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IMDbPro

Depois que Tudo Terminou

Título original: I'll Never Forget What's'isname
  • 1967
  • 1 h 37 min
AVALIAÇÃO DA IMDb
6,2/10
1,1 mil
SUA AVALIAÇÃO
Oliver Reed in Depois que Tudo Terminou (1967)
Home Video Trailer from Anchor Bay Entertainment
Reproduzir trailer3:16
1 vídeo
20 fotos
SatireComedyDrama

Adicionar um enredo no seu idiomaThe professional and romantic misadventures of an advertising executive in 1960s swinging London.The professional and romantic misadventures of an advertising executive in 1960s swinging London.The professional and romantic misadventures of an advertising executive in 1960s swinging London.

  • Direção
    • Michael Winner
  • Roteirista
    • Peter Draper
  • Artistas
    • Oliver Reed
    • Orson Welles
    • Carol White
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    1,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Winner
    • Roteirista
      • Peter Draper
    • Artistas
      • Oliver Reed
      • Orson Welles
      • Carol White
    • 12Avaliações de usuários
    • 9Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    I'll Never Forget What's 'Isname
    Trailer 3:16
    I'll Never Forget What's 'Isname

    Fotos20

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    Elenco principal69

    Editar
    Oliver Reed
    Oliver Reed
    • Andrew Quint
    Orson Welles
    Orson Welles
    • Jonathan Lute
    Carol White
    Carol White
    • Georgina Elben
    Harry Andrews
    Harry Andrews
    • Gerald Sater
    Michael Hordern
    Michael Hordern
    • Headmaster
    Wendy Craig
    Wendy Craig
    • Louise Quint
    Norman Rodway
    Norman Rodway
    • Nicholas
    Marianne Faithfull
    Marianne Faithfull
    • Josie
    Frank Finlay
    Frank Finlay
    • Chaplain
    Ann Lynn
    Ann Lynn
    • Carla
    Harvey Hall
    Harvey Hall
    • Charles Maccabee
    Lyn Ashley
    Lyn Ashley
    • Susannah
    Edward Fox
    Edward Fox
    • Walter
    Basil Dignam
    Basil Dignam
    Mark Burns
    Mark Burns
    • Michael Cornwall
    Mark Eden
    Mark Eden
    • Kellaway
    Stuart Cooper
    Stuart Cooper
    • Lewis Force
    Veronica Clifford
    • Anna
    • Direção
      • Michael Winner
    • Roteirista
      • Peter Draper
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários12

    6,21.1K
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    10

    Avaliações em destaque

    9jefadlm-1

    This is wonderfully strange , a unique exploration ?

    Irrespective of any reviewer opinion, every viewer interprets what he or she sees hears or any scene , or entire narrative moves us to bring our own personal feelings, descriptive explanations and possibly some level of final personal outcome , verbalised on to this page ! We well remember Oliver Reed was a complicated character and possibly in real life portrayed various personal characteristics in the presence of some folk , which would be totally different for other people ? The British class system in the 1960s ( and to some extent due to some enbarrasment less so in rhe 2000s ) was horribly egocentric and to the uninitiated unfathomable ! One very weird example was the POUNDS SHILLINGS AND PENCE eccentric system of payment ! I never did fathom the illogicality of SIX PENCE ( which was a single coin partially made of silver ) which as seen in the supermarket as 6 D !!! That alone sums up BRITISH ecentricity , and then pile on top of that the egotistical garbage referred to by Orson ! ( a good exammple of a man unafraid of risks, however much danger might lie in wait to snare him ? This film (movie for those of that preference ? ) goes to a lot of trouble and the actors do the script justice in their portrayals of the trials and tribulations of overgrown children that could not come to terms with their own adulthood ! I was lucky enough to have a week of work on one of Winners comedies ! This serious narrative seems to show him as very competent and well directed by him. Whether true or not regarding Orson directing his scenes, I have no idea ? I could not discern any difference in style or aristic application ? So, for me that remains unknown. As I try to say at the start of this review, and in addition to that , i do feel this entertains and even educates , albeit entreched as it is in a time and space now of historical interest ? Bearing in mind many Brit eccentricities still stick like gooey glue which refuses to be killed off !
    5North_Londoner

    Flawed nostalgia piece

    Pretty poor film in terms of plot and structure but interesting as a glimpse of a long gone London and for some lovely footage of Cambridge.

