Corpo de Delito

Stockbroker Richard Tucker is the victim in The Benson Murder Case. In 1930 a lot of people would like to have murdered their stockbrokers. But in the Great Depression, Tucker is living high on the hog even after the Stock Market Crash.

The Benson Murder Case is not a whodunit as much as it plays like a Columbo mystery. In this film, the perpetrator is practically daring William Powell to solve this one correctly. But you do really enjoy the film when Powell actually does.

The film is a typical closed ring of suspects murder mystery as many people who would dearly like to have seen Tucker done in for calling in their stock margins before they were given a chance to make good. They all show up at Tucker's Westchester county estate, but unfortunately the District Attorney E.H. Calvert has the place next door and he's invited Philo Vance for the weekend.

The Benson Murder Case keeps up the high standard of Vance film that Powell did. S.S. Van Dine and later his estate sold the various Vance novels to many studios one at a time which is why there were so many Philo Vances out there. Powell's next Vance film would be for Warner Brothers while he had a brief sojourn there before moving to MGM and The Thin Man.

The Benson Murder Case was the last Philo Vance film that Powell did for Paramount and it was a good one.

This is a fast-paced, standard mystery from the Philo Vance catalog. I just picked up the first three with William Powell and this was probably just slightly the best of that original trio. 'The Canary Murder Case was mostly of interest due to the presence of Louise Brooks, who was so poorly dubbed, one can only treasure some nice shots of her beautiful face. The Greene Murder Case was nearly as static, but had more atmosphere than Canary or even this one. The problem with those two more than their innate stiffness, is that the mysteries are so poor and immediately predictable that they may be the worst mysteries I have seen from early Hollywood.

The Benson Murder Case has similar faults, but by 1930 the sound technology had improved enough that it moves much better than the previous two. The mystery is more of a challenge for Philo Vance and he proves that he is not only up to the challenge, but he hammers it all home in a satisfying finale. Frank Tuttle, a veteran of the previous two, directed this one and does a competent, but unremarkable job. It has less atmosphere than Greene, but thankfully is a more interesting mystery. Also, Distict Attorney Markham is strangely very angry for most of this film. Eugene Palette is his usual, boisterous self as Sergeant Heath.

Paramount stopped making Vance movies after this one, but had prepared S.S. Van Dine's "The Scarab Murder Case" for William Powell. They even created an advance poster for this film that was sadly not made. Had Powell not made another Vance film after this, his legacy as a great screen detective would remain intact, but he came back one more time to play Vance in Warner's The Kennel Murder Case in 1933, which would easily trump all his previous efforts, and ultimately be the best Philo Vance film. But, if you crave William Powell as a screen detective, add this rarity to your list - It's a solid, workman-like picture, lacking in style, but ample in entertainment for the classic mystery fan.

1930's "The Benson Murder Case" marked William Powell's third outing as debonair Philo Vance, following "The Canary Murder Case" and "The Greene Murder Case," with E. H. Calvert's District Attorney Markham, and Eugene Palette's Sgt. Ernest Heath also returning. The target for murder is ruthless stockbroker Anthony Benson (Richard Tucker), and it's certainly a happy coincidence that all of his jilted victims conveniently turn up in time for that fatal shot, his lifeless body tumbling down the steps. This time Vance is already present, challenged to solve this case by Harry Gray (William 'Stage' Boyd), who believes that no truly clever murderer would ever be caught by Vance. The paucity of suspects reduce the story from a 'whodunit' to a 'howdunit,' with future Philo Vance Paul Lukas and his Hungarian accent particularly difficult to decipher, playing a spineless, charisma-free gigolo. It's nice to find Powell's future "Thin Man" co-star (as Julia Wolf) Natalie Moorhead, playing a distinctively pre-code independent woman. Palette is again a delight, and Powell himself has even more to do than before, his meticulous recreation of the crime finally wearing down his devious foe. This was Paramount's final Philo Vance feature, following the release of MGM's "The Bishop Murder Case," which headlined another former villain, Basil Rathbone, in the title role. It would be three years before Vance would return to the screen, played for a fourth and last time by Powell, again joined (this time at Warners) by Eugene Palette, with Robert McWade playing Markham.

Being an avid William Powell and Philo Vance devotee, I was pleased to find that all four of Powell's forays as the effete detective are available on DVD. But beware if you are not a fan of either of the above or of early sound films since you might find this a little too static for your tastes. If you are a fan, then read on.

Powell made four Vance films which got better as they progressed. This one, made in 1930, is still a bit on the stagy side although the acting was improving as the players were becoming more adept at "talkies". It's basically a one set film, taking place in a hunting lodge where a murder takes place and all the suspects are gathered. Powell, as usual, is very debonair and unruffled and Eugene Palette returns in the role of Sergeant Heath. I miss Eteinne Girardot, who played Dr. Doremus, in the later "Kennel Murder Case". He added humor to the story which was less heavy-handed than that of Palette. Watch for Mischa Auer, a mainstay of films in the 30s and 40s, as the butler.

Since this was before the Code, Natalie Moorehead doesn't make a secret of her "profession" but is let off easy in the end by a sympathetic Vance.

This film makes a good addition to the William Powell/Philo Vance series and is certainly worth the watch for the fan. I will not comment on any Vance films made without Powell (except those with Basil Rathbone) as they are not worthy of comment.

"The Benson Murder Case" would have been another unexceptional, run-of-the-mill murder film. Worth watching but largely stagebound and with a primitive sound system (the players' voices fade in and out as they get closer or further from the mike). The deus-ex-machina is outrageously contrived to the point of unfairness, like some of Agatha Christies' stories. It starts off on a dark and stormy night, all suspects at the country estate of a hated stock broker, and, guess what? He gets bumped off. So far, pretty routine.

Enter William Powell as Philo Vance and the picture immediately goes from a rating of 4 up to a 6. Dapper and sophisticated and with his inimitable off-handed cocksuredness, Powell rescues the film just by coming in the front door. This was his milieu and in these circumstances he was the best ever.

Also on hand is Eugene Palette as the dense Police Lieutenant. and Richard Tucker as the corpse-to-be. Mischa Auer appears as a suspicious manservant and Paul Lukas as a mendacious gigolo. If it comes on it is worth a watch as a whodunit (you won't guess) and as a very early example of a new sound film.