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IMDbPro

A Lágrima Secreta

Título original: Poor Cow
  • 1967
  • Approved
  • 1 h 41 min
AVALIAÇÃO DA IMDb
6,8/10
2,2 mil
SUA AVALIAÇÃO
Terence Stamp and Carol White in A Lágrima Secreta (1967)
CrimeDramaRomance

Adicionar um enredo no seu idiomaA young woman lives a life full of bad choices. At a young age she has a baby by an abusive thief who quickly lands in prison. When her son goes missing, she gets to grips with what is most ... Ler tudoA young woman lives a life full of bad choices. At a young age she has a baby by an abusive thief who quickly lands in prison. When her son goes missing, she gets to grips with what is most important to her.A young woman lives a life full of bad choices. At a young age she has a baby by an abusive thief who quickly lands in prison. When her son goes missing, she gets to grips with what is most important to her.

  • Direção
    • Ken Loach
  • Roteiristas
    • Nell Dunn
    • Ken Loach
  • Artistas
    • Terence Stamp
    • Carol White
    • John Bindon
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    2,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Ken Loach
    • Roteiristas
      • Nell Dunn
      • Ken Loach
    • Artistas
      • Terence Stamp
      • Carol White
      • John Bindon
    • 36Avaliações de usuários
    • 18Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 2 indicações no total

    Fotos59

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    Elenco principal55

    Editar
    Terence Stamp
    Terence Stamp
    • David 'Dave' Fuller
    Carol White
    Carol White
    • Joy
    John Bindon
    John Bindon
    • Tom
    Queenie Watts
    • Aunt Emm
    Kate Williams
    Kate Williams
    • Beryl
    Laurie Asprey
    James Beckett
    James Beckett
    • Tom's Mate
    Ray Barron
    • Customer in Pub
    Hilda Barry
    • Customer in Pub
    Ken Campbell
    • Mr. Jacks
    • (as Kenneth Campbell)
    Ronald Clarke
      Ellis Dale
      • Solicitor
      Gladys Dawson
      • Bet
      Terry Duggan
      • 2nd Prisoner
      Winnie Holman
      • Woman in Park
      Rose Hiller
      • Customer in Hairdresser's
      John Halstead
      • Photographer
      Doreen Herrington
      • Direção
        • Ken Loach
      • Roteiristas
        • Nell Dunn
        • Ken Loach
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários36

      6,82.1K
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      10

      Avaliações em destaque

      GrahamEngland

      The Dark Side Of 'Swinging London'.

      Swinging London of myth, was for most at the time, a fantasy. It involved a small number of people, in a small area of the city, for a short time. But as many of those who were of this group, went on and maintained long careers in film, TV, Arts and literature/journalism, it's effect and scope was and has been much magnified.

      Trust Ken Loach (who else?) to shine a light in the London of the mid/late 60's' for many people, was the reality. Not just the criminal element either.

      Loach after all had form here, with his groundbreaking TV plays such a 'Up The Junction' and 'Cathy Come Home'. Showing the darker side of London that was then, still, an industrial city in parts.

      Carol White, as lead Joy, had also been in those Loach films, she was a working class Julie Christie and carried off the role of this troubled young woman with aplomb.

      White really was a fine actress, sadly like the roles which made her famous with Loach, the real woman was as troubled. Not due to poverty, a different kind of trouble, the numerous affairs, the decline in her career, to die from alcohol abuse at just 48 far from her London roots. It does change you way you view Poor Cow with this knowledge.

      Terence Stamp as Dave is excellent - though such was his stardom by then he would turn up for filming in a Rolls Royce! The notorious John Blindon (surely the most stark example of Loach's use of 'real' people who often had the same lives as they acted on screen), struggles as an actor in his first role, though again, with the knowledge of the real Blindon this is less noticeable.

      The Loach 60's standards of lots of sequences of real life, lots of cameo characters, loose plotting, are much in evidence.

      This is not a film for everyone, if you think you'll see another classic British gangster film, you'll be disappointed. But this was a radical, daring, atmospheric film, more of historic interest than greatly entertaining, worth a look.
      7bakerjp

      There's no film in his camera.

      Recently released on British DVD, this is a good movie (as long as you have an attention span and IQ of more than a fruit fly). Not as depressing as it could have been, this is kitchen-sink at its most dirty. Terrance Stamp is great in it, the music is sweet, Carol White is very believeable as the single mum tart who can't stop loving criminals.

      My favourite scene is where Carol and her friend who works in the pub with her (the one with the enormous beehive hairdo which comes down over one eye) sit outisde and gossip about all the men who walk past.

