AVALIAÇÃO DA IMDb
5,8/10
2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA series of horrific murders is traced to a creature that inhabits a very strange house.A series of horrific murders is traced to a creature that inhabits a very strange house.A series of horrific murders is traced to a creature that inhabits a very strange house.
- Direção
- Roteiristas
- Artistas
Cliff Diggins
- Gang Member
- (as Clifford Diggins)
Donald Sutherland
- Zebulon
- (narração)
Ingrid Bower
- Village Girl
- (não creditado)
Avaliações em destaque
I too watched this film as an elderly child/young adult. Up to about the late 1970's, 'The Shuttered Room' was staple late-night stock on BBC 1 and ITV, usually on a Friday or Saturday night. Then, for some reason it has never shown again to date in this country, at least to my knowledge that is.
From memory (it is a long time ago, so forgive me, for any inaccuracies!)the movie(based on a story by HP Lovecraft) is supposed to be set in a small and isolated New England fishing village (it's really shot Cornwall in England) and concerns a young well-heeled woman (Carol Lynley), returning to her roots from a posh life in the big city, with her new husband (Gig Young), fter inheriting a (supposedly) abandoned and creepy old millhouse, that she used to live in as a child. Within that house, at the very top, hidden from normal view, is a heavily locked/bolted/nailed/chained mysterious room, that within contains a dreadful, appalling secret!!!
Back to the village, which appears to contain a lot of backward old yokels/hicks putting on dodgy American regional accents - as Lynley and Young appear to be the only actual American actors in it! Also there, lurks a gang of country bumpkinish uneducated thugs, led by a young and smouldering Oliver Reed. Reed and his cronies take an immediate and intense sexual interest in Lynley, and dislike to the monied, well-dressed, big car driving city boy Young.
Without spoiling the main plot (as one day, hopefully, the movie may be shown again), events progress with Lynley meeting up with her old Aunt (Aunt, I think) (Dame Flora Robson) who lives at the top of big tower, and who makes Norman Bates's mother appears sociable and outgoing! Robson is overseer and controller of what is in the shuttered room, that all too soon, the overly inquisitive Carol, will discover to her and everybody else's cost!
The climax to the film, is genuinely terrifying (well it was when I was 12!) and involves the nasty Reed and his cronies, pursuing Gig Young in a thrilling drive-you-off-the-road car chase, through Cornish country lanes, as he races back to try to get to Carol.
The actual end of the film centres on........on..... well, I can't tell you that now can I???
Suffice to say, many may mock the quality of director David Greene's Sixites flick, as typical of the sort of low(er) budget horror shocker movies that were made in great number then. But I think 'The Shuttered Room' had/has a lot more going for it than that, and if somebody would release it to the world again, would even today, be seen by many, as a well-made, well-acted (apart from the accents!) and genuinely scary piece of work.
From memory (it is a long time ago, so forgive me, for any inaccuracies!)the movie(based on a story by HP Lovecraft) is supposed to be set in a small and isolated New England fishing village (it's really shot Cornwall in England) and concerns a young well-heeled woman (Carol Lynley), returning to her roots from a posh life in the big city, with her new husband (Gig Young), fter inheriting a (supposedly) abandoned and creepy old millhouse, that she used to live in as a child. Within that house, at the very top, hidden from normal view, is a heavily locked/bolted/nailed/chained mysterious room, that within contains a dreadful, appalling secret!!!
Back to the village, which appears to contain a lot of backward old yokels/hicks putting on dodgy American regional accents - as Lynley and Young appear to be the only actual American actors in it! Also there, lurks a gang of country bumpkinish uneducated thugs, led by a young and smouldering Oliver Reed. Reed and his cronies take an immediate and intense sexual interest in Lynley, and dislike to the monied, well-dressed, big car driving city boy Young.
Without spoiling the main plot (as one day, hopefully, the movie may be shown again), events progress with Lynley meeting up with her old Aunt (Aunt, I think) (Dame Flora Robson) who lives at the top of big tower, and who makes Norman Bates's mother appears sociable and outgoing! Robson is overseer and controller of what is in the shuttered room, that all too soon, the overly inquisitive Carol, will discover to her and everybody else's cost!
