AVALIAÇÃO DA IMDb
4,6/10
2,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaScientists investigating an unusual meteor shower in a rural field are possessed by an alien force bent on an ulterior purpose.Scientists investigating an unusual meteor shower in a rural field are possessed by an alien force bent on an ulterior purpose.Scientists investigating an unusual meteor shower in a rural field are possessed by an alien force bent on an ulterior purpose.
- Direção
- Roteiristas
- Artistas
Hedger Wallace
- Alan Mullane
- (as Geoffrey Wallace)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
They Came from Beyond Space (1967)
* 1/2 (out of 4)
Amicus production has some meteors crashing in a field but when scientist goes to crack into them, an alien race starts taking over their minds. Soon everyone is under the spell of the aliens but thankfully one man (Robert Hutton) has some steel in his head, which keeps him from being infected. I love a lot of Amicus movies and I've often enjoyed their films more than their rival Hammer but there's not too much love that can be shown to this movie, which is pretty to look at but deadly dull in terms of entertainment. The biggest problem is that it appears Francis, usually a top-notch director, falls asleep at the wheel because the movie has a deadly slow pace that doesn't help anything. To make matters worse is the screenplay, which is full of one dialogue scene after another and nothing being said is all that intelligent. The movie moves way too slow to begin with so adding all this dialogue isn't going to help matters. Hutton sleepwalks through his role but to his credit he doesn't have much to work with. Jennifer Jayne isn't that memorable and Michael Gough appears bored out of his mind. The "Swingin' 60's" certainly lends its hand to the visuals of the film, which are quite colorful and nice to look at. The sets aren't that bad either but this doesn't save an otherwise boring film.
* 1/2 (out of 4)
Amicus production has some meteors crashing in a field but when scientist goes to crack into them, an alien race starts taking over their minds. Soon everyone is under the spell of the aliens but thankfully one man (Robert Hutton) has some steel in his head, which keeps him from being infected. I love a lot of Amicus movies and I've often enjoyed their films more than their rival Hammer but there's not too much love that can be shown to this movie, which is pretty to look at but deadly dull in terms of entertainment. The biggest problem is that it appears Francis, usually a top-notch director, falls asleep at the wheel because the movie has a deadly slow pace that doesn't help anything. To make matters worse is the screenplay, which is full of one dialogue scene after another and nothing being said is all that intelligent. The movie moves way too slow to begin with so adding all this dialogue isn't going to help matters. Hutton sleepwalks through his role but to his credit he doesn't have much to work with. Jennifer Jayne isn't that memorable and Michael Gough appears bored out of his mind. The "Swingin' 60's" certainly lends its hand to the visuals of the film, which are quite colorful and nice to look at. The sets aren't that bad either but this doesn't save an otherwise boring film.
This movie is passable at best. It has an interesting plot: some aliens are trying to find a way to survive by building a base on earth. They are seen as hostile because, for heaven's sake they take over people's brains and use them to construct their stuff. A scientist who has had brain surgery and has a silver plate in his head, is immune to this. Later, a buddy of his puts a colander on his head with a silver plate and is able to infiltrate the "evil forces." Along the way, our hero, who suffered his initial brain damage in a car accident, drives around in a classic roadster (he must be trying not to be conspicuous) which he is always parking somewhere and setting the hand brake. He flies in the faces of the aliens who seem to tolerate him a lot more than they should. His girlfriend, who finished in third place in the Lucille Ball look-alike contest is a scientist who is carrying the soul of an alien around with her. There is so much coming and going, we never quite understand what the heck they're doing. Only that they seem to make frequent trips to the moon. The ending is full of emotion and good will and, yes, overacting. Captain Kirk would have been proud. Sometimes you see a film that has a good skeleton plot and with a few bucks and a little imagination, it could have been OK. What is lacks is the human element.
OK look ...this is not a studio blockbuster, or classic in the sci-fi genre by any stretch of the imagination. But this movie has an interesting plot, moves along very quickly, has a fun musical score and the acting isn't terrible. I wasn't expecting much when I put it on, and I was pleasantly surprised at how good it is. There are a million worse ways to spend an hour and a half of your life. Ignore the negative reviews and give it a chance.
