Assassinos de Aluguel

James Bond rip-offs were all the rage in mid-60s cinema, and here's a fairly good one. John Gavin is OSS 117, America's greatest secret agent, who must foil the attempted assassination of a peace broker. Apparently, 'billions' of dollars of arms sales are at risk, even though the warring 'tribes' apparently consist of about two dozen besworded Arabs. Nonetheless, Gavin is off on a mid-East jaunt, where he is pitted against...not much in the way of villains, really. He meets the beautiful daughter of a local mucky-muck, played by a most attractive Margaret Lee, and in between wooing her and killing the odd bad guy he manages to save the day.

This review is based on the Media Home Entertainment video of almost 20 years ago, and as would be expected, the print quality is fair to poor. Obvious screen compression ruins a number of shots and we can only look forward to the day when Anchor Bay chooses to restore this film to all its widescreen splendour.

The "French James Bond" OSS 117 and his fifth mission - this time with John Gavin

In the EuroSpy film series about OSS 117 released by the French mini-major GAUMONT, the main actors took the lead. After Kerwin Mathews and Frederick Stafford, Hollywood smartie John Gavin (Psycho) was already the third OSS 117. The Golden Globe winner (Time to Live, Time to Die) did so well that he was seriously considered James Bond -The successor to George Lazenby, who left the company, was traded. The attractive John Gavin would also have cut a good figure as 007. Under the direction of experienced director Andre Hunebelle, filming took place in Rome (gorgeous images of the Eternal City) and Tunisia.

This time OSS 117 has to deal with a gang that hires out hitmen and is called "The Organization". To get in there, the super agent with a freshly operated face (that's how the change in actors is explained in the film) pretends to be a bad bank robber who likes to shoot tons of people. This brings him to the attention of the organization and quickly frees him from the clutches of the police, who were able to arrest him after an hour with the lovely dancer Conchita Esteban (Rosalba Neri). He is prepared for his work in a strange villa. The beautiful doctor Maud (Bond villain Luciana Paluzzi) is responsible for his physical needs, including in bed, of course! There (in the villa, not in bed!) he also gets to know the boss of the gang, called the Major (strangely slippery: Curd Jürgens), and his tall assistant Karas (George Eastman). Soon we're off to the Orient for our first job, which is fraught with all sorts of complications. Love is once again not neglected (Margaret Lee as Aicha), but there is also a really nasty colleague (Robert Hossein as Dr. Saadi) of the cuddly Maud. Will OSS 117 succeed in preventing the planned assassination attempt on the scientist van Dyck? Will the Major's gang of criminals be defeated?

Beautiful ladies who tie the attractive hero to the bed in rows, lively fistfights (including with George Eastman), beautiful pictures and a humorous plot - you can't expect more from a EuroSpy classic. 316,000 tickets were still sold in West German cinemas; the heyday for this type of film was certainly over. This film is still fun to watch in the home theater today.

....So OSS 117 has nothing to complain about.Director André Hunebelle ,who used to direct Jean Marais in watchable swashbucklers had become a spy thriller drudge. It's his fourth Hubert Bonisseur de la Bath (OSS 's real name ,for those who care) .He used first Kerwin Matthews ,then Frederick Stafford .

The cast of "Pas de Roses..." is by far the most interesting: gathering one of his talented compatriots (Robert Hossein) earnest German thespian Jürgens,an ex-James Bond Girl (Luciana Paluzzi,remember Fiona Volpe?)and John Gavin ,the hero of Douglas Sirk's last great works ("Imitation of life" (1959) and " a time to love and a time to die") not to mention "psycho" where he was completely overshadowed by Perkins anyway.

The story is routine itself but there are some good ideas ,such as the poison .More somber than "furia à Bahia" but,unlike the precedent 0SS, humorless.

Like this?Try these (James Bond " A La Française")

"OSS 117 se déchaine" Hunebelle 1963

"Banco à Bangkok pour 0SS 117" Hunebelle 1965

"Furia à Bahia pour 0SS 117 " Hunebelle 1965

"Atout coeur à Tokyo pour OSS 117" Boisrond 1966

Yet another of those made-in-Europe "spy thrillers" inspired by the success of the James Bond movies, "Murder for Sale" will evaporate from your memory even as you watch it.

John Gavin lacks the roguish charm, cynical edge, and tough-guy assurance needed to bring off this kind of part. He seems, as always, sincere and dutiful and anxious to please and one can't but help feel a bit sorry for him. But, hey, what other actor can claim to have been directed by Douglas Sirk, Alfred Hitchcock, Stanley Kubrick, and Peter Ustinov?

The best scene comes early in the movie when the police come to arrest Gavin who's sleeping in a hotel room. Gavin jumps out of bed and, as music from "Carmen" plays on the soundtrack, fends off the cops by using his bedsheet the way a matador uses his scarlet cape. Gavin apparently sleeps "in the raw" and this scene gives him a chance to show off his bare and oh-so-beautiful chest.

After a series of high-profile assassinations the United States decides to assign OSS Agent 117 "Hubert Bonisseur de La Bath" (John Gavin) to investigate. To that effect, in order to obtain some credibility with this unknown organization and help him to gain access within it he has plastic surgery to resemble a wanted and very dangerous criminal. Sure enough, he is accepted rather quickly but what he doesn't know is that the person in charge-known simply as "The Major" (Curd Jurgens)-is quite suspicious and has his own internal network which continually maintains surveillance on everyone. Now rather than reveal any more I will just say that this was the first film in which John Gavin appeared as OSS Agent 117 and he performed quite admirably in that regard. Along with that, I thought that the plot was quite entertaining with Margaret Lee (as "Aicha Malik") also putting in a credible performance. Admittedly, I was rather disappointed with the limited screen time for both Luciana Paluzzi (as "Maud") and the aforementioned Curd Jurgens but all things considered I found this to be a solid EuroSpy film and I have rated it accordingly. Slightly above average.