Para Agarrar um Espião

Top UNCLE agent Napoleon Solo (Robert Vaughn) is assigned to prevent THRUSH hit-man Andrew Vulcan (Fritz Weaver) from assassinating Premier Ashumen (William Marshall), the leader of a primitive African nation who is visiting the States on a tour of Vulcan's factory. Solo enlists the help of Vulcan's former girlfriend Elaine May Donaldson (Patricia Crowley) and plants her as a rich widow in order to get close to Vulcan and prove to her that he is the evil doer that Solo says he is.

The Man From UNCLE was such a cult success in the UK that eight feature length films (made up of previously unaired episodes) were released in cinemas with virtually the British box office in mind. TO TRAP A SPY was the first film in the series and it is actually an extended version of the pilot episode, THE VULCAN AFFAIR (First aired: 22/09/1964), with extra footage that was considered too "adult" for television. Other changes were made such as in the TV version, THRUSH were the enemy organisation, but in the film they were renamed WASP. Also in the film, actor Will Kuluva plays UNCLE chief Mr Allison, whereas in the TV episode, Leo G Carroll played Mr Waverley and would do so for the remainder of the series.

To Trap A Spy stands as one of the best feature length outings from the TV series even though David McCallam fans will be disappointed as Illya Kuriyakin only appears in two scenes early on. Robert Vaughn is outstanding as Napoleon Solo portraying him as a super suave playboy and interestingly Luciana Paluzzi turns up as a beautiful THRUSH villain who attempts to seduce Solo to his death would later play much the same role in the Bond spectacular Thunderball. The plot may be thin but it is the nostalgia value that holds this film up after nearly forty years since it was first released.

Followed by: The Spy With My Face*, One Spy Too Many*, One Of Our Spies Is Missing, The Spy In The Green Hat (all 1966), The Karate Killers*, The Helicopter Spies* (both 1967) and How To Steal The World* (1968). The titles marked with an asterisk have now been released on DVD in the UK as a box set.

As an UNCLE fan I've seen this as a TV episode and the pilot. But as I watch this movie on Amazon Prime (no plug intended) I'm very impressed by the plot and the writing. The extra Lancer footage at the beginning is draggy but later dialogue is snappy and witty. Sam Rolfe is listed as the writer.

Pat Crowley is excellent as the housewife-turned-socialite. Though it stretches credulity to think they would put her in mortal danger, there's a nice scene near the end when she admits she likes the glamour.

The photography is well done. And I just realized that I'm watching it in widescreen format, unlike the 4:3 television aspect ratio. It works quite well - I didn't notice anything being chopped off. I presume they planned for widescreen when filming.

As a kid I got my father to take me to see this in the theater. It was well worth it, since it was in color and had more scenes. It was a double-feature with "The Spy With My Face". I'm sure I was puzzled by the minor differences from TV. It would take many years before I learned the backstory. (Thank you Jon Heitland for your book on the series).

An UNCLE agent is killed relaying a message to UNCLE about an assassination which is due to be carried by WASP killer Andrew Vulcan (also a wealthy businessman). When a trio of WASP agents carry out a mission to infiltrate and destroy UNCLE HQ to try and kill whoever got the information, UNCLE know it is serious. They look to get someone close to Vulcan quickly and opt for a high school sweetheart, Elaine May Donaldson. They put Elaine in the guise of being rich but widowed and arrange a chance meeting at a party. Meanwhile her handler, UNCLE agent Napoleon Solo tries to infiltrate Vulcan heavily guarded chemical plant.

Taken from the two earliest episodes of the UNCLE tv series, this film clearly shows itself to be the point from which an enjoyable series developed rather than a series that was in it's stride. First of all the film lacks that enjoyable tongue in cheek humour that the series had throughout. It is still amusing and playful but not quite to the same degree. The plot is as good as other UNCLE films though and it does move along quite well, only the ending seems a little unsatisfactory and didn't quite make sense to me.

Although a version of the UNCLE theme is used it isn't in it's `purest' form and sounds a little too funky. The biggest clue that this is an early UNCLE is the fact that Illya Kuryakin has two scenes - both of which he is portrayed as a junior agent with little English, rather than Solo's partner. As someone used to the `Solo gets girls/Illya gets action' formula it was disappointing to see him play so minor a role. Likewise there was no Mr Waverly and the guy in the UNCLE head role couldn't touch him for the role.

Apart from these two key roles, Vaughn looks very slick and young and is able to carry the film himself despite the hole left by McCallum's absence. He is funny and charming and good with the action stuff. Crowley is OK but a little too moaney for my tastes. A much better girl comes in the form of Luciana Paluzzi - the first of many beautiful Italian women who featured in UNLCE. Here she is drop dead gorgeous and quite playful with her dialogue - her and Vaughn have an easy rapport that works even better due to the relationship between their characters. Weaver is an OK villain but not that menacing.

Overall this is a good film for UNCLE fans but to be honest there are much better ones out there. Like the series itself, the early films are solid and show the seeds being planted, the middle films are the strongest and the last ones are weak. This is worth a watch but not UNCLE at their best.

It was 1965, the height of the Bond craze, and my friend Chuck and I couldn't get enough 'Man From Uncle'. So Chuck's parents dropped us off at a local theater to see a DOUBLE BILL of 'Uncle' movies! Wow!! (To Trap a Spy and The Spy With My Face.) But before the movies began there was a Japanese cartoon shown. We thought it was just a regular old 5-minute cartoon, but soon realized it was feature-length 90-MINUTE CARTOON. With every passing minute my heart sank as I realized I would be home that Sunday much later than I'd promised- long after dinner. No matter, I was sent to my room without it. Ah, memories. Loved seeing 'Man From Uncle' in color on the big screen, though. Especially the high-speed transitions between scenes. Cool!!!

As a loyal follower of the Man from U. N. C. L. E. When first broadcast on NBC in the 1960's, I recently had the chance to revisit "To Trap A Spy" on a compendium DVD set of films from this series. Several people have referred to the notion of Pat Crowley as a weak link in the film. In the first year of this TV series, the weekly story usually revolved around an outside person being drawn into a spy caper either by accident or deliberately (as in this film). The lack of gadgetry in the film is a reflection of it being based on the earlier Bond films where Bond's skills were the focus rather than exotic gadgetry. As the Bond films moved into the gadgetry obsession, "The Man from U. N. C. L. E. Followed suit. As a result, the earlier 1st year episodes of this TV series tended to be more serious and believable than in the later years of the series. "To Trap A Spy" serves as a snapshot of a TV series that attempted to be appealing to both young and old during its outset. The music as one person mentioned was not jazzy and swinging. This was as Jerry Goldsmith envisioned. It was to be a hard hitting, serious TV theme that did not try to be cute or swinging. I imagine you "had to be there" to truly appreciate the intent of this show and the movies derived from the TV episodes. Just my thoughts!