O Agente 711 Pede Socorro

Warning Shot features a grimly determined David Janssen trying to find out why a respected doctor pulled a gun on him and he was forced to fire and kill him. Janssen is a cop and he's got District Attorney Sam Wanamaker just itching to put him away.

Janssen and partner Keenan Wynn were on stakeout looking for a serial rapist and they were both anxious enough on that assignment. Now suspended Janssen has to rely on his own instincts in pursuing his own\ investigation for vindication.

Besides those already mentioned Warning Shot has a galaxy of film names of many generations going all the way back to Lillian Gish down to Joan Collins playing Janssen's estranged wife. As the film progresses these folks move in and out with some memorable and some perfunctory cameos.

Janssen who carries the film handles the burden well. I have to say that Warning Shot does not carry all that much suspense in that the real villain of the piece is obvious from when we first meet the character. Still it belongs on a list of fine made for television films

It's a definite cult classic - that's all that I can say. But it does have an incredible cast, filled with once and future stars. The direction is quite stylish, and the theme is still timely. In many ways, _Warning Shot_ is rather like a film-noir shot in color. Like DOA, there's the theme of one man against the entire world - and the forces of time, also. There is emphasis on his need to prove himself - because he is a man. Like all noirs, the actual plot is irrelevant, although Whit Masterson (Touch of Evil) did think up some good twists. It's the atmosphere that you take away with you from this one.

Warning Shot is a good, old-fashioned movie. David Janssen is the star, and acts in his usual style, like a cross between Alan Ladd and Jack Webb. The film is a murder mystery about a cop who claims to have killed a man in self-defense, only he can't find the gun he said the man was aiming at him. Buzz Kulik was a gifted director, and he handles this one well. Some people don't like this movie because it resembles a television show, as it does suggest in its visual style and art direction an episode of Mannix. This is too bad. It doesn't bother me at all, and the film is a hundred times better than Mannix ever was. Janssen was always at his best when hunted or woebegone. There was a quality to him,--I wouldn't call it sensitivity exactly--vulnerability, "hit-ability"; whatever it is, it's on full display here, and he does get badly beaten up at one point. The supporting cast is outstanding, with Ed Begley, Eleanor Parker, Keenan Wynn, Stefanie Powers and George Grizzard all first-rate. There's less for Walter Pidgeon and Steve Allen to do, though it's always nice to see them in anything. George Sanders has a small part as well, though he doesn't get a chance to shine, he seldom did in his later years.

The movie was one of several attempts to revive the forties crime film, whether of the noir or detective variety, probably inspired by the burgeoning Bogart cult of the sixties. Frank Sinatra and Lee Marvin appeared in a few like this, and Warning Shot is Janssen's crack at it. This is my favorite of the group. It's lean and fast-paced, a bit episodic, but in a good way. There's a lot of exposition, and a few false leads, but it's never tedious. I like the downbeat, depression in the orange groves, west coast Chandleresque aspect of the film, with palm and stucco everywhere, and cars that seem the size of today's SUV's only they're just Fords and Plymouths. Warning Shot's a period piece, but an entertaining one.

What can I say. Just bought the DVD for the all-star cast. Out-dated story of a LA police detective who shoots a Beverly Hills doctor who he claims pulled a gun on him, but no one can find the gun. The rest of the movie shows the detective trying to prove he is not guilty, and that the well-respected doctor was really a bad-guy after all.

Lots of well-known stars in the movie, but the standout is the Elenor Parker who looks very sexy and plays the part of a sexed-up, drunken widow to the tilt. Aside from that, and a few laughs regarding butter milk, this 1966 Who-Done-It is bested viewed on a rainy Saturday afternoon, the one which I'm having right now.

It seems the late, great actor, David Jansen always chased fame during his cinematic life. On television he was 'the fugitive' and due to its popularity, became not only a household name, but a fixture in American language. On screen, his movies are a thin veneer of what he really could have achieved. As one of his most ardent fans, I always believed he would one day peak. In this film called " Warning Shot " he came awful close to the mark. Within the story he plays Sgt. Tom Valens, a veteran L.A. police officer with a serious approach to his job. However five years prior, he tried to arrest a scared young punk who fired his gun hitting Valens in the gut, leaving him apprehensive about future suspects with guns. As a result, when Valens is assigned to a stakeout at an exclusive apartment complex, he confronts another frightened suspect and orders him to halt. The suspect instead runs suspiciously and when cornered draws what appears to be a pistol, prompting Valens to shoot first. It is later learned the man Valens' killed was not only a revered and social philanthropist, but a highly respected doctor, catering to the poor. Sadly, no gun can be found. Suspended from duty and placed on leave, Valens is advised to enlist a high profile attorney who like most others, advises his client to plead guilty and ask for leniency. Valens states he is a sore looser and opts instead to prove the good doctor was not so saintly as everyone seems to think he was. The film is highly underrated and with the star power has become a cult favorite. Ed Begley who plays Capt. Roy Klodin, Keenan Wynn who plays Sgt. Ed Musso, Carroll O'Connor, Steve Allen, George Sanders and Walter Pideon are among the most notable stars who have bit parts in the film. Together, along with the haunting theme by Jerry Goldsmith they are the reason why this film succeeds in becoming a David Jansen Classic. ****