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IMDbPro

Adam-12

  • Série de TV
  • 1968–1975
  • TV-PG
  • 30 min
AVALIAÇÃO DA IMDb
7,7/10
5,3 mil
SUA AVALIAÇÃO
Kent McCord and Martin Milner in Adam-12 (1968)
Trailer for Adam-12: Season Two
Reproduzir trailer1:04
4 vídeos
99+ fotos
CrimeDramaDrama policialInvestigação policial

Segue dois policiais comuns enquanto patrulham a cidade de Los Angeles.Segue dois policiais comuns enquanto patrulham a cidade de Los Angeles.Segue dois policiais comuns enquanto patrulham a cidade de Los Angeles.

  • Criação
    • Robert A. Cinader
    • Jack Webb
  • Artistas
    • Martin Milner
    • Kent McCord
    • Shaaron Claridge
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    5,3 mil
    SUA AVALIAÇÃO
    • Criação
      • Robert A. Cinader
      • Jack Webb
    • Artistas
      • Martin Milner
      • Kent McCord
      • Shaaron Claridge
    • 43Avaliações de usuários
    • 10Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 Primetime Emmy
      • 5 indicações no total

    Episódios174

    Explorar episódios
    PrincipaisMais avaliados

    Vídeos4

    Adam-12: Season Six
    Clip 2:33
    Adam-12: Season Six
    Adam-12: Clip 1
    Clip 1:38
    Adam-12: Clip 1
    Adam-12: Clip 1
    Clip 1:38
    Adam-12: Clip 1
    Adam-12: Season Two
    Trailer 1:04
    Adam-12: Season Two
    Adam-12: Season 2
    Trailer 1:04
    Adam-12: Season 2

    Fotos2764

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    Elenco principal99+

    Editar
    Martin Milner
    Martin Milner
    • Officer Pete Malloy
    • 1968–1975
    Kent McCord
    Kent McCord
    • Officer Jim Reed…
    • 1968–1975
    Shaaron Claridge
    • Dispatcher…
    • 1968–1975
    William Boyett
    William Boyett
    • Sgt. MacDonald
    • 1968–1975
    Fred Stromsoe
    • Officer Jerry Woods…
    • 1971–1975
    Gary Crosby
    Gary Crosby
    • Officer Ed Wells
    • 1969–1975
    Claude Johnson
    Claude Johnson
    • Officer Brinkman…
    • 1968–1974
    Art Gilmore
    Art Gilmore
    • Lt. Moore…
    • 1968–1974
    William Stevens
    • Off. Jerry Walters…
    • 1968–1974
    Marco Lopez
    • Officer Sanchez…
    • 1968–1971
    Robert Patten
    Robert Patten
    • Det. Sgt. Stone…
    • 1969–1972
    Rick Warick
    • Police Officer…
    • 1968–1971
    Jack Hogan
    Jack Hogan
    • Sgt. Jerry Miller…
    • 1968–1974
    Kenneth Washington
    Kenneth Washington
    • Officer Miller…
    • 1968–1969
    Chuck Bowman
    Chuck Bowman
    • Det. Cole Edwards…
    • 1969–1975
    William Elliott
    William Elliott
    • Officer Grant…
    • 1971–1975
    Robert Rothwell
    Robert Rothwell
    • Off. Russo…
    • 1968–1969
    Raymond Mayo
    Raymond Mayo
    • Suspect…
    • 1970–1974
    • Criação
      • Robert A. Cinader
      • Jack Webb
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários43

    7,75.3K
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    Avaliações em destaque

    Sargebri

    The Greatest Show About The Average Policeman

    This is one show that still holds up over thirty years after it premiered. Not only do you get a true life look at the day to day operations of a typical patrolman, but you also see the evolution of the relationship between two officers. When Reed is first teamed with Malloy he is the subordinate young officer who keeps calling Malloy sir and makes a few mistakes along the way, but by the end of the series, Malloy treats Reed as an equal and the two even call each other by their first names. In fact, in either the first or second season, Reed names Malloy the Godfather to his son. This show definitely proves that Jack Webb was a genius.
    stargazer24

    Best Cop Show of Them All!

    I just wanted to say that this is definitely the best cop show ever to grace the airwaves. There are so few shows out there that focus on uniformed cops that it's nice to see something showcase the men (and women) that bust their butts protecting us common folks. I also like the "very little about their personal lives" approach. This is a cop show, so show us cops on duty. So many of today's cop shows care more about who's sleeping with who than the actually job of fighting crime. I want to thank Martin Milner and Kent McCord *not that they'd read this! :)* for making cops seem real in the eyes of so many that see cops as nothing but those horribly corrupt people that pull us over for going 4 over the speed limit. These guys did good!
    lesdebe

    A great "true to life" TV show!

