O Olho da Espionagem - O Agente Z-3

Dana Andrews was one of those second rank movie stars who was finding roles becoming scarce in the USA and went to Europe for work. He's top billed and the title character in Spy In Your Eye, but the action and possible romance are left to Brett Halsey and Pier Angeli.

Halsey is given the assignment to bring out from behind the Iron Curtain Pier Angeli who is the son of a scientist who's been doing all kinds of work before he died in lasers developing that death ray gun the tool of so many futuristic space heroes like Flash Gordon and Rocky Jones.

In the meantime Andrews has sacrificed for God and country one of his eyes. But not to worry Dana has had a bionic eye installed which not only makes him see better, but it transmits video when needed. When the Reds start pirating his eye broadcasts things go wildly wrong for our intelligence before they're set right. Lee Majors never had these problems.

This is James Bond type stuff on the cheap. The film is also badly edited and you have to read between the lines a lot to figure out what's going on.

One thing though a lot of European and Mid Eastern cities were used for location shooting. On travel the budget did not stint.

James Bond this is not.

And very ingenious for 1965, a real competition for the original James Bond series, although made on a low budget. Original gadget the radio and knife hidden in a human hump, obviously fake. Some Chinese spies, dressed in black suits, black hats, tie, not even blinking, American spies, Russian spies (Comrade Kommissar), transplanted camera-eye, dehydrating pills, pistol-camera, smart lines, a cool babe (Tania Béryl), action in Berlin, Paris, Amman, Portofino, and a secret formula that everyone wants, tattooed on the scalp of the heroine played by Pier Angeli (it would have been much more interesting if it was tattooed in the groin area). Dana Andrews is cool and credible as the head of American spies, Gastone Moschin is funny as the villainous boss Boris, and Luciano Pigozzi, the Italian equivalent of Peter Lorre, present in many films of the same genre in the '60s, is credible as an assistant villain. Nice music by Riz Ortolani. Worth 8 stars!

Starting in the mid-1950s and continuing through the 1970s, Italian filmmakers would recruit American actors to star in many of their films. The logic was that by having an American in the lead, the films would have increased marketability internationally. This notion is most associated with the so-called 'Spaghetti Westerns' in which leading men, such as Clint Eastwood, would star with a cast that was mostly Italians. The films were then dubbed into various languages and these films were very successful. However, they didn't just do this sort of thing for Italian westerns...Fellini did this, there were tons of strong man films (such as Hercules or Machiste) as well as some crime films with American leading men. In the case of "Spy in the Eye", however, they used Dana Andrews to star in an espionage picture...not exactly the typical Italian- American hybrid.

Andrews plays Colonel Lancaster, a spy who works for the East AND the West at the same time. How could this be? Is he a double- agent? Well, not exactly. It seems that unbeknownst to Lancaster, the Soviets have placed a camera within the bionic eye he's just received. And using it, they can see and photograph EVERYTHING Lancaster sees--including work on a top secret death ray! While this idea might seem crazy, it does create an interesting spin on the "Six Million Dollar Man" story...and does it almost a decade earlier.

So is it any good? Well, it certainly is creative and unusual. However, I was surprised that the film was actually as dull as it was in spite of the location shoots. It mostly just seemed to consist of folks stabbing each other and never really lived up to the bionic eye gimmick. Not terrible but surprisingly ordinary at best.

I found this film on YouTube. The big plus is that I doubt if I could have found it any other way...the negative is that the print is completely yellowed and it's hard to tell that this was once a full color picture.

Of eight movies Dana Andrews appeared in from 1965, the unknown SPY IN YOUR EYE aka BANG YOU'RE DEAD has the lowest budget, seeming as if filmed on 16MM as Dana's an eye-patched operative provided a glass eye in its place and, unbeknownst to him there's a camera inside care of villainous surgeon Gastone Moschin, who'd later become the most formidable, deserving-to-die baddie The Black Hand in THE GODFATHER 2...

But like most situations when big (or once big) veteran actors get star treatment, there's a young buried lead here in Brett Halsey, whose mission, including taking a train aided by an intrepid cohort with a hunchback that's actually a knife, is to... well...

He travels around a lot and winds up in Arabic countries (supposedly) with intriguing blonde ingenue Pier Angeli, holding back a few mysteries and countered by a brunette femme fatale in Tania Béryl, whose actually more vulnerable than wicked since Gastone, her boss, is as bad as they get.

Meanwhile, an expository Andrews merely bookends the adventure, leaving the action sequences... which actually flow pretty well... to Halsey in a curio too obscure for a cult following but that's, overall, surprisingly satisfying, fitting neatly into Dana's other 1965 low-budgets BRAINSTORM, TOWN TAMER and CRACK IN THE WORLD.

I saw this in the theaters on the big screen in brilliant color. Unfortunately all that remains is a red DVD in my collection and a faded one on Y/T. The story moves along at a Bond-like pace with gadgets galore and sets not matched in many other imitation Euro-Spies. During the filming, they used many different European locations including the Baalbek ruins in Lebanon. Pier Angeli is her usual vulnerable self and Brett Halsey is the spy who figures everything out in the end. If you can find a good copy, watch it.