O Pistoleiro do Rio Vermelho

As a history teacher, I have a lot more knowledge about what the old west REALLY was like...and for the most part it was little like you see in westerns. In the case of this film, there is the famed fast- draw sheriff, young punks wanting to prove they are faster and the famed shootouts on main street...all stuff that really did not happen. Sure, it could have happened once or twice (anything is possible) but the west was a lot safer and civilized than you would imagine if you got your history from films! So, I knew going into "The Last Challenge" that the film was complete fiction...a myth of a west filmmakers WISHED had really been.

When the film begins, yet another stupid punk comes into town to challenge the brave Marshall (Glenn Ford). Marshall Blaine blows the snot out of him and the immediate threat is gone. But of course there is another who is on his way to town to challenge the fast- draw sheriff. But something unusual happens--the pair meet on friendly terms while fishing and seem to like each other. Will that change anything or is one of them still destined to assume room temperature?

This is a moderately enjoyable film with a finale that is, pretty much, a foregone conclusion. Not a bad movie...just not at all like the real west. Although a shootout between two guys is common in films, in reality lawmen were very happy to just shoot guys in the back or shotgun them or attack the thug with a group. The whole manly shootout to prove who is the fastest is just mythical.

With elements of the TV western Gunsmoke and the film High Noon in it, The Last Challenge is a worthy addition to the western genre. All the players involved have done westerns before and look very comfortable in their roles.

Glenn Ford is the town marshal and the fastest draw in these here parts and when you're the former, it sure helps if you're the latter. He's got a gal pal in Angie Dickinson who's a combination of Miss Kitty and oddly enough Grace Kelly in High Noon. Because oddly enough a confident young gun hand played by Chad Everett has come to town and he's got Angie worried.

Let's just say that Angie makes a move that Kitty would never even contemplate insofar as Matt Dillon was concerned. It costs her big time.

The western as an adult theme arrived in this film because we have a scene with Glenn and Angie sleeping in a big double bed. We never got to Ms. Kitty's bedroom in Gunsmoke and a scene of a man and woman in the same bed was something never contemplated in the past. Not even that very married couple Roy Rogers and Dale Evans would have heard of such a thing.

What happens with Glenn and Chad. You have to watch the film to find out. But I will say you'll see an ending very much influenced by High Noon.

Ex-gunhawk meets up and coming young punk intent on proving his worth by knocking off the king of the heap. Been there, done that. Seems like Angie Dickinson played this identical part in several films; wonder if she got as bored doing it as I did watching. What was with Royal Dano doing his impersonation of an injun? The producer couldn't find the genuine article? Let this one be your last choice.

The basic premise of this movie is quite simple: a young man with no particular talent but a quick draw (Chad Everett) wants to feel important by out drawing the fastest draw around -- an experienced marshall played by Glenn Ford. As the movie progresses, a bond of mutual affection develops between the young gunfighter and the old marshall. The marshall tries every way he can to avoid the inevitable gunfight which he know he will win. This movie is essentially about relationships and the differences between youth and maturity rather than just another gunfight. It's one of my top ten westerns.

The western showdown is as ritualistic as a bullfight which, in many respects, it resembles... The end is as quick, clean and emotionless as the dispatch of a brave fighting bull by the matador... The outcome is usually as predictable but the clash is a heightened moment of suspense that is as exciting as anything the cinema has ever produced...

Richard Thorpe, a reliable director of all genre, and one of MGM's most prolific filmmaker since 1935 directed and produced 'The Last Challenge'/'The Pistolero of Red River.'

Wanting a particular personal style, Thorpe never directed a great motion picture, but had a consistently acceptable batting average as a director of fine, unpretentious entertainment ranging from drama and polished adventure to comedy, musicals and westerns...

With a beautiful body and a timeless loveliness of a face, Angie Dickinson looks great in her black gown... She again figures effectively as the young lady, in love, who wants to stop the shootout... The movie has a Marshal (Glenn Ford) with a reputation as a legendary wild gunfighter, heading for a showdown with a dangerous good-looking challenger Chad Everett...

The John Sherry-Robert Emmett Ginna screenplay features Gary Merrill as a bushy-brow 'Five Card Stud' player, and Jack Elam as the hired killer with an evil leer...