Assassinos de Aluguel

1968's French-Italian "OSS 117 Double Agent" aka "OSS 117 Murder for Sale" (Pas de Roses pour OSS 117 or No Roses for OSS 117) was the 5th entry in the 60s OSS series, director Andre Hunebelle at the helm for the 4th time, location shooting in Rome and Tunisia. The first two actors cast as Hubert Bonisseur de La Bath aka OSS 117, Kerwin Mathews and Frederick Stafford, both played the role twice, the latter unavailable as he was busy filming Alfred Hitchcock's "Topaz." By sheer coincidence, the one chosen to replace Stafford for this lone entry was "Psycho" leading man John Gavin, just good enough to catch the attention of producer Albert Broccoli until Sean Connery returned to the 007 fold for "Diamonds Are Forever." Perhaps the finest cast assembled for any OSS title begins with luscious Luciana Paluzzi, only three years removed from the biggest Bond blockbuster, "Thunderball," Curt Jurgens still a decade away from Roger Moore's "The Spy Who Loved Me," add Margaret Lee as leading lady and a regrettably brief naked cameo from Rosalba Neri for additional eye candy, plus the welcome return of villainous Robert Hossein (from "Shadow of Evil"), and there are the makings of a film almost as good as Stafford's "OSS 117 Mission for a Killer." Hubert impersonates a notorious assassin to infiltrate 'The Organization,' keeping their paid killers in line via a slow acting poison, for without the antidote administered by Hossein's cold hearted Dr. Saadi they are certain to perish. Curt Jurgens is in familiar form as the criminal mastermind known as 'The Major,' George Eastman his main henchman, assisted by beautiful doctor Luciana Paluzzi, who sadly vanishes from the picture after the phony 'vaccine.' Hubert's assignment is to cause a rift between warring tribes eager to sign a peace treaty, foiling the plot by kidnapping the intended victim and replacing his 'corpse' prior to the fatal explosion, Margaret Lee a delightful love interest and damsel in distress (apparently on loan from Harry Alan Towers). The plot tends to move in fits and starts, one impressive early scene with Hubert forced to fight while preserving his unclothed modesty, the climactic rooftop skirmish falling short much like its wicked protagonist (a soft jazzy music score is no help either). This 60s series could not lay claim to be classics but they weren't cheap ripoffs either, just diverting enough to offer solid fare for undiscriminating viewers.

This is one of the later entries in the Eurospy, and more specifically in the OSS 117, cycle, and it's probably one of the better ones as well. The two main reasons for that are: 1) The cast. John Gavin is one of the most capable "pseudo-Bonds" of the era, with a good comic flair; you can see why he actually came very close to being the REAL Bond once, in 1971, before Sean Connery changed his mind and came back for "Diamonds Are Forever", Margaret Lee is playfully attractive, Curt Jurgens makes a suitable villain (just like he would a decade later in "The Spy Who Loved Me"), Robert Hossein plays another soft-spoken evil doctor (just like he did in "OSS 117: Panic In Bangkok"), and even the luscious Luciana Paluzzi of "Thunderball" fame is around, though only for about 10 minutes and then she vanishes. 2) Unlike many Eurospy films, this one is not driven by fight scenes at every opportunity. There are some fights, to be sure, and they're pretty good, but most of the time the film is just trying to tell a story. Admittedly the climactic fall of the criminal "Organization" should have been more spectacular - maybe the producers ran out of budget by that point? **1/2 out of 4.

Yet another of those made-in-Europe "spy thrillers" inspired by the success of the James Bond movies, "Murder for Sale" will evaporate from your memory even as you watch it.

John Gavin lacks the roguish charm, cynical edge, and tough-guy assurance needed to bring off this kind of part. He seems, as always, sincere and dutiful and anxious to please and one can't but help feel a bit sorry for him. But, hey, what other actor can claim to have been directed by Douglas Sirk, Alfred Hitchcock, Stanley Kubrick, and Peter Ustinov?

The best scene comes early in the movie when the police come to arrest Gavin who's sleeping in a hotel room. Gavin jumps out of bed and, as music from "Carmen" plays on the soundtrack, fends off the cops by using his bedsheet the way a matador uses his scarlet cape. Gavin apparently sleeps "in the raw" and this scene gives him a chance to show off his bare and oh-so-beautiful chest.

....So OSS 117 has nothing to complain about.Director André Hunebelle ,who used to direct Jean Marais in watchable swashbucklers had become a spy thriller drudge. It's his fourth Hubert Bonisseur de la Bath (OSS 's real name ,for those who care) .He used first Kerwin Matthews ,then Frederick Stafford .

The cast of "Pas de Roses..." is by far the most interesting: gathering one of his talented compatriots (Robert Hossein) earnest German thespian Jürgens,an ex-James Bond Girl (Luciana Paluzzi,remember Fiona Volpe?)and John Gavin ,the hero of Douglas Sirk's last great works ("Imitation of life" (1959) and " a time to love and a time to die") not to mention "psycho" where he was completely overshadowed by Perkins anyway.

The story is routine itself but there are some good ideas ,such as the poison .More somber than "furia à Bahia" but,unlike the precedent 0SS, humorless.

Like this?Try these (James Bond " A La Française")

"OSS 117 se déchaine" Hunebelle 1963

"Banco à Bangkok pour 0SS 117" Hunebelle 1965

"Furia à Bahia pour 0SS 117 " Hunebelle 1965

"Atout coeur à Tokyo pour OSS 117" Boisrond 1966

James Bond style film made in Europe -that is professionally made but without the Hollywood touch that gave James Bond series or -in a minor way- Matt Helm ones their lust. Maybe John Gavin was not the best choice for the role -even him seems to think he is miscast- and his acting is unconvincing. Curd Jürgens is totally wasted as the villain with only a couple of scenes and not much to do with them. Margaret Lee with her limited acting abilities does not convince as the lady in distress. The film also lacks of some humoresque touches and when -scarcely- they do appear seem to be out of place.Fight scenes are rather bad (maybe with the exception of the last one on the mansion roof). They could have got the most out of the poison/antidot matter: it is supposed that a so experienced secret agent would surely expect some trick about it and consequently had a better plan far than expecting a last minute antidot that could finally not be such so. Plot is rather poor and characters too plain to succeed. Maybe a better script and dialogues and a more talented director's work would have made a better film but that's something we will never know. By the way, the blu ray edition is really nice: bright colors emphasizing fab. locations and high definition image that sometimes give the impresion of watching a 3D movie. The OSS117 series had two enjoyable same style remake versions in 2006 (OSS117: Le Caire nid d'espions) & 2009( OSS117: Rio ne répond plus), both directed by Michel Hazanavizius with Jean DuJardin as Hubert Bonisseur de La Bath -same team that did The Artist.