Fu Manchu e o Beijo da Morte

Fu Manchu (Christopher Lee) is hidden with his evil daughter Lin Tang (Tsai Chin) in a lost city he has found in the jungles of South America. He discovers a poison deadly for men through kiss and he abducts ten women to infect them with the poison to destroy his enemies. Then he sends one woman to London to kiss his greatest enemy, the Scotland Yard agent Nayland Smith (Richard Greene). Nayland is blinded by the poison and his friend Dr. Petrie (Howard Marion Crawford) travels with him to the jungles in South America to seek out Fu Manchu expecting to find an antidote. They team up with agent Carl Jansen (Götz George) and soon they learn the scheme of Fu Manchu for world domination.

"The Blood of Fu Manchu" is a silly and lame adventure of the infamous Fu Manchu by Jess Franco. The acting is dreadful and the plot is confused and boring with no emotion. The speeches of Howard Marion Crawford and Götz George are very difficult to be understood and most of the women are beautiful actresses. My vote is four.

Title (Brazil): Not Available on DVD and Blu-Ray

Christopher Lee returns in this fourth chapter as the evil Fu Manchu , this time has designed a fantastic gadget injecting gorgeous girls (Leni Von Friedl, among others) a venomous poison which reacts in a killing kiss . The beautiful girls are sent to seduce Nayland Smith (Richard Greene replaced Douglas Wilmer) and world leaders . When Nayland Smith is kissed by a death-kiss and he then strolls completely blinded , letting his assistant Dr. Petrie (Howard Marion Crawford) takes the center of attention . A blind Nayland Smith enlists the help an adventurer named Jansen (Gotz George) and an attractive woman (Maria Rhom, married to producer Harry Allan Towers) .

This is a bizarre blending of adventures , thriller and Spaghetti Western . This exciting picture is full of Chinese killers , British adventurers , and Cangaiceiros dressed in Mexican bandits-alike . Weak performance by Richard Greene as Nyland Smith who in previous episodes was best interpreted by Nigel Green and Douglas Wilmer . The villain T Sai Chin stands out as Fu Manchu's daughter and the murderous bandit Ricardo Palacios overacting as a sympathetic chief Cangaicero . This is the beginning of collaborating between Jesus Franco or ¨Uncle Jess¨ and the producer Harry Allan Towers and to be continued in several movies . Filmed in Madrid and Rio De Janeiro and well photographed by Manuel Merino . Atmospheric musical score by Daniel White , Jess Frank's usual.

Most critics felt this outing was one of the weakest entries along with ¨The castle of Fu Manchu¨ also directed by Jess Frank with similar casting , plenty of stock-shots and a Z-series style . Christopher Lee (Dr. Fu Manchu), Tsai Chin (Lin Tang) and Howard Marion-Crawford (Dr. Petrie) are the only actors to appear in all five Harry Allan Towers/Fu Manchu films . The best installments resulted to be ¨Face of Fu Manchu (1965, Don Sharp)¨ , and ¨Brides of Fu Manchu (1966, Don Sharp)¨ and the inferior ¨Vengeance of Fu Manchu (1967 , Jeremy Summers) ¨.

The evil Fu Manchu continues his endless quest for world domination but first; he has developed a plan to eliminate his arch-enemies (of which Scotland Yard's Nayland Smith is top priority). So our oriental master-criminal has kidnapped 10 of the most beautiful women on the planet and stuffed their bodies with the world's deadliest poison. Their orders are to seduce the enemies and kill them with "the kiss of death". His fiendish plan almost succeeds but Smith survives the assault and goes after Fu Manchu, who shelters in the jungles of South America. The premise of this sequel sounds promising enough but, don't be fooled, it's a terribly boring and unexciting film. There are so many things wrong with this production I don't even properly know where to start. For starters, the screenplay introduces way too many characters and actually none of them are worth mentioning. There's no tension and there's a total lack of gore and sleaze, as well (considering Jess Franco signed for the direction, I was at least hoping for this). There are a lot of battle sequences but they're painfully tame and tedious. Franco makes no use of the great jungle-location at all and the editing is lousy. Judging by his emotionless performance, Christopher Lee wasn't interesting in repeating the Fu Manchu role for the fourth time at all. Jess Franco also directs on automatic pilot, meaning without the slightest bit of passion or motivation. For him this was just another easy-money job in between some euro-trash cinema highlights like "99 Women" and "Marquis de Sade: Justine". The absolute best Fu Manchu film remains the 1932 "Mask of Fu Manchu" (starring Boris Karloff), although Don Sharp's efforts "the Face of…." and "The Brides of …" are pretty good as well. There's absolutely nothing to recommend about this one, so avoid unless you're a perfectionist...or really REALLY bored.

The fourth film in the revived Fu Manchu series from hit-and-run international film producer Harry Alan Towers is the first one directed by Jesus (Jess) Franco, a cult icon best known for the staggering quantity of his films, as well as their usually appalling quality. In hindsight, Towers and Franco were destined for each other. Both were specialists in speedy international productions and each usually juggled more than one project at a time.

"Fu Manchu's Kiss of Death" (the shooting title) was filmed back-to-back (or perhaps simultaneously) with the next film in the series "The Castle of Fu Manchu" and shows evidence of having been written on the fly. The script is loosely constructed and constantly sidetracks itself with multiple subplots and far too many characters. The most intrusive involves the a South American bandit chief, whose protracted exploits take up so much screen time that viewers just walking in would think they were in the wrong theater. Probably designed to show off the Brazilian exteriors, it is tempting to say that these sequences look like rejected scenes from "The Wild Bunch", but that would be giving Franco's footage too much credit.

As evidence that Towers was not above ripping off himself, the film opens with a sequence that is a remake of the opening of "Brides of Fu Manchu", with women chained to pillars in an underground hideaway. As in "Brides", one is led to a snake pit but, instead of being lowered in, she is gingerly bitten in the throat by one, thereby becoming the carrier of the title's kiss of death. The contrast between the lighting, staging and sets in these two sequences gives ample testimony of how low the series had fallen in just two years.

The ever-present Maria Rohm (AKA Mrs. Harry Alan Towers) shows up as a jungle missionary wearing a gaucho hat and red leotards. She gets involved in yet another subplot about a proto-Indiana Jones leading a medical expedition. Apparently, this plotline exists only to provide the hero, afflicted with the death kiss, with a miraculous cure at the last minute.

While the rest of the cast was having fun in the Brazilian jungles, stars Christopher Lee and Richard Greene never leave the studio in Madrid, Spain that was home to all the film's interiors. Guest star Shirley Eaton appears in one brief scene that appears to be an outtake from one of the two Su-Muru films she was making for Towers at the time. (The second was also directed by Franco.)

It's hard to believe that this film (retitled "Kiss and Kill") got major USA playdates in 1968 as a solo feature.

If you read the plot synopsis of "Blood Of Fu Manchu" it sounds like exploitation gold, but don't get your hopes up: it doesn't make the most of its premise (to put it kindly). Despite noted smut peddler Jess Franco in the director's chair, it is quite tame, and despite being part of the Fu Manchu series, a stereotypically fat, unshaven, cackling bandit has by far the most screen time (Shirley Eaton fans will also be disappointed; her part is a 2-minute cameo). Location filming in Brazil and Christopher Lee's commanding (even if unconvincing) performance are pretty much its only assets. ** out of 4.