Gigantes em Luta

I generally don't like caper films. Usually, when they end, I'm still waiting for a beginning. This one is much better than usual, largely due to the action packed finale, bawdy humor and a flamboyant performance by Kirk Douglas. Wayne, as Taw Jackson, has an unusual role. Possibly for the first time since TROUBLE ALONG THE WAY, he plays a loser. He's lost his ranch, been shot and falsely imprisoned for three years by Bruce Cabot. How this has happened is never made clear; and one wonders why Wayne seems universally disliked by his former neighbors. Considering his former wealth, one would imagine at least one of his ex-ranch hands would treat him well. Just WHERE are his ranch hands. This is never made clear, and it weakens the believability of the story.

However, the caper is the thing and, whoah, it's a doozie. Getting there is a lot of fun and worth seeing. It's also interesting the cynicism presented her. In one scene, a stablekeeper dismisses Wayne with contempt, while Douglas, a hired killer, is treated with the greatest of respect(!) By 1967, Wayne had come a long way from his denunciation of HIGH NOON for it's unsympathetic, cowardly townspeople.

While not a must see, THE WAR WAGON is very entertaining. I give it a "7".

'The War Wagon' will never be considered one of John Wayne's great Westerns like 'Rio Bravo', 'The Searchers', or 'Red River', but it is a an enjoyable Western with fine performances and great rapport between Kirk Douglas and John Wayne. The action sequences are well done, the humor dry as the desert it takes place in, and the caper story line rather refreshing for a John Wayne film.

The problem? When the picture ends it leaves you feeling empty. The characters are not particularly interesting (save for Douglas) and the villain is your standard cattle baron murderous jerk. The war wagon itself is an interesting prop and well used, but never really becomes the menacing character it should've been. I enjoyed the movie as a fan of John Wayne and Westerns in general, yet I doubt most of his fans will find this film particularly impressive when compared to many of his other Westerns directed by Hawks and Ford. That isn't to say you should avoid seeing 'The War Wagon', but you should temper your expectations for what is really just an empty Saturday-afternoon adventure. You'll like it while you're watching it and then forget it as soon as the credits roll.

Solid entertainment in the Wayne style, as John and Kirk team up to liberate a gazillion bars of gold from Bruce Cabot, the man who stole Wayne's ranch and goldmine. John Wayne is in fine form as usual; Kirk is equally fine as the hired gun who is willing to doublecross Cabot. Kirk shows a fine comic ability as he taunts both Cabot and Wayne. You can tell he's having a good time in the film; each time he grins it makes me laugh.

Keenan Wynn is pretty unlikable as one of Cabot's men who is on Wayne's side, but then his character is supposed to be unlikable. Robert Walker Jr. is nervous and unsure as the explosives expert that Wayne met in prison. Howard Keel is new to the John Wayne guild, but he's a welcome addition. Always a great comic actor, he is wonderful as Wayne's indian friend who continually needs to be rescued from his own ineptitude. Bruce Dern has a juicy but small role as one of Cabot's hired guns; he throws big toothy grins about and has a lot of fun with his job.

Pure action entertainment, and also a lot of fun. Pick up this film on the new DVD widescreen version; it's a great way to watch it.

I didn't like the "War Wagon" when it was first released, I found it rather silly and vaguely offensive. The problem was me, I was not ready to recognize, let alone relate to, a subtle parody of the western genre. I should have been more receptive because in the mid-60s a huge amount of genre parody began to appear on television ("Batman", 'Wild Wild West", "F- Troop", "Get Smart"), which could be traced back to gently tongue-in-cheek series like "Maverick" and "Zorro".

"Cat Ballou" (1965) was the first feature length parody of Western genre clichés. But its parody elements were obvious, even if you were not that familiar with the conventions of the Western genre you could recognize exaggerations and revisions. In addition, up to this point John Wayne films had given the Western genre only very traditional treatments.

But "The War Wagon" was only the first example of director Burt Kennedy's tweaking of the genre. He would follow it up with "Support Your Local Sheriff" (1969), "Hannie Caulder" (1971), and "Support Your Local Gunfighter" (1971). Wayne would toy with parodic elements two years later with "True Grit", and would stay much less traditional with the remainder of his westerns.

"The War Wagon" is also a genre hybrid as western is mixed with buddy picture and big heist movie. Taw (John Wayne) recruits an old enemy Lomax (Kirk Douglas) as he seeks revenge on a ruthless mine owner (Bruce Cabot) who not only framed and sent to him prison, but appropriated his ranch and personal possessions after a huge gold strike was discovered on ranch property (here we go with the exaggeration-the only things missing are stealing Taw's wife, adopting his children, and leaving his toilet seat up). Cabot transports his gold in a "Wild Wild West" inspired armored wagon.

The interplay between Wayne and Douglas (who always seems right on the verge of accepting Cabot's standing offer of $12,000 to kill Wayne) is clever and sarcastic, working with the many exaggerated elements to provide the film's considerable humor.

"The War Wagon" finds Wayne on the wrong side of established authority, for at least the third time as his Ethan Edwards character in "The Searchers" also operated well outside the law and Quirt Evans in "Angel and the Badman" had to be bad enough that he could be reformed by Gail Russell.

Howard Keel plays the civilized Indian sidekick mostly for comic relief and the characters actually demonstrate an awareness of the movie context when they self-reflexively (deliberately drawing attention to their playing characters in a movie) refer to a tactic as an old Indian trick. Ultimately the joke (and the irony) is on Wayne and Douglas, as their seemingly one-sided deal with the Indians (a few blankets in exchange for their participation) causes the Indians to end up with most the rewards.

"The War Wagon's" understated parody style would inspire John Huston ("The Life & Times Of Judge Roy Bean") and George Roy Hill ("The Sting"); and of course many others.

Then again, what do I know? I'm only a child.

The chemistry between John Wayne and Kirk Douglas really came through. Howard Keel was very good as an Indian trying to move with the times. Great photography of the scenery around Durango, Mexico. Should be considered a John Wayne classic.