The climax to the film, is genuinely terrifying (well it was when I was 12!) and involves the nasty Reed and his cronies, pursuing Gig Young in a thrilling drive-you-off-the-road car chase, through Cornish country lanes, as he races back to try to get to Carol.
The actual end of the film centres on........on..... well, I can't tell you that now can I???
Suffice to say, many may mock the quality of director David Greene's Sixites flick, as typical of the sort of low(er) budget horror shocker movies that were made in great number then. But I think 'The Shuttered Room' had/has a lot more going for it than that, and if somebody would release it to the world again, would even today, be seen by many, as a well-made, well-acted (apart from the accents!) and genuinely scary piece of work.
I mirror the comments of the plethora of those before me. Saw this as a 9-year-old on the telly and it stayed with me for a long time. The suffocatingly Gothic overtones, lovingly twisted POV camera-work, evocative jazz score and wonderfully creepy, dilapidated locations still spiral through my brain from time to time. Perhaps most memorable are Oliver Reed's warped, leering eyes staring at a helpless Carol Lynley through the dollhouse window, which has to be one of the more simultaneously terrifying and arty shots from any horror movie of the past 30 years.
This is a flick where the sum of the parts may not quite match the individual moments, but what a bunch of moments they are. The extended cat and mouse stalking of Lynley, the bizarre and frightening secret in the basement, Gig Young and Oliver Reed's spot-on hammy genre acting, the moody cinematography; it all adds up to a movie any fan of Gothic or horror will definitely want to check out. Surprisingly tense and graphic given the era; easily one of the more suggestively violent movies I ever saw on local channels during daylight hours in the 1970s, and considerably more graphic than PSYCHO but clearly owing a debt to it. Quintessential movie for Oliver Reed and Carol Lynley fans; among their best, most interesting work on celluloid.
This is a flick where the sum of the parts may not quite match the individual moments, but what a bunch of moments they are. The extended cat and mouse stalking of Lynley, the bizarre and frightening secret in the basement, Gig Young and Oliver Reed's spot-on hammy genre acting, the moody cinematography; it all adds up to a movie any fan of Gothic or horror will definitely want to check out. Surprisingly tense and graphic given the era; easily one of the more suggestively violent movies I ever saw on local channels during daylight hours in the 1970s, and considerably more graphic than PSYCHO but clearly owing a debt to it. Quintessential movie for Oliver Reed and Carol Lynley fans; among their best, most interesting work on celluloid.
Carol Lynley as a woman who returns to her childhood home on the British isles with her American husband in tow and is perplexed by the mysterious presence residing there. Screen-treatment of an H.P. Lovecraft story has too many sordid supporting characters, the heavy threat of rape, and an idiotic action sequence wherein hubby Gig Young takes down a few of the local toughs. Still, it offers a few suspenseful scenes, interesting parallels to the later "Straw Dogs", and a fine cast. Oliver Reed, sweaty and indecipherable as the most obnoxious of the villains, must've been heartsick at playing this same role again and again (he's offered no new opportunity to stretch), but Lynley and fatherly Young have a nice rapport. Overall, it's rather a lackluster thriller jazzed up with artistic cinematography and an overripe score, but the location shooting on the Norfolk Coast is good and the wrap-up satisfying. **1/2 from ****
Creepy! This is an unfairly unappreciated and extremely effective Gothic horror flick from the late 60's. It is also one of the better attempts to bring literary mastermind H.P. Lovecraft to the screen. The acting is magnificent! Carol Lynley and Gig Young are in top form as the bewildered young couple whose arrival in the small, tranquil village seems to trigger off a series of bizarre and ultimately deadly occurences. Veteran character actress Flora Robson is genuinely affecting as the strange old lady who seems to know a great deal more than she's telling about the secret that's hidden away in THE SHUTTERED ROOM. Oliver Reed is appropriately menacing as a young roughneck. This one is a little tough to find these days. It's not readily available in video stores, and though once popular on late night television, they rarely run it on TV. But should you be so fortunate to come across it, don't pass it up!
weird hearing Sutherland's voice coming out of Zebulon odd casting two Brits in film as well as location Australian, Americans double for Young how'd she get bra back on? cool ending with aunt and 'thing' "The Shuttered Room" is a very good horror movie. It's consistently creepy and offered a few surprises.
