Adicionar um enredo no seu idiomaIn 1999, a race of she-aliens, the Kilaaks, brainwash Earth's monsters into attacking major cities, prompting a team of astronauts to stop the invaders while the monsters battle Ghidorah.In 1999, a race of she-aliens, the Kilaaks, brainwash Earth's monsters into attacking major cities, prompting a team of astronauts to stop the invaders while the monsters battle Ghidorah.In 1999, a race of she-aliens, the Kilaaks, brainwash Earth's monsters into attacking major cities, prompting a team of astronauts to stop the invaders while the monsters battle Ghidorah.
- Direção
- Roteiristas
- Artistas
- Young Scientist
- (as Yoshio Katsuda)
- Engineer
- (as Henry Okawa)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
There are a few flaws with the film which may not have been present if the Toho of 1964 had made it rather than the Toho of 1968. Although the story has the entire world threatened and several of Earth's cities destroyed,the budget did obviously not extend to allowing much of a depiction of this,bar some brief,unconvincing scenes. Also,a few of the monsters are only briefly shown,such as Varan {The Unbelievable},who appears only in two blink-and -you're-miss-them shots {the suit had been ruined and there was not enough money to buy a new one}. The film may therefore have actually been better with less monsters. However,criticisms of dullness are ridiculous,the film is constant action,which makes up for the lack of interesting human characters,and amazingly,the film is taken more seriously than many of the other Godzilla films,almost achieving the perfection of tone of Godzilla Vs Mothra. Of course,there are a few wonderfully stupid moments,like the sequence of our heroes severing a control device with a lazer which helariously goes on for ages. A shame the final Earth monsters vs Ghidorah fight is too short,but than Ghidorah did not really stand a chance!
Terrific fun,though,with a wonderful Akira Ifikube score featuring two of the most memorable kaiju themes! Not the best Godzilla film,but probably the most essential one to see!
As the end of the so called "Golden Era" of the Toho produced films, "Destroy All Monsters" is a suitably cheesy and throughly entertaining finale to this part of the Showa-era. Although I miss the darkness of the original, at this point in the series I was on board with the silliness of the plots. As always, the practical effects here are fantastic for the time period. The rampaging monsters look the best they have ever looked, and every scene that the monsters are on screen is so fun.
I'd be reluctant to say it's the best of the Showa era, but I would say it's one of the most entertaining in terms of pure monster madness. A must watch for Kajiu fans.
Side note: I've never watched a rated G movie that literally shows a guy getting shot in the face, with blood and all, AND a suicide. Damn the 60's were wild.
And....mwelll, it is quite good, only not as tremendous as I had expected. Yes, the whole kaiju bunch get together to battle the nasty aliens in the end (who send in Ghidora against them, who's always nice to see in action as the kaiju über-baddie), and this big fight scene is pretty great. Only, it's short, and there's little else in there that really stands out. In fact, for a flick with so many monsters in it, you see shockingly little footage of the kaiju actually tearing up cities good and proper. Plus, some very obscure monsters join the fray, which eventually only clutters things, as we'd rather just see the proper big-name kaiju instead of a shady filler-material monster.
There's some kind of a plot in there, but it's not really something to write home about. Someone's had the clever idea to store all the earth's (or Toho studios') giant monsters on the aptly-named isle of Monster Island. This just begs for disaster, of course. Before long, a mysterious cataclysm causes all the monsters to escape and wreak havoc. And as usual, there's a bunch of unpleasant, and very oddly dressed aliens behind all this. Que lots of scenes with brave human heroes and their funky spaceship trying to put a halt to the aliens' evil plans. In fact, far too many of such scenes. And while there are delightfully silly cheapo sci-fi costumes and tacky spaceships in there, somehow more of the proper kaiju action that this film's concept promised would've been much better.
It's still quite an addition to a kaiju lover's collection, and is good enough to kill time in a nicely silly way, with all those groovy big monsters in there. Worth a go, but could've been much more. (still, hooray for a flick where poor old Anguillas is -not- merely used as a kaiju-sized live punching bag for a change).
Você sabia?
- CuriosidadesThis film is considered the last entry in the Golden Age of Toho's kaiju films, and meant to be the last film of the Godzilla series. However, it was successful enough that it was decided to continue the series, albeit as part of a film campaign called the Toho Champion Festival, a seasonal matinee that specifically targeted children. This meant that subsequent films would have to reduced their budgets and staff since the Godzilla films were just too expensive to continue making in their original manner. For example, this film and the ones prior had two or more large groups of crew members that divided the work on the character drama and special effects sequences. Case in point: cinematographer Taiichi Kankura shot the live action character drama directed by Ishirô Honda, while different cinematographers, Yôichi Manoda and Sokei Tomioka, shot the monster sequences directed by Sadamasa Arikawa. Subsequent films reduced this to a singular crew that had to manage all of those aspects at once.
- Erros de gravaçãoWhen the news reporter in the film announces that Baragon is destroying Paris, France, it is actually Gorosaurus. The Baragon suit was loaned out to Tsubaraya Productions for use on one of their TV series and was not returned in time for filming.
- Citações
News Reader: The major cities of the world are being destroyed, one-by-one by the monsters: Moscow by Rodan, Peking by Mothra, London by Manda, Paris by Baragon. And, here's a special news bulletin. Godzilla is now in New York City. The city is being invaded by Godzilla!
- Cenas durante ou pós-créditosIn Toho's international version of the film, its English-language credits list special effects director Sadamasa Arikawa as "Sanemasa Arikawa."
- Versões alternativasA Toho Video documentary released in the 1980s contained several unused and deleted scenes from this film. The majority of this footage consists of alternate takes of finished scenes, such as the raids on Moscow and Paris by Rodan and Gorosaurus, respectively. Toho also filmed much more footage of the United Nations' defense of Tokyo from the monsters, including a number of scenes of missile launchers being deployed from the roofs of skyscrapers. The most notable unused scene in this feature has Godzilla thrashing Manda against several Tokyo buildings. According to Haruo Nakajima, this was an impromptu act at the end of a take. This was likely removed from the finished film as both monsters were under the Kilaaks' control and should not have been fighting each other.
- ConexõesEdited into Godzilla - O Rei dos Monstros (1972)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Destroy All Monsters
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- JP¥ 200.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 472
- Tempo de duração1 hora 29 minutos
- Mixagem de som
- Proporção
- 2.35 : 1