Um Caso de Amor (ou) A Tragédia de uma Telefonista

This is not only a great little movie, but also a great time-capsule of late-'60s Yugoslavia (a nation since destroyed by way of violent imperialist intervention).

A young Hungarian woman and an older, Serbian man enter into a relationship under the internationalist, multi-ethnic, mid-twentieth century culture of communist Yugoslavia. This work contains scenes of beautiful, deeply moving, intimacy and sexuality.

The contradictions of this culture are made plain within the movie by reference to scenes from a Russian revolutionary film by Dziga Vertoz: Committed communist masses dismantle an old Cathedral- their cause is clearly popular and democratic, yet it is intolerant of an institution that has itself embodied intolerance for millennia. "Revolutionary", "scientific" humanity remains constellated within a dialectic of resentment.

Ultimately, human frailty destroys both the Hungarian and the Serbian. Misunderstanding and jealousy cause the lovers to turn on, and destroy, each other within the the terms set forth by this "revolutionary" society. Progress creates the illusion of enlightenment. But ultimately it is human nature that decides our fate.

This outlook ultimately qualifies writer-director Dusan Makavejev as a philosophical reactionary, albeit an exceptionally creative one.

Dusan Makavejev is probably not a name that most people will recognize, but film buffs should. In the late '60s he was part of a wave of Yugoslav filmmakers who changed the face of that country's cinema (much like Mike Nichols in the US) in what got called the Black Wave. Since lots of people in the US only learned of Yugoslavia from the horrors of the 1990s war in Bosnia, it might surprise them that the country had a thriving film industry for a long time.

Anyway, Makavejev's "Ljubavni slucaj ili tragedija sluzbenice P. T. T." ("Love Affair, or the Case of the Missing Switchboard Operator" in English) tells of a romance between a switchboard operator and a sanitation inspector. I figure that the movie must've been hard to make, given some of the explicit scenes. But more important is the point that the movie makes about relationships, and it doesn't hold back.

Like "Carnal Knowledge" and "Portnoy's Complaint", this movie shows that relationships are bound to come with complications. I recommend it to everyone.

The combination of almost documentary approach with non-linear storytelling makes Love Affair arguably Makavejev's finest work.

The documentary approach, including a lot of archive footage, echoes Innocence Unprotected (Nevinost bez zaštite) as we follow common people during what turned out to be socialism's heyday in former Yugoslavia.

Non-linear storytelling has later been driven to the excess in WR: Mysteries of Organism (WR: Misterije organizma) rendering Love Affair much more accessible.

This must have been an extraordinary movie at the time, along with rather brave Eva Ras in one of the lead roles.

To me, the story is lousy and boring, and dialogues, monologues and narrators are catastrophic. The only thing worth seeing in this movie is Eva Ras. She was really pretty girl in her youth, and this is the first Yugoslavian film with explicit nakedness. The scene in which the black cat is lying on Isabel's naked body is known not only within domestic but also the world cinematography.

3/10

That European cinema did things differently in the 1960s is not in doubt, as even directors from little-renowned cinematic cultures such as Yugoslavia delighted in new-found freedom. On one hand, "Switchboard Operator" is a simple tale of love, betrayal and tragedy in Belgrade, and as such captures some touching details about trapped lives in a totalitarian society. However, director Dusan Makavejev, clearly under the influence of Godard, adopts an offhand approach to his narrative, and introduces extraneous material at tangents to the main story. Most of this stuff is fascinating, particularly when he uses archive footage of Yugoslav history. Less successful are the interjections of two tedious academics, a sexologist and a criminologist, whose stern pronouncements jar against the film's capricious tone. Nonetheless, this is invigorating film-making which reaches into some strange regions. Despite an economical running time of 69 minutes, the film even finds time for a brief history of how the grey rat infested Europe!