertainment a hilarious lexicon of hippie lingo (You're grooving, baby! Out of sight, man! Ow wow, oh wild!), a frustrating game of eight-ball where neither player knows the correct balls to play (guy pots a stripe on his break, and then pots a spot; Lila pots a spot, then goes for a stripe), and some trippy hallucinogenic imagery, plus a really dumb ending where the trigger happy cops mistake one of Lila's potential victims for the killer and shoot him dead.
Director William Rotsler allows every scene to go on for way too long and the murders themselves, while nasty in tone, are relatively gore-free, but I can't say that the film is ever boring: Lila and her sexy stripper pals see to that.
Mantis in Lace is a prime slice of sleazy psychedelic sixties sexploitation, the film delivering wall-to-wall nudity in the form of sexy strippers jiggling their bits to a baying audience of horn dogs and engaging in soft core nookie. In addition to all of the bare female flesh, the film offers fans of out-there entertainment a hilarious lexicon of hippie lingo (You're grooving, baby! Out of sight, man! Ow wow, oh wild!), a frustrating game of eight-ball where neither player knows the correct balls to play (guy pots a stripe on his break, and then pots a spot; Lila pots a spot, then goes for a stripe), and some trippy hallucinogenic imagery, plus a really dumb ending where the trigger happy cops mistake one of Lila's potential victims for the killer and shoot him dead.
Director William Rotsler allows every scene to go on for way too long and the murders themselves, while nasty in tone, are relatively gore-free, but I can't say that the film is ever boring: Lila and her sexy stripper pals see to that.
A terrible exploitation film of the late 60's with a sweet actress in the lead role. The cops are really terrible (as actors and cops). The only standout part of the film is the presence of the incredible Pat Barrington. There's nobody quite like her. This director has made better films (The Agony of Love). The sound quality is particularly bad.
The title song is excruciatingly awful as is most of the muzak. As I mentioned, if not for Pat Barrington, this would be totally unwatchable. Ms. Barrington should have played the lead instead of playing the belly dancing stripper. She has attributes the other females in the cast do not possess.
The title song is excruciatingly awful as is most of the muzak. As I mentioned, if not for Pat Barrington, this would be totally unwatchable. Ms. Barrington should have played the lead instead of playing the belly dancing stripper. She has attributes the other females in the cast do not possess.
Você sabia?
- Versões alternativasThe version released by Something Weird video as "Mantis in Lace" is the longest, most complete version of the film, originally titled "Lila".
- ConexõesFeatured in Harry Novak's Boxoffice Bonanza of Sexploitation Trailers, Volume I (1992)
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Detalhes
Bilheteria
- Orçamento
- US$ 35.000 (estimativa)
- Tempo de duração1 hora 27 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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