AVALIAÇÃO DA IMDb
2,4/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA stock car driver goes undercover as the wheel man for a motorcycle gang.A stock car driver goes undercover as the wheel man for a motorcycle gang.A stock car driver goes undercover as the wheel man for a motorcycle gang.
Fotos
The Birdwatchers
- Band in the bar
- (as The Birdwatchers Band)
Avaliações em destaque
William Grefé is among the very worst directors of the 60s-70s, with such crap as "Death Curse of Tartu", "Sting of Death", "Impulse" and "Stanley" among his many achievements in film making. Most of these were filmed near his home in Florida...around the Everglades, Miami and Jupiter. And, they were done CHEAPLY...very, very cheaply. Al Adamson, Ray Dennis Steckler and Ed Wood all are about as good...or infamous...as Grefé.
Of all the films he made, "The Wild Rebels" is probably the best...which isn't saying much since I giver it a 3. It's not good...but compared to the rest of his films, it' practically an art film!
Rod is a race car driver who is frankly tired of one too many accidents, so he's decided to quit. Shortly after this, he's approached by the leader of a biker gang, as they want to hire Rod to be their getaway driver in a series of robberies. He naturally refuses but is convinced later by the police to return to them and accept their offer.
The problem with so much of the film is that it doesn't seem to know where it's going. This is especially true as Rod supposedly works for the police...though there's no coordination or plan. And, because of that, he nearly gets killed during the course of a bank robbery and getaway. Additionally, the acting and dialog seem pretty amateurish. But on the plus side, it's really not boring and occasionally it even manages to be more or less competent. Not a glowing endorsement, but for the director, this is high praise indeed.
By the way, if you do watch this film, note that the police must all be legally blind and stupid. See the last 10 minutes of the movie and you'll see what I mean!
Of all the films he made, "The Wild Rebels" is probably the best...which isn't saying much since I giver it a 3. It's not good...but compared to the rest of his films, it' practically an art film!
Rod is a race car driver who is frankly tired of one too many accidents, so he's decided to quit. Shortly after this, he's approached by the leader of a biker gang, as they want to hire Rod to be their getaway driver in a series of robberies. He naturally refuses but is convinced later by the police to return to them and accept their offer.
The problem with so much of the film is that it doesn't seem to know where it's going. This is especially true as Rod supposedly works for the police...though there's no coordination or plan. And, because of that, he nearly gets killed during the course of a bank robbery and getaway. Additionally, the acting and dialog seem pretty amateurish. But on the plus side, it's really not boring and occasionally it even manages to be more or less competent. Not a glowing endorsement, but for the director, this is high praise indeed.
By the way, if you do watch this film, note that the police must all be legally blind and stupid. See the last 10 minutes of the movie and you'll see what I mean!
This movie was lacking in a lot of areas. It's about this Elvis type guy who races cars and is approached by these BIKERS from SATANS ANGELS. One of them is named Banjo and they beat up college kids for fun. THey want the Elvis guy to be their "driver". At times, I wanted the folks from MSTK3000 to be quiet because the movie was actually kind of good. Sure, there was violence and a lot of cheesy lines, such as "What kind of beer do you want? A COLD ONE". That was cheesy. The dude who plays Banjo is a great boxer and I was glad to see him do a few fight scenes. Also, the biker named FATS had a NAZI SWASTIKA on his jacket!!! That was pretty bold if I must say so myself.
This is basically your run of the mill violent biker flick complete with nifty slangs, crashes, and music. OK, so just slangs and crashes. It's a slight notch above much of the other fare featured on MST3K but it's still the equivalent of driving a nail into your kneecap: slow and painful. To give away plot would exhaust my energy so I'll just say you're better off skipping this one.
Wild Rebels is fun in a bad way, but also frustrating due to the actual good, or at least workable, elements in the story. It deals with a race car driver (Steve Alaimo) who gets mixed up in a group of bikers called Satan's Angels, who hang around a lot until they decide to rob a bank. Meanwhile Alaimo also gets recruited by the cops to report back to them what the Angels are up to and where they'll rob next. It's not even that the film is really too 'dated', though it does of course carry the significantly crude and stupid music in the film (from the band on stage in one scene, to Alaimo "performing" if you could call that drek that, to the regular generic score).
It's just that there's not more care taken by the filmmaker into putting a little more logic, direction, and better actors for the parts. As it is I didn't have a major disliking towards the film, as I did with the Hellcats, but it almost left me a little indifferent to it all, too. What could come through as being unpredictable only comes through with stupid things like the name of the Florida town ('Citrusville' ho-ho). So it's not completely un-worthy then of its Mystery Science Theater 3000 status as of late. The commentary is good on the movie, even if once or twice I almost wanted to hear what the characters on screen were saying in case it might have some worth. Wild Rebels might be more of a good time if you've got a six-pack and low expectations, but as it is I wouldn't watch it again.
