O Terror Veio do Espaço

When a meteor shower leaves most of the world's population blind, a US Navy officer (Howard Keel) has to discover a way to fight the Triffids, dangerous plants that are capable of movement and killing humans.

This low-budget 1962 version of John Wyndham's famous novel pales in comparison with the much better 1981 BBC miniseries.

The main benefit of the film is Howard Keel. He acquits himself surprisingly well in the dramatic part, but I wonder what would have happened if he started singing a duet with a Triffid!

The special effects are passable, but there's a silly sub-plot about two marine biologists that seems shoehorned in. Veteran British character actor Mervyn Johns appears briefly, and it was fun seeing a pre-Doctor Who Carole Ann Ford as a French girl (her accent is terrible).

Overall, cheesy fun.

A intensely colourful and bright meteor shower covered the sky one night blinding most of the world's population and making people defenseless to man eating plants called "Triffidus Celestus'' that were grown from meteor-borne spores. Though, there are some people that can see. An American seaman whose eyes were bandaged during the meteor shower is battling his way through triffids and helping out people. While, a couple in a lighthouse are fending off Triffids and trying to find a way to stop them.

John Wyndham's novel was brought to the big screen in this classic Sci-Fi with an A-grade story with b-grade effects, but it holds up fairly well. This is incredibly engaging kitsch with a nice idea that's very imaginative and it gives us a thrilling enough adventure. The film might be rough around the edges, but still it's rather effective because of a riveting story that we don't know what to expect and a solid lead performance by Howard Keel.

It's a film of two halves making it fairly uneven. The opening half creates such a grand apocalyptic feel, becoming quite unsettling at times with good location photography of an eerie London that captures such a mysterious vibe. It's indeed very atmospheric. While the second half slows down a bit and kinda goes berserk with its stars "The Triffids". It's rather amusing when they're moving about and springing out of nowhere, but because of that it drifts away from the edginess of the opening half and becomes rather padded.

Throughout the story we follow an American seaman trying to get to safety and helping blind people on his way and then there's a couple stranded in a lighthouse. While the first of the two is definitely the most interesting, but after a while it starts to fizzle out and leads to anticlimax. While the sequences with the couple (there weren't many) were mostly dull because of the bland dialogue and her constantly screaming and him constantly yelling, but the set-up for them was interesting enough. However, the climax involving the lighthouse couple is tense and exciting.

The special effects were rather ordinary, cheap and shoddy. Visually wise it was quite stunning and vibrant, with the lights in the sky as the meteor shower were fairly hypnotizing. There was good composition with colour and lighting. Though, the plants don't look terribly great and will cause a chuckle, but still they are a sight to see, as they look wicked and rather horrendous in nature or maybe just plain ridiculous. Most of the violence happened off screen/implied. The music score was rather enforcing and good in keeping such downbeat mood. There are some incredibly well staged sequences and there are scenarios in the story that lacked logic and cohesion, but it didn't bother me too much.

Howard Keel was fairly spirited and witty in his role. There are some fair if mundane support roles from Nicole Maurey, Alison Leggatt, Mervyn Jones and Janina Faye. While Kieron Moore and Janette Scott as the couple were rather shallow in their portrayals and that's mostly because they aren't given much screen time.

The mysterious opening 45-minutes is engrossing and builds tension and uneasiness nicely. The pretty routine mid-section gets bogged down and is far less involving. Some interesting sub-plots add some life and another dimension in the slow mid-section. While leading up to the ending it has some bizarre visuals of the triffids and some entertaining moments. Though, when it came to the ending for me it just came across forced and hard to swallow.

It's really nothing fancy, but overall it's an entertaining effort with ordinary special effects and cheesy dialogue that seem to add a lot of charm too it all.

