Viva um Pouquinho, Ame um Pouquinho

Elvis gets into lot of trouble when a girl named Bernice catches him in her eyes on a beach of southern California.

Greg (Elvis) is a free spirited photographer. He's enjoying his life until he meets a girl named Bernice (Michele Carley). Elvis finds that he has a handful of trouble when she starts to show up everywhere in his life.

When I watch some movies from the '50s, and '60s, I really feel that we're sliding backwards in culture. Life was much posher then than it is now. Clothing are beautiful, houses are beautiful, and people had more open outlook about life.

I also have to mention about the women of that era. They really look like women, and I guess so do the men. They're stunningly (and I mean stunning) gorgeous, and much more beautiful than the celebrities of today.

The movie is shot beautifully around Los Angeles. When I watch this movie, I get envious of the people who lived there at that time.

I really loved this movie, because it's a beautiful movie. I don't care if we don't have all the high tech equipments, just move me back to that era !

After the Doris Day/Rock Hudson era, America was moving into the era of the psychedelic sixties. Relationships in movies were less about playing the games of the fifties and more about being direct. So, you are more likely to see a woman be the aggressor in the later sixties. The female lead in this movie chases Elvis until he catches her. The dream sequence is less like a Dali painting than those in the fifties and more psychedelic in lighting. Some seem to equate "kooky" with the sixties, perhaps due to the influence of drugs, and that carries through in this plot and the characterization of the female lead. One might call this film a sex farce set midst the California lifestyle.

I enjoyed this film. Though the story was silly, the energy of the film was upbeat and fun. The women were beautiful, the music was consequential and Elvis actually seemed to be enjoying himself at times (did you ever notice how he seldom smiles in some of his films?). Yes, there are plenty of cinema clichés and some throwaway scenes, but I enjoyed the kooky chemistry between Elvis and Bernice. Injecting the obligatory Elvis fistfight does not help the story or the pacing, but Elvis manages to move the story along with his personality. See Viva Las Vegas for a film with real magnetism between the stars.

This must be Elvis' strangest film. It starts off in high gear, throws in a lot of mysterious twists, features a beautiful and funny co-star (Michele Carey--where are you? We need you back!), and has an intriguing soundtrack which doesn't sound remotely like anything else Elvis ever recorded--it even has a freak-out sequence, with the King singing a psychedelic song! I'm guessing that the creators of this film wanted to make a "swinging sixties" version of a screwball comedy, and they almost succeeded. For the first half, I thought I'd discovered a lost classic...or at least a lost camp classic! However, about mid-way through, the breakneck pace slows down, the weirdness goes away, and the rest of the film stumbles along like a mediocre sitcom. Still, no one could accuse this oddity of being a "formula" film, at least the first half. And this Elvis fan would much rather watch this or the equally quirky THE TROUBLE WITH GIRLS than watch GI BLUES or BLUE HAWAII. TCM showed this letterboxed, the way it should be seen, so you might want to wait a year or two until a DVD comes out...or at least until TCM has another Elvis festival and shows the letterboxed version at 3 a.m...rather than watch it panned and scanned. I think that anyone with the least interest in Elvis would enjoy watching this film, if only for the freakout sequence with the song "Edge of Reality."

Press photographer Greg Nolan (Presley)finds himself contending with sexy model Bernice who has several boyfriends all of whom know her by different names, while holding down two jobs in the same office block.

Daft (especially the dream sequence) but certainly not the worst from Presley and its quite an entertaining comedy with funny moments. Loved Albert the gigantic hound! Elvis sings "Edge Of Reality", "Almost In Love" and most notably "A Little Less Conversation" which was remixed and reissued in 2002 giving the King a posthumous number one.

I've been an Elvis fan for 10 years now, and I've seen most of his 60's movies. For some reason I didn't rent this one till recently- I think it's because I had it confused with "The Trouble With Girls", which I have no desire to see. Anyway, we rented this because we saw it had "A Little Less Conversation" in it and liked it so much we ended up buying it.

Elvis plays Greg Nolan, a photographer who..ok, there's not much of a plot to describe here. The storyline consists of a girl he meets who keeps changing her name (Bernice/Betty/Suzie/Alice) and personality, spending most of the movie alternately screwing with Elvis' mind and coming on to him. Meanwhile, Elvis gets two jobs for girlie-type magazines in the same building- one of them is called "Classic Cat Magazine" (or maybe it's Classy Cat) being a photographer and pretends at both that he only works for that magazine, while he literally runs back and forth between the two jobs, changing clothes and trying not to have one boss find out about the other. Red West makes his usual cameo as a guy in a fight scene whose ass Elvis ends up kicking (always fun to watch).

This is a pretty fun Elvis movie, and since it was filmed in '68, right around the time Elvis did the comeback special, the King was in great shape, looking pretty sharp with his sideburns and tan. He also looks like he's having fun, and doesn't feel too stupid. "Spinout" is entertaining, but half the time Elvis looks pretty unhappy. One of my Elvis trivia-type books said this movie has the distinction of being the only one he ever has sex in (offscreen, of course) but I think the only way you could tell this is by him waking up in a girl's bed. His co-star, who looks like a cross between Sharon Tate and how Liz Taylor looked in the 60's, was kind of annoying (though not as bad as some of the actresses he's worked with, and at least she has a great wardrobe. It was mainly the fact that she had this kind of whispery voice like Taylor. The clothes and hair are all really cool. There are only 4 songs in the movie, but two of them are especially good. I loved "The Edge of Reality"-Elvis has this trippy dream because Bernice/Betty/Suzie/Alice has been messing with his mind so much. The song is great, and Elvis wears this tailored set of pajamas that look more like a blue sharkskin suit. I think whoever designed and choreographed the dream sequence might have paid a little visit to Dr. Nick's, if you know what I mean, but it's pretty cool. The highlight of the movie for me was definitely "A Little Less Conversation", which Elvis sings to a hot babe at a swinging cocktail party as he's getting her to leave with him. Watch for the male red-haired go-go dancer that they pass who dances so furiously and wildly that his gyrations actually make him upstage Elvis for a few seconds, which is no small feat. As he and the chick are leaving, they pass other go-go dancers, saunter out the door of the cool 60's pad, and hop in Elvis' Cadillac that the valets just happened to have pulled up in front at that second, while Elvis smoothly never misses a beat and manages to make the whole thing look like he does it every night. Now that's how you leave a party!

One of Elvis' better flicks from the 60's, and definitely my favorite movie of his to watch from the late 60's.