    Also worth casting your eye over the cast, Welles looking bloated and unwell, Reed's striking looks somewhat dented by the facial scarring as a result of a 1963 bar fight and Carol White youthful and beautiful before her succumbing in following years to substance addiction. Michael Winner makes one his final Brit films before moving to Hollywood and it's certainly no classic, kind of a 'Garden State' of its day - episodic but contrived and laboured.

    However, England looks good and the 60s do look pretty swinging.
    6TheFearmakers

    Winner & Reed Go Full-Throttle Sixties

    Another 1960's collaboration from director Michael Winner with actor Oliver Reed, I'LL NEVER FORGET WHATS'ISNAME has an obvious and incredibly intended message from the get-go as Reed, a young and successful ad man, comes to work wielding an ax, destroying his own desk before quitting to his literally big boss Orson Welles, who, with every significantly-spoken one-liner, represents the evils of commercialism...

    The movie feels like either a direct sequel to an original story showing how Reed's Andrew Quint became a success or that it started twenty-minutes in... Either way, with so much anger towards this occupation right off the bat... or ax... the writer has more things to say than the characters...

    In this case Peter Draper of Winner/Reed's first and overall greatest joint, THE SYSTEM aka THE GIRL-GETTERS, which took time to flesh-out Reed and his cronies strategically chasing girls...

    Not much different in Reed's specific case: while he quit a lucrative job for an old position writing for an indie magazine, he still loves (and is loved by) the ladies, including separated wife Wendy Craig, seductive lover Marianne Faithful and this film's innocent ingenue Carol White...

    Who's the best thing going here... the POOR COW starlet playing a kind of comparably naive and ambiguous witness (the jerks are jerks and the good guys perfect idealists) for both Reed and the audience as director Winner... using surreal/psychedelic montages and flashbacks popular in this era, herein showcasing London's Swinging Sixties... traipses through a partial mind-trip sporadically weaving in and out of reality...

    Before ultimately finding a genuine plot-line when Reed, forced back into working for the monopolizing Orson, finds his revenge by making a loaded, telegraphed thus predictable commercial in a counter-culture study that's often easier on the eyes (creative/intriguing visuals) than ears (forced/contrived dialogue).
    4malcolmgsw

    Dated and past its sell by date

    Universal like many other American film companies came to London in the sixties.Films like this made them retreat back to Hollywood.Pretentious at best boring at worst.All of the leading actors died an early death due to one form of over indulgence or another.
    che-29

    A high mark of Brit 60s flicks

    There were so many good British films made in the 60s ,that you rarely hear this one mentioned .Thou,it is a worthy film and is comparable to 'Performance' and 'Women in Love' as one of the best films of the era.It's about a Business executive who has to re-think his life and relationships for what they are worth. Orson Welles is great as his creepy Boss and all of the female actors who play his many girlfriends did a very convincing job. The Dream sequences are very LSD inspired.

    If you like it also See 'The System' by the the same filmmaker.

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    Enredo

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    Você sabia?

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    • Curiosidades
      Often named as the first movie to use the word "fuck" in its dialogue. Another contender is "Alucinação de Ulisses (1967)," another film of 1967. However, "The Victors" - which features the F-word in a song soldiers are heard singing - was first seen four years earlier. (This scene appears now to vanished completely from the film and is not on the DVD version; however, it was remarked by critics in 1963).
    • Citações

      [Often cited as the first time the word "fuck" was heard in the cinema]

      Josie: Get out of here, you fucking bastard!

    • Conexões
      Featured in Film Review: Marianne Faithfull (1968)

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    Perguntas frequentes12

    • How long is I'll Never Forget What's'isname?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 9 de fevereiro de 1968 (Dinamarca)
    • País de origem
      • Reino Unido
    • Idioma
      • Inglês
    • Também conhecido como
      • I'll Never Forget What's 'Isname
    • Locações de filme
      • Troubadour, 265 Old Brompton Road, Kensington, Londres, Inglaterra, Reino Unido(Coffee House)
    • Empresas de produção
      • Scimitar Films
      • Universal Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 37 minutos
    • Proporção
      • 1.85 : 1

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