Considering that this film was obviously shot on a tight budget, it worked out to be an enjoyable film nonetheless. I haven't seen many Hutton films, but I like his Style of thinking, cerebral hero who reasons first, shoots later.
This film must have been very inspirational to Stephen King, as the plot of his book "The Tommyknockers" was nearly identical to the plot of this movie - right down to the hero with a metal plate in his head.
Of course, the only real down side to this film is the fight music. All it consists of is Someone pounding on a snare drum. they could have done better here.
All in all, it's an enjoyable film of it's era, and one I Will probably watch again.
This film must have been very inspirational to Stephen King, as the plot of his book "The Tommyknockers" was nearly identical to the plot of this movie - right down to the hero with a metal plate in his head.
Of course, the only real down side to this film is the fight music. All it consists of is Someone pounding on a snare drum. they could have done better here.
All in all, it's an enjoyable film of it's era, and one I Will probably watch again.
Extremely Underrated and Unfairly Criticized by quick Haters that consider this an Easy Target for Ridicule and let loose. Truth is the Movie is comparatively Slick, and has Gorgeous Colorful Sets. The Director Freddie Francis makes Every Shot Count.
There are Clever Angles and the Interesting Things going on. May be Inexpensive but is Impressive Nonetheless. The Look of the Film, especially the Interiors Remind of Mario Bava, extremely Sweetened. It has a Rich Sheen and is so Glossy it almost Slides Off the Screen.
The Story is a Familiar One leading to an awfully Saccharine and Disappointing Ending, but again, the Sets are a Wow. The Costumes and Props used throughout are sometimes Silly, Yes, but Not Without a Certain Goofy Charm. The Fight Scenes, and there are a Few, seem Out of Place but are Stunt Worthy and Visceral.
The Movie's biggest and Glaring Downer is the Terrible Music and is the Kind of Thing that Elevators made Famous and is a Square Version of Trendy Hip.
Overall, Recommended for Fans of Eye Candy and a Love for Big Ideas on a Small Budget and some Pros Behind the Camera that Make it all Work.
There are Clever Angles and the Interesting Things going on. May be Inexpensive but is Impressive Nonetheless. The Look of the Film, especially the Interiors Remind of Mario Bava, extremely Sweetened. It has a Rich Sheen and is so Glossy it almost Slides Off the Screen.
The Story is a Familiar One leading to an awfully Saccharine and Disappointing Ending, but again, the Sets are a Wow. The Costumes and Props used throughout are sometimes Silly, Yes, but Not Without a Certain Goofy Charm. The Fight Scenes, and there are a Few, seem Out of Place but are Stunt Worthy and Visceral.
The Movie's biggest and Glaring Downer is the Terrible Music and is the Kind of Thing that Elevators made Famous and is a Square Version of Trendy Hip.
Overall, Recommended for Fans of Eye Candy and a Love for Big Ideas on a Small Budget and some Pros Behind the Camera that Make it all Work.
Você sabia?
- CuriosidadesTo save costs, the production used many sets and props from the Amicus movie Ano 2150: A Invasão da Terra (1966) filmed earlier.
- Erros de gravaçãoWhile Stillwell and Curtis are having their discussion in the jalopy, the blue screen background is reflected on the car making it appear as though the hood is transparent and the countryside is seen through it and Stillwell.
- Cenas durante ou pós-créditosIn the end credits, Kenneth Kendall's surname is spelled Kandall.
- Versões alternativasWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating. All cuts were waived in 2012 when the film was granted a 'PG' certificate for its premiere DVD release (actually released 17 October 2011).
- ConexõesEdited into Cynful Movies: They Came From Beyond Space (2019)
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- How long is They Came from Beyond Space?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- They Came from Beyond Space
- Locações de filme
- Cookham, Berkshire, Inglaterra, Reino Unido(street scenes)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 25 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the French language plot outline for Eles Vieram do Espaço Exterior (1967)?
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