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IMDbPro

Condenado Pela Máfia

Título original: A ciascuno il suo
  • 1967
  • Not Rated
  • 1 h 39 min
AVALIAÇÃO DA IMDb
7,0/10
2,1 mil
SUA AVALIAÇÃO
Condenado Pela Máfia (1967)
CrimeDramaMistério

Adicionar um enredo no seu idiomaIn Sicily, a leftist professor investigates the "honor killings" of two friends, uncovering a tangled web involving politicians, the Mafia, the Church, and the widow of one of the victims.In Sicily, a leftist professor investigates the "honor killings" of two friends, uncovering a tangled web involving politicians, the Mafia, the Church, and the widow of one of the victims.In Sicily, a leftist professor investigates the "honor killings" of two friends, uncovering a tangled web involving politicians, the Mafia, the Church, and the widow of one of the victims.

  • Direção
    • Elio Petri
  • Roteiristas
    • Elio Petri
    • Ugo Pirro
    • Leonardo Sciascia
  • Artistas
    • Gian Maria Volontè
    • Irene Papas
    • Gabriele Ferzetti
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    2,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Elio Petri
    • Roteiristas
      • Elio Petri
      • Ugo Pirro
      • Leonardo Sciascia
    • Artistas
      • Gian Maria Volontè
      • Irene Papas
      • Gabriele Ferzetti
    • 12Avaliações de usuários
    • 19Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 6 vitórias e 2 indicações no total

    Fotos19

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    Elenco principal19

    Editar
    Gian Maria Volontè
    Gian Maria Volontè
    • Prof. Paolo Laurana
    Irene Papas
    Irene Papas
    • Luisa Roscio
    Gabriele Ferzetti
    Gabriele Ferzetti
    • Avvocato Rosello
    Laura Nucci
    Laura Nucci
    • Madre di Paolo Laurana
    Mario Scaccia
    Mario Scaccia
    • Prete
    Luigi Pistilli
    Luigi Pistilli
    • Arturo Manno
    Leopoldo Trieste
    Leopoldo Trieste
    • Deputato Comunista
    Giovanni Pallavicino
    • Raganà
    Tanina Zappalà
    Luciana Scalise
    • Rosina - amante di Manno
    Orio Cannarozzo
    • Commissario La Marca
    Anna Rivero
    • Signora Manno
    Michele Jannucci
    Franco Tranchina
    • Dr. Antonio Roscio
    Carlo Ferro
    Carmelo Oliviero
    • Arciprete Rosello
    Valentino Macchi
    Salvo Randone
    Salvo Randone
    • Prof. Roscio
    • Direção
      • Elio Petri
    • Roteiristas
      • Elio Petri
      • Ugo Pirro
      • Leonardo Sciascia
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários12

    7,02K
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    Avaliações em destaque

    8cezy_ur

    Uconventional detective story under the scorching Sicilian sun

    "A Ciascuno il suo" is based on the homonymous book by Leonardo Sciascia, and just like many of the author's books is an unconventional detective story aimed at unveiling the hypocrisy and immorality of Sicilian society. The story begins with a man showing his friends a few threat letters. A few days later he gets shot together with one of his friends, a chemist. The murder is filed under "honour crime" (delitto d'onore) a murder committed out of passion and jealousy, and a peasant is convicted for it. Gian Maria Volonté is an awkward school professor who believes in the peasant's innocence, and decides to investigate the crime. His infatuation with the beautiful wife of the victim also plays a part in his decision to solve the mystery. As the story unveils, he will discover unpleasant truths, but will continue with the investigation despite all dangers. Volonté is as formidable as always, changing his accent and posture to fit the part. But the real protagonist is the Sicilian landscape in all its harsh brightness. The cinematography is such that we can almost feel the wind, the sun and the dryness of the air. When I first watched this film I wondered whether anyone who was not Sicilian or familiar with Sciascia's writing would understand all its complexity, but Elio Petri does a masterful job in transposing the book.
    susanascot

    The more you know, the more you are in danger.

    Paolo Laurana is a kind of leftist intellectual who chances to be intrigued by a mysterious double murder in the Sicily of mid Sixties. In his personal detection for murder's instigators, he will run into a plot in which both politicians and mafia racketeers are involved. So curiosity will become a very dangerous affair. Taken from a novel by Leonardo Sciascia (1921-1989), A ciascuno il suo (1967) is a film where high rank acting is at its top. Cast (Gianmaria Volonté, Irene Papas, Gabriele Ferzetti, Salvo Randone, Luigi Pistilli. Mario Scaccia, Leopoldo Trieste) is perfect and well-combined, direction (Elio Petri, 1929-1982) is powerful and impressive. If compared to the novel, Elio Petri's film (written with Ugo Pirro) may seem short of that illuministic pessimism that breathes through Sciascia's books, but Laurana's rationalistic search for truth retains that `bitter taste of intelligence' which is one of the major feature of Sciascia's characters. A key film to understand historical condition of Italy in the Sixties.
    7brogmiller

    To each his own.