The film is difficult to place. While some of the cast are Americans and the countryside looks a bit American (especially with the American car which is prominently seen throughout the film). But, the film also features some Brits and at least on Aussie--giving the film a rather strange pedigree. But, this is a minor concern.
"The Shuttered Room" begins in the past. Some weird creature is living in a house and has escaped--and Dad rushes off to return it to its attic lair. Now the film jumps ahead about 20 years. The young child in the beginning of the film has grown (now played by Carol Lynley) and has returned to this weird village after having been removed and raised in New York soon after the initial scene. She has now returned with her husband (Gig Young) to reclaim her home--one that apparently has sat gathering dust during this intervening period. But the family matriarch (Flora Robson) warns them not to enter the home...it's cursed! While you know that they will eventually move in to the home, in the meantime another evil force is afoot. The lady's cousin (Oliver Reed) is a bit of a sociopath and he and his friends seem bent on rape and/or murder--all for 'kicks'! So who should the couple fear--the cousin, the 'thing that is in the attic' or both?
Overall, the film does a great job of setting a creepy mood and providing lots of terror for the couple. The acting isn't bad, though the idea of Young playing an action hero seemed a bit silly--as did the bad use of a double in his fight scenes (it's so obviously NOT him). Howver, the good easily outweighs the bad and it's well worth your time if you like creepy movies...and I do.
By the way, early in the film it was rather disconcerting to hear Zebulon speak, as it clearly was NOT his voice but Donald Sutherland's! I am not sure why they had him dub this man, but he is listed in the IMDb credits for this.
The film is difficult to place. While some of the cast are Americans and the countryside looks a bit American (especially with the American car which is prominently seen throughout the film). But, the film also features some Brits and at least on Aussie--giving the film a rather strange pedigree. But, this is a minor concern.
"The Shuttered Room" begins in the past. Some weird creature is living in a house and has escaped--and Dad rushes off to return it to its attic lair. Now the film jumps ahead about 20 years. The young child in the beginning of the film has grown (now played by Carol Lynley) and has returned to this weird village after having been removed and raised in New York soon after the initial scene. She has now returned with her husband (Gig Young) to reclaim her home--one that apparently has sat gathering dust during this intervening period. But the family matriarch (Flora Robson) warns them not to enter the home...it's cursed! While you know that they will eventually move in to the home, in the meantime another evil force is afoot. The lady's cousin (Oliver Reed) is a bit of a sociopath and he and his friends seem bent on rape and/or murder--all for 'kicks'! So who should the couple fear--the cousin, the 'thing that is in the attic' or both?
Overall, the film does a great job of setting a creepy mood and providing lots of terror for the couple. The acting isn't bad, though the idea of Young playing an action hero seemed a bit silly--as did the bad use of a double in his fight scenes (it's so obviously NOT him). Howver, the good easily outweighs the bad and it's well worth your time if you like creepy movies...and I do.
By the way, early in the film it was rather disconcerting to hear Zebulon speak, as it clearly was NOT his voice but Donald Sutherland's! I am not sure why they had him dub this man, but he is listed in the IMDb credits for this.
Você sabia?
- CuriosidadesThe burning of the old mill at the end of this movie was done for real. The mill was an ancient landmark in the area which the movie company purchased specifically for the purpose of destroying it by fire. Although the mill had long fallen into disuse, local people strongly protested this action, as did journalists, but to no avail.
- Erros de gravaçãoThroughout the movie the two rear windows of the Thunderbird are alternately up or down. This happens often in the same scene. It is first noticeable as they back off the ferry. As they back up, the passenger side rear window is up and the driver's is down. But as they as turning around upon leaving the ferry, the driver's side rear window is up and the passenger's is down. This becomes very noticeable throughout the film.
- Citações
Aunt Agatha: There's no hope for Susannah if she spends even one night in that house.
Mike Kelton: Do I um, detect a threat there somewhere?
- ConexõesFeatured in Trailer Trauma 2: Drive-In Monsterama (2016)
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