Chaparral

When I was a child, watching The High Chaparral was something the whole family was looking forward too. We would sit on the couch at least 15 minutes before the broadcast started and were 'glued' to the screen during the whole show. The rest of the week we would talk about what happened. Almost 40 years later the show hasn't lost anything of it's charm, my children love it. It is not just an 'adventure' western. Teenagers identify themselves with the troublesome relationship of Blue and his father John. There is something in it for everyone.

It has a wonderful cast, Leif Erickson as patriarch John Cannon, Cameron Mitchell as his brother Buck, Mark Slade as his handsome blue-eyed son Blue, Henry Darrow is a playful Manolito, and Linda Cristal the beautiful Victoria. The Bunkhouse boys add a little extra to this series, Don Collier, Bob Hoy, Ted Markland, Roberto Contreras and Jerry Summers are a treat to watch.

All actors are outstanding and their characters are so believable, that you forget you are watching a TV series. You are 'there', with the heroes in the Arizona Territory , fighting their fights, crying their tears, and laughing their laughs.

It was and is one of the most realistic Westerns series. Apaches were often played by Apaches, Mexicans by Spanish speaking actors. The heroes sweat, get tired, upset and the aren't infallible.

I remember The High Chaparral from when I was a child and rediscovered it as an adult from reruns. What is most noticeable about THC as opposed to other TV westerns are two things; it was actually filmed outdoors instead of on a soundstage, unlike large chunks of other TV westerns such as Rawhide and Gunsmoke and especially The Big Valley. Because of this the show and the actors have an authentic dirty and sweaty look to them appropriate to the period and place. I mean hey, cattle ranching in Arizona now is hard, sweaty and dirty, think about how is was before running water. The other thing I liked about it is that not only did the recurring characters not always get along, some of them flat out just didn't like each other. Kind of like in the real world and unlike other TV westerns. These distinctive features along with superb acting, writing, and technical work (just watching the shows makes me want to sweat) adds to up to one heck of a show.

Noble but flawed and very human heroes, credible villains, realistic story-lines and family dynamics. "High Chaparral" had high adventure, powerful drama, some of the funniest moments on television and tender romance. This series combined brilliant actors, writers, producers and directors. Together, they brought memorable characters, 1870s Arizona & Mexico to life. Thirty years after it aired, I still remembered episode plots and dialog. The remarkable thing is, so could many other fans!

People all over the world love High Chaparral -- its themes and characters are universally appealing. New generations of fans have discovered it in re-runs. Hopefully, remastered, uncut DVDs will be released soon -- this treasure should be preserved and enjoyed, not forgotten.

This television series originally aired on NBC on Friday nights from 7:30 to 8:30 PM for almost its entire run. It ran right before another one of television's greatest programs, "The Name of the Game." I used to wonder if the reason I remembered this show with such admiration was due to the age that I was when the show originally ran, but recently seeing it again, I have to say that it stayed with me so long because it's just a fantastic show.

The show is centered around the character of John Cannon, played flawlessly by Leif (pronounced "Life") Erickson, and his brother Buck, played by Cameron Mitchell. Also in the cast were Linda Cristal as John's wife Victoria, Henry Darrow as Victoria's brother Manolito, and Mark Slade playing John's son Billy Blue Cannon.

When I was just a kid in grade school, my cousins and others I knew were tuned in to ABC's Friday night line-up, which was quite popular at the time. I couldn't tear myself away from this show though, and it's difficult to explain why without revealing too much about it. Let's just say that the stories were impeccably written and directed, doing much the same thing as Bonanza would do, alternating between high drama and humor. A good example of this is an episode entitled "The Firing Wall." If you ever get to see this series, keep an eye out for that episode. My personal favorite is an episode called "Champion of the Western World." Fun episode! The casting was perfect. Every regular cast member really seemed to like the characters they were portraying. Henry Darrow was outstanding in giving his character real depth and range of emotion. Cameron Mitchell also did some really fine work in this series. In fact, when you get right down to it, they all did!

I could go on about this show by using all the known adjectives, stupendous!, wonderful!, ect..., but if you're reading this, then you probably already share a certain amount of the same enthusiasm that I have for this show. If you're reading just out of curiosity however, then if you ever get the opportunity to do so, by all means, treat yourself to one of the finest programs that television has ever offered.

From David Dortort, one of the producers of the popular "Bonanza," "The High Chaparral" told the story of two families, The Cannons and The Montoyas, brought together by a marriage of convenience. Leif Ericson played "John Cannon," the patriarch of the family that lost his wife when they were making their way west. Linda Crystal played "Victoria," the headstrong daughter of Don Sebastian de Montoya (Frank Silvera) and brother to Don Sebastian's equally assertive son, Manolito (Henry Darrow). Mark Slade played John's son, "Blue," while perennial heavy Cameron Mitchell played John's brother "Buck." Rounding out the cast were frequent western performers Don Collier and Rodolfo Acosto.

What set the program apart from other "sagebrush sagas" of the period were its strong portrayals of Native Americans, as well as non-condescending looks at life among our Mexican neighbors. Set against the sprawling American southwest, the stories were engaging, filled with brilliant character studies, along with typical western situations.

It had a great casting coup by having black actor Frank Silvera assay the role of Don Sebastian. Silvera made a career out of playing a variety of "ethnicities," a tribute to his talent, as well as his "chameleon-like" appearance.

Another noteworthy bit of casting would be that of Crystal, Darrow, and Acosto, all Hispanic actors.