Reading the previous reviews for this film were like watching a tennis match. One reviewer made a valid negative point(or serve) whilst another made a positive point. Back and forth....back and forth. Those people that read the book seemed to be in general much less happy with the film than those who had never read the book. I can understand that, but looking at films and their adaptations of books must sometimes be done with a more discerning eye. And, of course, sometimes the adaptations of books are so horribly done that nothing but a feeling of resentment, disappointment, and hate can be achieved from the viewer. I have not read the John Wyndham novel..yet. I will. But as sci-fi films and horror films go, The Day of the Triffids is an enjoyable flawed..very flawed film. I have such concrete memories of seeing this as a child and after watching it again after at least twenty years, scene after scene came back to my consciousness. The vivid, colorful meteorite showers over a London backdrop, the night watchman working in the greenhouse, the crowds of sightless people begging for help from those that could see, and the battle between life and death on a remote lighthouse island. The special effects are not very good, the plants look...well..a bit preposterous. The acting is not very grand either. C'mon, what did you expect with Howard Keel in the lead...Shakespeare? Actually Keel is decent as is the cast for the most part. The biggest flaw in the film for me is the script....which has little cohesion as it jumps from one thing to another and then another. The ending was vastly unsatisfactory as it really abruptly ends. Maybe there was no money or good thoughts left. But notwithstanding all of this, The Day of the Triffids is a fun film and a trip down Memory Lane for me.

A meteorite shower lights up the sky and blinds all that watches it. Most of the world population must also deal with some rather weird plant life that can uproot itself and seek human nourishment.

Howard Keel plays a sailor recovering from an eye operation, thus not being blinded by the mysterious glowing display. He finds a young girl that slept through the starry shower. Together they seek out help and a solution to this very weird problem. A couple of marine biologist, stranded in a lighthouse, get a 'hands on' encounter with the rampaging stalks of terror.

An evenly paced movie considering the slow moving menace. This makes you ponder watering your plants. Very good movie.

Also in the cast are Janina Faye, Nicole Maurey and Janette Scott.

When an asteroid shower passes over the earth, most of London stops and watches the 'once in a lifetime' spectacle. However, London, as well as the vast majority of the world find themselves blinded and at the mercy of the triffids – a plant-like beast who arrived from space in the night and are feasting on the stumbling humans. One of the few people to still able to see is sailor Bill Masen, who had his eyes bandaged shut at the time due to an operation. As cities burn, survivors try to band together and those still able to see try to stop the spread of the triffids.

Despite being one of those things that is in popular culture and in all our minds, I have never read or seen Day of the Triffids until I decided to watch this film the other night. The gaudy title sequence immediately put this in the category of b-movie creature feature and I prepared myself for the genre, aware of its weaknesses. However, after the initial opening the film settled into a good portrayal of London falling into destruction – planes fall, governments fold and cities burn; I found this great fun and to have a real sense of terror to it – even if the people acting 'blind' were just sort of rocking and stumbling in a comical manner and not panicking quite as much as they would in real life! After this strong opening we settle into more traditional b-movie territory with the characters established and long scenes of dialogue (and sentiment) delivered in place of actual action.

When the film does move past the dialogue heavy establishment what we get is still more dialogue mixed with scenes of big rubbery plants with failing tentacles. As a creature feature it is OK but if you step outside of what is acceptable within the genre then you'd have to admit that it isn't much good! The creatures suffer from being seen and their appearance (and the dialogue heavy pace) robs the film of its early sense of doom. This is an unfair complaint maybe, because few monsters when revealed really retain their threat when unseen (even in the CGI age) but, even with the rubbery effects, the film could have kept them hidden for longer - kudos for a sea of them near the end though, up till this point they didn't seem that much of an immediate threat.

Although the plants look stiff and are made of wood, the cast give them a run for their money (obvious gag, apologies) in the firm tradition of the genre. Howard Keel is a mans' man for the period but he has come from the Steven Seagal school of acting – one expression on his face all the time regardless of whether he is fighting hoards of aliens with a flame thrower or looking after a little girl. Of course he isn't very good but what did you expect from him in a sci-fi b-movie? The rest of the cast are pretty poor too and are a load of genre clichés – sympathetic kids, boisterous men who get their comeuppance and the simpering love interest who need to be saved. The couple in the lighthouse are no better but they suffer from being away from the main story – even if they turn out to be important.

Overall this is not a great film but it is an enjoyable enough b-movie creature feature with all the weaknesses that that description implies (wooden acting, poor script, rubber monsters) but if you are content with this genre then you should find this an enjoyable film if hardly a brilliant one. It's just a shame that the tangible sense of doom that existed with the early scenes of a London falling to pieces was not continued through the whole film.