      The only thing that marred this was the shakey acting of Carol's first husband, but if you can get past that, you're OK. And Donovan provides some of the most languid, mellow, bittersweet lyrics to come out of the 60s.
      ad59

      60's realism well worth a look at!

      Loach's film attempts to depict the sorry life of Joy, a young woman involved in the shady world of criminals and petty crime. How sorry one can feel for Joy is debatable as it is a life she has freely become associated with, first through her marriage to Tom and later, when Tom is imprisoned, through her relationship with his mate, Dave. What is so interesting about the film is the settings, Loach's realistic style and the naturalness of the key performances. Having an almost documentary feel about it - the (possibly unintentional) intrusion of the boom mike in one scene adds to this style. Also the street scenes of the kids playing in an alley comparable to a "20 yard toilet" could have been filmed in any run-down working class tenement block of the sixties. The film itself had a raw energy, especially when Joy is searching for her son amongst the demolished houses. Loach manages to present a realistic portrayal of working class urban life during 60's Britain which is well worth a look at.
      6Leofwine_draca

      Loach's slice-of-life debut

      As mentioned elsewhere, I've been getting into the 'kitchen sink' dramas of Britain in the 1960s. Previously I've watched a handful of the early black and white ones, but POOR COW, the first film from long-time director Ken Loach, offered in a new wave of all-colour pictures that eventually heralded the way for the miserable likes of EASTENDERS and other soaps that came later. POOR COW is a product of its era and it shows, and that's what makes it interesting.

      The film is in essence the story of a young mother and her kid and their attempts to get by in a cruel and often harsh world. Carol White achieves level of naturalness in her performance that you don't often see, which means that she's utterly convincing. The male characters are presented as brutes, philanderers, or simply bland, cold men who don't care about the impact they make on people's lives. There's plenty of talent in the supporting cast, a lot of faces who would go on to become familiar on TV and in film, which makes this a fun watch despite the gruelling subject matter.

      The thing I found about POOR COW is that it kept me watching. I was always interested in finding out the outcome of the story, although any viewer will immediately realise that it's not going to be a happy ending. I was interested to note that the interlude in which White gets involved with a group of dodgy glamour photographers seemed to inspire a whole sub-genre of films directed by the likes of Norman J. Warren and Pete Walker. Apparently many of the scenes in the film were ad-libbed, which accounts for the slice-of-life realism of the piece.
      pheed

      The Limey is a follow-up to this film.

      It is worth noting that The Limey (1999) is a follow up to Poor Cow. The writer of the later film has stated that the similarities between these two films is incidental. However, Steven Soderbergh (the director of The Limey) has said that he specifically intended for his movie to be a sequel to Poor Cow. If you liked Poor Cow you might also want to see The Limey.

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      Enredo

      Editar

      Você sabia?

      Editar
      • Curiosidades
        According to Terence Stamp, the film was mostly improvised and first takes were always used. Two cameras filmed simultaneously to capture the spontaneity of the performances.
      • Erros de gravação
        The apostrophe is missing from the caption "At Aunt Emms.".
      • Citações

        Joy: Yeah, don't forget to get me some nice sovereigns, gold ones.

        Dave: Oh, I'll try love. You know, not always made to order.

      • Versões alternativas
        The BBFC website states that the original version had some sex references that were cut before its release in the 1960s. http://www.bbfc.co.uk/education-resources/student-guide/bbfc-history/1960s
      • Conexões
        Edited into O Estranho (1999)
      • Trilhas sonoras
        Be Not Too Hard
        Music by Donovan and Lyrics by Christopher Logue

      Principais escolhas

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      Perguntas frequentes17

      • How long is Poor Cow?Fornecido pela Alexa

      Detalhes

      Editar
      • Data de lançamento
        • 21 de janeiro de 1968 (Reino Unido)
      • País de origem
        • Reino Unido
      • Idioma
        • Inglês
      • Também conhecido como
        • Pobre vaca
      • Locações de filme
        • Fulham Broadway Underground Railway Station, Fulham Broadway, London, Greater London, Inglaterra, Reino Unido(cafe interior opening credit sequence)
      • Empresas de produção
        • Vic Films Productions
        • Fenchurch
        • The National Film Finance Corp.
      • Consulte mais créditos da empresa na IMDbPro

      Bilheteria

      Editar
      • Faturamento bruto mundial
        • US$ 15.709
      Veja informações detalhadas da bilheteria no IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        1 hora 41 minutos
      • Mixagem de som
        • Mono
      • Proporção
        • 1.66 : 1

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