    A great TV Police Show of the 1960's, and in fact only one of the very few that I would ever watch. So good in fact, that I joined the Police in 1970, and was a Police Officer until 2003. Yes, this show was very down to earth with its stories, and a great example of the every day to day duties performed by uniform Police (its the same "Job" all over the world!).
    Drewboy-2

    Excellent show!

    This is a wonderful show that I really enjoyed as a child! The very first episode, originally airing on 9/21/68, was a classic. Pete Malloy is disgruntled and about to quit the force after his patrol partner's death in a warehouse shooting, and is assigned rookie cop Jim Reed, age 23 and fresh out of the LA police academy. That first day, the officers break up a fight between two men over a lady on the street, then they chase two robbers in a big 1959 Buick four-door that crashes and burns in a canal confluence - this is a breathtaking sequence - that Buick is HUGE with the big canted fins! Malloy finishes his day by giving mouth to mouth to an infant who had stopped breathing. All in a day's work! A portent of good things to come over the next seven years. Watch it, get videos - you won't regret it!
    johnfuen

    A Jack Webb Junkie born January named John

    The title is my attempt to honor the classic Johnny Carson "Claude Cooper copper clappers" bit with Jack Webb. As a kid I tried to never miss an episode of any Jack Webb series. Adam 12 being one of them. I really enjoyed how the relationship between Reed and Malloy developed throughout out the seasons. From the beginning when Malloy was a bit distant from his partner but still very mother hen-like to the later years when the two were comfortable with each other and taking little jabs at each other between calls.

    One of my favorites was the episode when Reed's wife was pregnant, and the Reeds, Malloy, and his girl friend were trapped in a ghost town by a motorcycle gang. That episode still stands out in my mind. I enjoyed how the series dealt with more day to day stuff than the impossible situations shown in many other cop shows. It was amazing how a day's work could be squeezed into a 30 min show (22 w/o commercials).

    Enredo

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    • Curiosidades
      The dispatcher's voice was that of Shaaron Claridge, a real Los Angeles dispatcher. Jack Webb thought using a real dispatcher for the voice-overs would lend authenticity to the program.
    • Erros de gravação
      Whenever there is an insert of either the radio, the "hot sheet" (list of stolen cars), or when Reed is jotting down information on the pad, the visuals almost never match the continuity of the scene. Example: It can be daytime in the scene, but when the insert of the radio or the hot sheet is shown, they appear, due to the lighting, that the inserts are from nighttime. Also, the same insert of Reed writing on the pad is used whenever he writes info down. As with the errors with the radio not matching the scene, there are times when Reed is wearing the short-sleeve uniform, yet when he's writing info down, we see the cuff of a long-sleeve shirt.
    • Citações

      Pete Malloy: You know what this is?

      Jim Reed: Yes sir, it's a police car.

      Pete Malloy: This black and white patrol car has an overhead valve V8 engine. It develops 325 horsepower at 4800 RPM's. It accelerates from 0 to 60 in seven seconds; it has a top speed of 120 miles an hour. It's equipped with a multi-channeled DFE radio and an electronic siren capable of emitting three variables: wail, yelp, and alert. It also serves as an outside radio speaker and public address system. The automobile has two shotgun racks: one attached to the bottom portion of the front seat, one in the vehicle trunk. Attached to the middle of the dash, illuminated by a single bulb is a hot sheet desk, fastened to which you will always make sure is the latest one off the teletype before you ever roll.

      Jim Reed: Yes sir.

      Pete Malloy: It's your life insurance and mine. You take care of it and it'll take care of you.

      Jim Reed: Yes sir. You want me to drive?

    • Cenas durante ou pós-créditos
      The episode "Elegy for a Pig" was broadcast without the usual opening credits sequence. Instead, the voice of series creator Jack Webb can be heard reading the credits.
    • Conexões
      Featured in Prime Times (1983)

    Principais escolhas

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    Perguntas frequentes24

    • How many seasons does Adam-12 have?Fornecido pela Alexa
    • Did Reed ever get to drive the patrol car?
    • What is the background for beginning some episode titles with "Log ##"?
    • Why don't these police officers carry a 'Walkie-talkie' two-way radio transceiverto contact the precinct when they are out of the police car?.

    Detalhes

    Editar
    • Data de lançamento
      • 21 de setembro de 1968 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Área 12
    • Locações de filme
      • Union Street, Los Angeles, Califórnia, EUA(opening credits)
    • Empresa de produção
      • Mark VII Ltd.
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 30 min
    • Cor
      • Color

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