Invasão Sinistra

Boris Karloff once again gives a performance that outclasses a shoddy production. The last of the four Mexican-American cheesy B's that the genre star made before his death, it stars Karloff as John Mayer, a scientist in 19th century Europe. He's perfected a ray machine; it attracts the attention of a rather harmless looking spaceman. Believing that Mayers' invention must be destroyed, the spaceman (Sergio Kleiner) forces lady killer Thomas (the hulking Yerye Beirute) to work for him, and the psycho infiltrates the Mayer household.

Also starring Enrique Guzman as young scientist Paul Rosten, Christa Linder as Mayers' lovely niece Laura, and an appealing Maura Monti as Mayers' disfigured assistant Isabel, "The Incredible Invasion" a.k.a. "Alien Terror" may be just the thing for some lovers of cinematic trash. Granted, it can be slow and dull at times, with uninspired direction and a silly script co-written by actor Karl Schanzer (whom you may remember as the sleazy lawyer in "Spider Baby"). It doesn't have any real atmosphere, and the score is hilariously ineffective. But it does offer some fun, provided you're partial to this sort of thing to begin with.

As with the other movies, this had Mexico-lensed scenes helmed by Juan Ibanez, and Jack Hill (the B movie great who gave us classics like "Coffy", "The Big Doll House", and "Switchblade Sisters") handling the L.A. studio scenes. (Jose Luis Gonzalez de Leon is credited as a co-director.) Sadly, Karloff's failing health is apparent; he couldn't move about very much, and required the use of a mobile oxygen unit, but he's still effortlessly delightful, giving as much as he can to a fairly standard kind of genre character.

It may be of some interest to people to compare these four movies and decide how best to rank them. This isn't the most entertaining, but neither is it the worst of the bunch.

Five out of 10.

Boris Karloff was an unusual actor in that as he aged, he didn't slow down making films even though he was a physical mess. He had advanced emphysema and could barely walk due to a crippling back injury and arthritis....but he kept plugging away...mostly in very cheap international productions. But here's the weirdest part of it. He knew he was dying and deliberately filmed parts of MANY films...Mexican and Spanish...with the assumption that the filmmakers would later make the rest of the movie after Karloff's death! I can only guess that he either wanted to leave some money to his family or perhaps he simply couldn't stand NOT acting! As a result, a couple years AFTER Karloff had assumed room temperature, his films continued to appear in theaters. I cannot think of another actor who did this....and it's a bit creepy. "The Incredible Invasion" (aka "Alien Terror") is one of these posthumous productions....and it's the last one to appear in theaters.

"The Incredible Invasion" is available in two forms....with Karloff dubbed into Spanish or the rest of the cast into English. I was only able to find the Spanish language version. My Spanish isn't great by any stretch, but I decided to watch this in order to see just how able Karloff was to make movies at this point life...as well as whether or not the film was any good.

At the end of the 19th century, Professor Mayer creates a weird ray beam that he shoots into space. Aliens aboard a UFO see it and realize that humans are too stupid to have such power, so they dispatch an alien to inhabit the bodies of folks to make them kill. Why they just don't kill Mayer and destroy his ray, I have no idea.

So is it any good? Well, it's not as bad as a few of these later films, such as "Cauldron of Blood" or "The Snake People"...though this is hardly a glowing endorsement!! The acting is occasionally bad but the sets and special effects could have been a lot worse! You also see only a little of Karloff because he was too ill to film more...so they had to film around him and piece it all together later! Sadly, in one scene they obviously had someone don a welding helmet-like hat to hide his face because he was unable to walk about the room. This is reminiscent of a dentist holding a cape over his face in "Plan 9 From Outer Space" in order to pretend to be Bela Lugosi...who had died before being able to film much of the story. Overall, a sad and silly film...one that does NOT beg to be seen today.

Most of Karloff's late career films are either exceptional ("Targets", "The Sorcerers", "The Crimson Cult") or godawful messes (pretty much every other 1968-1971 film). There really isn't anything in between, sadly.