    This marks the first collaboration between director Elio Petri, writer Ugo Pirro and actor Gian Maria Volonte which was to bear fruit in the extraordinary 'Indagine su un cittadino al di sopra di ogni sospetto' and is loosely adapted from the novel by Leonardo Scascia who was again to provide the source material for Rosi's stupendous 'Cadaveri Eccellenti'.

    Scascia's novel was inspired by the assassination of a policeman by the Mafia and here Petri and his cinematographer Luigi Kuveiiller have created a striking contrast between the ravishing Sicilian scenery and the all-pervading corruption although there is perhaps a little too much use made of the 'zoom'.

    Excellent script and taut editing with strong performances from Volonte, Gabriele Ferzetti, both of whom were awarded Silver Ribbons, the striking Irene Papas whose role does not really do justice to her talents and a marvellous cameo by Petri regular Salvo Randone as a blind oculist!

    Petri's customary Left-leaning social criticism is in evidence here but what should have been a top class film is alas, for this viewer at any rate, weakened by imperfect post-synchronisation and some distinctly dodgy dubbing. The genius of Ennio Morricone is conspicuous by its absence here as the score by Luis Bacalov is intrusive, badly integrated and undermines rather than underlines the film's effectiveness.
    7Bunuel1976

    We Still Kill The Old Way (Elio Petri, 1967) ***

    Goodish blend of Mafia movie (still pretty much uncharted territory at the time) and political thriller, with a hesitant romance thrown in for good measure; the result is generally absorbing, thanks largely to uniformly excellent performances, gleaming location photography (Sicily, of course) and a wonderful score by the ever-reliable Luis Enrique Bacalov. Heading the cast is Gian Maria Volonte': the film launched the political/social conscience phase of his career after a stint doing Spaghetti Westerns. His character is that of an intellectual loner who finds himself in over his head when he starts probing into the assassination of two friends – including philanderer Luigi Pistilli – which leads to his falling for the other's wife (Irene Papas). Though the identity of the villain (as ever, an eminent member of the community and far closer to the hero than he envisaged) comes as no real surprise, the investigation – involving, among other things, the hushed participation of cleric and senator alike – and the disquieting revelations that emerge from it, lends the whole a deeply cynical tone (culminating in the downbeat climax depicting Volonte''s own extreme fate) while cementing the Mafia's reputation as strictly a 'family business'. The Italian DVD includes an interesting half-hour featurette detailing the making and reception of the award-winning film (including the fact that the author of the source novel, Leonardo Sciascia, was dissatisfied with how the script turned out); the interviewees are co-scriptwriter Ugo Pirro, the wife of the late Elio Petri, and composer Bacalov (who is regretful that, given his felicitous working relationship with the director here, the opportunity never arose for another collaboration).
    7Rose_Noire

    Sicilian sunbath for a deadly game

    A left-wing professor stressed by moral doubts (Gian Maria Volonté) has the rather strange idea to try to break the ambiant omerta in order to clear the violent death of two friends, honor issues happening just to conceal quite more material interests. But Sicily and its little folk of mute but watchful characters don't seem ready to accept this kind of trouble. Bound with beauty but ungraspable like the doctor's few disconsolate widow (Irene Papas), the island and its stifling sun know how to subdue the one who dares to upset their immutably established order, between a conspicuous church and an invisible mafia.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Film debut and only film performance of Anna Rivero.
    • Conexões
      Edited into Lo schermo a tre punte (1995)
    • Trilhas sonoras
      Pour rêve l'hiver
      ("A Dream for Winter") (uncredited)

      Lyrics by Arthur Rimbaud

      Music by Luis Bacalov

      Sung by Léo Ferré

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    Perguntas frequentes

    • How long is We Still Kill the Old Way?Fornecido pela Alexa
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    Detalhes

    Editar
    • Data de lançamento
      • 22 de setembro de 1967 (Alemanha Ocidental)
    • País de origem
      • Itália
    • Idioma
      • Italiano
    • Também conhecido como
      • We Still Kill the Old Way
    • Locações de filme
      • Cefalù, Palermo, Sicília, Itália
    • Empresa de produção
      • Cemo Film
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 39 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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