O Circo do Medo

This movie would lead you to believe that Christopher Lee is the main star, but he is not in it all that much. He is in this one more than he was in "Scream and Scream Again", but for most of his scenes he is wearing a hood. This movie was sort of good, sort of bad. The opening of the movie was messed up on the copy I got as scenes skipped here and there and the sound was messed up too, but as the movie went along it got better. This movie first shows a complicated armored truck robbery in to much detail. It then shifted to the circus where the police tracked some of the money. In the circus we meet all sorts of strange characters; any number of them could be responsible for the robbery and a murder that took place on circus grounds. Of course, the movie leads you to believe this or that person committed the crime and each time they usually clear the person of the crime. Could have been better, but it could have been worse it was somewhat interesting. Has to be one of the only movies ever to end with a little person being fired.

this movie proved to be a surprisingly effective spin on the then popular german genre of the "krimi": a series of films, often from edgar wallace source novels, which tend to defy the generic conventions of crime dramas by moving into horror, espionage, even sci-fi at times.

beginning with an energetically directed heist sequence, the film soon shifts gear and location, focussing on the machinations of circus folk, in particular the various affairs and double-dealings of a handful of seemingly innocent and not so innocent clowns, midgets, knife-throwers and lion tamers. the two stories are linked, but only about as much as the two stories in "psycho" are linked: one is there to purely to feed the other.

there are twists and turns galore in this film; perhaps a few too many to be entirely plausible. some of the dialogue scenes are a little stilted, too. however, john moxey's direction tends to keep things going quite well, with some surprisingly sophisticated and kinetic direction. (note, for example, the way the loop of gregor's whip hovers around mr big's head to symbolise his attempts to psychologically ensnare his blackmailer.)

performances are generally quite solid, including from the imported german cast (there presumably to keep west german krimi fans happy), and there are definitely a couple of standouts. klaus kinski is unintelligible a usual, especially as he's forever got a cigarette in his mouth, but his presence lifts the film quite a bit. christopher lee is the only crashing disappointment, as he doesn't appear until act two, he's in a mask for most of the film, and his russian accent wavers a little. he really has no definitive presence here, and it's not particularly his story. i'd also have recast a lot of the police officers for a modern audience, as although they're quite old-fashioned (think dixon of dock green or pc 49), their dialogue would suit the stars of "the sweeney" with little adjustment. but then, in a microcosm of the characteristically unusual, perhaps a little grounding in sanity isn't so bad!

overall, this was a surprisingly effective film. i've only seen the restored 91-minute version that's available on dvd, so perhaps a slightly shorter version with some of the duller dialogue scenes cut down would hold the attention a bit better. (can't be as bad as the p;d 65-minute version, though, even if the film does hold up okay in b&w.) but this is definitely a film worth seeing, especially if you want a decent introduction to the world of the krimi. just don't see it if you want a big christopher lee vehicle -- he had more presence in "dracula", and he was only in six minutes of that!

This is likable but perhaps in the end a little too keen to confuse. With more sex and violence this would have been a giallo and we would have worried less about one after the other being made to appear the guilty one. Great start with robbery against the backdrop of Tower Bridge and we proceed with a fantastic little river trip amidst the docks that were. Hard now to recall just how dismal, dirty and downright depressing some of these bits of London were in the early sixties. Great to see now though and contrast with today.

The story slows as we go to the circus but there are plenty of period vehicles and fairly interesting turns to watch. Klaus Kinski, and Suzy Kendall have far too little to do and whilst not wishing to spoil anything, what a strange part for Christopher Lee!

As almost everybody has already noted, "Circus of Fear" is not a horror movie, despite the title, the advertising and the presence of Christopher Lee (in a secondary role). It's a cross between a crime caper and a whodunit. And as soon as you get over your initial reservations, it turns out to be an engrossing film that keeps you guessing all the way to the end. The story is full of strange, shady, secretive and suspicious characters, but the revelation of the killer's identity still comes as a shock (to me at least - it blew my theory away!). Apart from the sometimes overemphatic music score, this 40-year-old movie still holds up today. And who wants to miss any opportunity of seeing Klaus Kinski playing....Klaus Kinski? This guy only needed a cigar, a few close-ups and two or three lines of dialogue to look creepy! (**1/2)

I'm stunned by the low average (5.4) given to Circus of Fear by IMDb voters. I've just watched the 91-minute colour version put out on DVD by Blue Underground, and found it absorbing throughout.

My guess is that many of the reviewers have seen only the truncated 1965 American version (65 minutes); naturally, missing 26 minutes of a 91- minute film, one will see only a very imperfect version of what the filmmakers intended. To get a true sense of the film one has to have the uncut version.

Despite the advertisements of the time, which played up the film as a horror movie (cashing in on the fact that horror icon Christopher Lee was the star of the film), this is not a horror film. There are some frightening moments, but this is essentially a whodunit, and a fairly good one. The slight "horror" tinge to the film (with its hooded lion- tamer, murders by skillfully thrown knives, screaming circus starlets, vicious circus lions, etc.) add atmosphere, but the story remains a whodunit.

It's also a caper film, insofar as it opens with a well-filmed money truck heist in broad daylight on the Tower Bridge in London. (It was filmed on location for that part.) But there ends up being some kind of sinister and unclear connection between the heist and goings-on at a circus, and it takes the whole film to make clear exactly what the connection is.

Leo Genn is brilliant as the Scotland Yard detective. He has a smooth, beautiful, calm acting manner reminiscent of Herbert Marshall's, and is a joy to watch. The excellent dialogue he is given doesn't hurt. The movie also has good performances by a number of very good British and German actors of the 1960s (it was a German-English co-production).

Christopher Lee is good in the part of the hooded lion-tamer with an ambiguous past. He shows his ability to act in non-horror parts here.

The opening and closing theme music is good, with a 1960s British flavor, but the film itself has only incidental music, with many parts of the story unaccompanied. This works well for this type of film.

The colour photography is beautiful.

This movie is definitely worth more than a 7 out of 10. Maybe it's not quite worth an 8, but to compensate for the ridiculous 5.4 average, I give it an 8 anyway. That's less misleading than a 5.4. A 5.4 says, "Don't waste your time watching this movie", but this movie is very much worth watching, for Genn's performance alone, not to mention its other merits.