1968's "Incredible Invasion" (Invasion Siniestra or Sinister Invasion) completed the Boris Karloff quartet of Mexican titles for producer Luis Enrique Vergara, as shown by the absence of Julissa as his daughter, replaced by German beauty Christa Linder, Yerye Beirute from "Fear Chamber" cast as the serial killer Thomas. Prof. John Mayer offers the octogenarian actor his greatest screen time at 24 minutes, a forward looking scientist of 1890 whose new invention produces a laser that destroys a boulder (a nice nod to "The Invisible Ray" of 1936), but alarmingly earns the attention of a space invader out to put an end to mankind's interference. Why the alien decides to use an accomplished razor wielding psychotic as a go between, continuing to supply him with more female victims to butcher, makes this a truly unpleasant viewing experience, and once Mayer too falls under the telepathic control of its evil influence (both characters giving off deadly signs of radiation) the picture simply stops dead with no further development. The local villagers are in an uproar as they search for the missing victims, every woman save for Mayer's daughter just another corpse for the morgue, far too much footage given over to sleazy exploits than its ailing star. What could have been the best of this final four is a jumbled collection of ideas that fail to coalesce, though Boris as usual is able to make a silk purse out of a sow's ear in beefing up Mayer's resistance to his brain's unwelcome occupant. The lone alien on display looks like a reject for Gerrit Graham's part of Beef in Brian De Palma's "Phantom of the Paradise," essentially a parody before there was such a thing. It's an astonishing twist of fate that this Karloff feature would actually echo the nuclear message of Lugosi's farewell "Plan 9 from Outer Space," whose invaders were just as rash and incompetent, while the mob of torch wielding villagers offer a pleasant reminder of the good old days at Universal. Few people could have caught up with this obscurity until the butchered VHS version called "Alien Terror," not the best way to enjoy Karloff's last screen performance, though sadly ironic is the ultimate fate of writer/producer Luis Enrique Vergara, following his leading man into the afterlife by dying just one year later at a shockingly youthful 47.

The Sinister Invasion (1971)

* 1/2 (out of 4)

This here was one of the four Mexican films Boris Karloff filmed before his death and this is one that was released after the horror icon had passed. In the film he plays Professor John Mayer who in 1890 has created a ray machine, which he shoots into space. The ray just happens to cross paths with a flying saucer and the aliens decide to come and destroy it but to do so they take over the body of a serial killer. Also known as ALIEN TERROR, THE INCREDIBLE INVASION and about a dozen other titles, this film is probably the most entertaining out of the films Karloff did below the border but that's really not saying too much. This is a hard film to fully understand as the plot never makes too much sense but I'm going to guess this is due to two directors making the picture (Jose Luis Gonzalez the Mexican stuff, Jack Hill the Karloff material). It's also worth noting that the aliens here are so stupid that they have to be the children of those seen in PLAN 9 FROM OUTER SPACE. OK, one understands why they want to destroy the ray but they've got the technology to do so without taking over the body of this killer. This killer just ends up causing so many problems and yet the aliens keep on using him. The entire subplot with the killer is quite strange to watch but it does add a rather surreal feel to the picture. As for Karloff, he's certainly showing signs of his health issues but he's pretty good here. Unlike the other three films where he's basically just an extended cameo, he actually gets a pretty big role here, which is nice to see. The rest of the supporting players aren't as memorable but we've all seen much worst. The production values are cheap and it's obvious you're not in the 1890s but this could have been much, much worse. With that said, this was released a couple years after Karloff's death and you really have to wonder who would want to see something like this other than those curious die-hard Karloff fans.

It has poor lighting, poor sound(as everyone except Karloff is dubbed, and on one occasion even he is dubbed, by someone doing a very bad impression. The editing is bad, although this may be down to a poor quality hacked up print, but in general it looks like a cheap film with Karloff's stuff looking like it could all have been shot in a couple of days. There are some classic funny bits, unintentional. I don't know why but I find a woman (possessed by an alien) slapping a man till he just punches her and knocks her out quite funny. *slap slap slap* *thwack* man wins. The plot was not that unusual but it was quite hard to follow what was going on even if you were paying attention. Karloff had a cool voice. 2/10 - Maybe slightly watchable for occasional funny bits.