Angels from Hell

In 2015, it's a bit hard to imagine that evil biker flicks were so popular in the late 1960s. Although the films seem incredibly naive and silly today, at the time they were box office gold for American International--a studio specializing in cheap and trashy drive-in fare. But the films were wildly successful despite their many shortcomings.

Unlike many of the biker films which starred the likes of Joe Naimath or Peter Fonda, this one stars a relative unknown. Tom Stern stars as Mike--a newcomer to town who soon becomes the leader of the Madcaps biker gang after he breaks the leg of their old leader. Now with a taste of power, Mike becomes a bit of a megalomaniac--feeling invincible and drunk with power. So, when his gang goes too far, he does little to reign them in and it's soon war with the local police. And, when 'Nutty' murders a girl, instead of turning this psychopath in, Mike covers up the killing and continues to think he can do pretty much what he wants. What's next for Mike and the out of control and rather stupid gang?

So is this film any good? Well, yes and no. Compared to many other biker films it's a bit better---with a bit more realism and a great ending. But it's also very low-brow and not exactly a must-see film! Not terrible overall despite the title.

I worked with Tom in Angels From Hell. We worked together after the movie to produce our own biker movie. I had a lot of time and money in lining up the bikers for him. I got the bikers to really fix up their scooters 'cuz they were going to be paid well in the upcoming movie. After everybody had finished their bikes, I had them come together for Tom's inspection. For arranging all of the bikers, Tom had promised me a big part in the movie. On my last visit to Tom's office in Hollywood, he told me that he would contact me when he was ready to film. I waited until I found out the the HA were filming on location (Hells Angels 69). We rode out to location and talked with Terry The Tramp and Tiny. Tom had managed to get the real HA to do the picture and left me and my boys out. plus the HA weren't happy working with him at all.

Tom is a good actor but he is a user/manipulator. Whether this has kept him from going to the top, I don't know.

Dirty Denny

Although I'm usually a big fan of drive-in movies, I have to confess that motorcycle gang movies kind of leave me cold. So I might be writing this review with some prejudice, but I think that this particular motorcycle movie will be badly judged by other drive-in movie fans. The biggest problem with it is how slow and uneventful it is. In the first half of the movie, almost nothing of consequence happens. It's almost all padding. There's a bit more plot in the second half of the movie, but the movie still feels slow and lacking bite. Another big problem with the movie is that the main character (played by Tom Stern) is not developed very well; we never quite sense what makes him tick and what motivates him. By the way, while the movie got an "R" rating back in 1968, it's not very explicit by today's standards; it would get a "PG-13" rating at most if submitted to the MPAA today.

(1968) Angels From Hell CRIME DRAMA

It opens with motorcycle bike rider, Mike Connery (Tom Stern) beating up a couple of racists who ganged up to beat up a young African American man wanting to use the washroom. And by the time he helps to carry him out, is when other African American guys riding motor bikes show up. After this was done, he then rides away to meet up with his former bike gang group "Madcaps" hanging out in a bar. And we find out Mike had just returned from serving in the military, and decides he want to upstart his own gang again. Except that the Madcaps have a current leader already, Big George to whom Mike has never met before. Big George then challenges him to a fight since he knows Mike has a long history with majority of the members, and wants to prove he is worthy. Once Mike takes over the Madcap group the movie then flips back and forth between righteous and chaos. It was routine until there was a single moment it became interesting is when two low ball cops became judge and jury and breaking the law themselves are and are worse than bikers themselves. The movie worsened as it continued, as if it forgot what it wanted to say as the makers was making it.

AIP does what it does best, exploitation of stereotypes. Good fun though with the real bikers being used. The real actors aren't as good as them. Incredibly terrible soundtrack.