It's just that there's not more care taken by the filmmaker into putting a little more logic, direction, and better actors for the parts. As it is I didn't have a major disliking towards the film, as I did with the Hellcats, but it almost left me a little indifferent to it all, too. What could come through as being unpredictable only comes through with stupid things like the name of the Florida town ('Citrusville' ho-ho). So it's not completely un-worthy then of its Mystery Science Theater 3000 status as of late. The commentary is good on the movie, even if once or twice I almost wanted to hear what the characters on screen were saying in case it might have some worth. Wild Rebels might be more of a good time if you've got a six-pack and low expectations, but as it is I wouldn't watch it again.
A youthful race car driver named Rod Tillman (Steve Alaimo) unconvincingly gives up racing and, after a chance encounter with a biker group, joins the group, composed of three idiot dudes and their shared girlfriend. Trouble is, the bikers like to rob businesses for "kicks", which invites inept cops. The result is a not very believable story with contrived action and some hokey performances.
Steve Alaimo isn't too bad as an actor. But the actors who play the bikers are simply awful. The characters they play have been described as the three stooges, and I tend to agree; they act retarded. Which renders the Tillman character's decision to join them not credible. Further, the film contains multiple plot holes, mostly involving the cops. The entire story seems fake. It's as if the writers spent all of ten minutes putting the script together, and without bothering to edit it.
Dialogue is hopelessly dated and consists of beatnik blather. "Do you dig this?" "What now daddy?" And "bread" translates to "money". Some of the action is laughable, like when one of the bikers, to escape the cops, runs out of a lighthouse toward the cops, hops on a police motorcycle and rides away. The cops don't fire on him as he approaches them; they let him ride away and then they shoot.
Color cinematography is adequate if unremarkable. Day-for-night camera filters are really obvious. Outdoor scenes appear to have been shot in real locations, which adds a sense of realism. Steve Alaimo sings a couple of songs, which has the effect of interrupting the plot flow and suggesting that the script was written with no purpose other than to promote his singing career.
"Wild Rebels" is not as bad as its reputation. But it really doesn't seem to have any point, and the story and acting are generally hokey. It's one of those cheap, meaningless drive-in films wherein the main draw is an excuse to eat buttery popcorn.
Steve Alaimo isn't too bad as an actor. But the actors who play the bikers are simply awful. The characters they play have been described as the three stooges, and I tend to agree; they act retarded. Which renders the Tillman character's decision to join them not credible. Further, the film contains multiple plot holes, mostly involving the cops. The entire story seems fake. It's as if the writers spent all of ten minutes putting the script together, and without bothering to edit it.
Dialogue is hopelessly dated and consists of beatnik blather. "Do you dig this?" "What now daddy?" And "bread" translates to "money". Some of the action is laughable, like when one of the bikers, to escape the cops, runs out of a lighthouse toward the cops, hops on a police motorcycle and rides away. The cops don't fire on him as he approaches them; they let him ride away and then they shoot.
Color cinematography is adequate if unremarkable. Day-for-night camera filters are really obvious. Outdoor scenes appear to have been shot in real locations, which adds a sense of realism. Steve Alaimo sings a couple of songs, which has the effect of interrupting the plot flow and suggesting that the script was written with no purpose other than to promote his singing career.
"Wild Rebels" is not as bad as its reputation. But it really doesn't seem to have any point, and the story and acting are generally hokey. It's one of those cheap, meaningless drive-in films wherein the main draw is an excuse to eat buttery popcorn.
Você sabia?
- CuriosidadesJeff Gillan, who played the non-speaking role of Fats, also played the infamous Santa Claus that kicks Ralphie down the ramp in A Christmas Story.
- Erros de gravaçãoAt the beginning of the movie, a frustrated Rod decides to "auction off" his brand new trailer. While he speaks to the assembled crowd he motions to the trailer, which we then see with its door open and an acoustic guitar, quite prominently, leaning against the tires inside. When the people turn and look at the trailer a second later, the guitar is tucked in the right side of the trailer door and is barely visible.
- ConexõesFeatured in Mystery Science Theater 3000: Wild Rebels (1990)
- Trilhas sonorasCan I Do It?
(uncredited)
Performed by The Birdwatchers
Played in the bar scene
Available on "Birdwatchers" LP (Florida-Rock 4001)
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Detalhes
Bilheteria
- Orçamento
- US$ 75.000 (estimativa)
- Tempo de duração
- 1 h 30 min(90 min)
- Mixagem de som
- Proporção
- 1.37 : 1
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