Maridos em Férias

Gene Kelly, who directed this film, was a man that understood clearly timing and movement, as his distinguished career demonstrates. Being behind the camera gives him the opportunity to have his players to put into practice some of his ideas and the result is a film that is a lot of fun and doesn't appear too dated.

What Mr. Kelly accomplished with this film was bringing together two charismatic performers at the top of their form. Walter Matthau had been seen in lots of supporting roles before, but as Paul Manning, the bored husband looking for ways of having fun on the side, he is wonderful. The same could be said about Robert Morse, who had been on the New York stage and in other movies. Mr. Morse makes a fantastic contribution with his take of Ed Stander, the man who knew about how to go after the women he wanted without regard of the consequences.

Ed Stander puts a bug in Paul Manning's brain about how to have fun away from home. The only thing is, Paul is a man with a normal marriage with an adoring wife, who would not even contemplate in reciprocating what he is trying to do if he follows Ed's advice.

The other amazing thing in the film is the different vignettes that are seen throughout the movie. Some of the best and most accomplished actors working in Hollywood have a small part in cameo appearances that illustrate points that Ed would like Paul to put into practice. This way we get to see actors of the caliber of Lucille Ball, Art Carney, Jack Benny, Joey Bishop, Louis Nye, Jayne Mansfield, Phil Silvers, and others playing the dream-like sequences.

"A Guide for the Married Man" is a film worthy of our time since it takes us back to a more innocent period. Thanks to Mr. Kelly's inspired direction, the film will always be a favorite of mature fans.

A movie from a time when "mature" didn't mean graphic. The plot is right out of the buttoned-down 60's -- Walter Matthau consults with expert adulterer Robert Morse before cheating on his wife (a very sexy Inger Stevens). Robert Morse's lessons are illustrated by hilarious vignettes featuring a Who's Who of comedy stars. The Joey Bishop turn on how to handle being caught in the act -- Deny, Deny, Deny is a classic.

This entertaining bit of froth stands up well, as Robert Morse, the neighborhood Lothario, attempts to instruct Walter Matthau in the How-To's of philandery (why he should be interested in philandery when he is married to the incredibly built Inger Stevens is an unexplained mystery). Of course the many delicious cameos by such as Phil Silvers, Sid Caesar, Jack Benny, Joey Bishop, et. al. keep the film bouncing merrily along. Well worth a see.

There are a lot of slams in the comments about how this film is not politically correct, or downright misogynistic. True enough, I suppose, but it isn't fair to apply today's standards to a film that is over forty years old. I was a child at that time, but a man's home really was his castle then, and yes that was definitely to the detriment of the women. But that is the way it was. So get over it. The film is a lot of fun if you don't wear the ideological blinders when you watch it. Walter Matthau is always fun to watch, and Inger Stevens was, of course, serious eye candy. There are a lot of other pretty girls in the film, and Robert Morse's character was a hoot, seeing him rationalize his lust into caring so much for his wife that he must protect HER from knowledge of his adultery. The cameo vignettes were mostly amusing as well. It is light comedy, so don't expect to roll on the floor, but I say, check it out.

Some background - Walter Matthau's character is a successful man who loves his wife (Inger Stevens) - she is attractive, she and Matthau still do things together and get along. She is prime rib, but no man wants to eat prime rib for 50 years.

So a "A Guide for the Married Man" is exactly what the title indicates. On one level, it is a hilarious comedy in which a philanderer (Robert Morse) senses his friend's (Walter Matthau) restlessness, and then proceeds to school him on how to commit adultery safely. Each principle is illustrated by a skit performed by other comedians of the time.

On another level, it actually provides sage advice for anyone thinking about getting a little on the side. That sage advice is, in the words of Micky Rourke in 1981's "Body Heat" about a completely different subject - "This is not (stuff) for you to be messin' with. Are you ready to hear something? I want you to see if this sounds familiar: any time you try a decent crime, you got fifty ways you're gonna (mess) up. If you think of twenty-five of them, then you're a genius... and you ain't no genius."

So this film is not as trapped in 60's sexual mores as other films of the decade, because married men will always want to rent a house at the beach now and then although that does not mean they want to sell their house in the suburbs and disrupt their way of life. Probably making wives nervous for over fifty years, this is a 60s film still worth seeing.