A Prova do Leão

Not a lot of dialog in this one but it doesn't need it. Cornel Wilde is the manager of a charter safari to bag Elephants and encounters a group of local semi-friendly tribesmen who want a gift for their chief. Wilde says yes but his employer says no. The tribesmen a short while later cry havoc and let slip the dogs of war on the safari. Wilde is the sole survivor after the rampage and executions and because of his earlier good intentions to give a gift is allowed a head start into the jungle. After he reaches a designated point the chase is on. Superb character study of a man who must use all of his knowledge and resources to not only survive but evade.

I saw this movie when I was 16 (1966) and it has remained with me since. Upon viewing it in later life, it is still as good as it was then. This film has very little speaking in it, but the action will keep the viewer sitting on the edge of his seat until the climatic end. In short, this is a GREAT movie. It is about man's struggle against man and man's struggle against nature. It is about the fragility of man, whose arrogance and brutality lead him to believe he is superior to other men and nature. Enough philosophizing. Watch this on as large a screen as possible. By the way, Cornel Wilde was reportedly an expert swordsman.

The Naked Prey is on my short list of the best films of all time. After a very few minutes, the viewer will sit on the edge of his seat for a full hour where there is virtually no dialogue. When this movie was first released 35 years ago, I drove 30 miles across town to find and see it. It was worth the trip. Years later, watching it on TV, they omitted (so as not offend the viewers' sensibilities) what was one of the most effective moments in relieving the tension in an action film I have ever seen - the burp! The next time it was shown, I had to watch and was pleased to see it was back in. Watch for it, and you will know what I mean. All of the comments by naysayers about racism should be ignored. If anything, it is one of the most anti-racist films ever made, much credit to Cornel Wilde who made, directed and starred in the film with outstanding achievement in all three areas. Previously known for his role as Fredric Chopin in "An Affair to Remember", this was also one of my favourite films. As "the prey" Wilde shows the battle not only of man against man, but man against nature in the fight for survival and in a triumphal moment at the end he salutes his pursuers who, in mutual respect, return his salute. What more egalitarian gesture can one ask for in a pursuit and a fight to the death? Recommended for all adults but for those with a weak stomach.

Way back in 1932---around the same time that Director Ernest B. Schoedsack was involved in production of the original classic "King Kong"----he also made another classic film entitled "The Most Dangerous Game (MDG)." Based on a famous story by Richard Connell, MDG tells the tale of a megalomaniac hunter who lives on a remote island. Ships would regularly end up wrecked on reefs near the island. Their passengers and crew would be rescued by our hunter----enjoy his sophisticated hospitality for a time---and then end up as prey as our crazy hunter indulges in his very perverse "sport." MDG starred a very young Joel McCrea and two members of the original "King Kong" cast----Fay (I never met a scream that I didn't like!) Wray and Robert Armstrong. At 63 minutes in length, MDG is the model of an exciting and compact thriller film.

Since the basic idea of someone being forced into the totally unexpected role of an innocent victim hunted down with the intention of becoming another's trophy kill is pretty powerful-----it has been remade into numerous films ("Game of Death," "Run for the Sun," etc.).

The plot device is essentially the same one that Cornel Wilde employed in his variation on MDG entitled "The Naked Prey" released some 34 years after the original film. Wilde makes his movie interesting by having a big game hunter becoming the hunted, and changing the megalomaniac hunter into a band of African tribesmen determined to chase down the Wilde character and do him in.

Wilde also indulges his film with numerous symbolic devices and sub-plot lines---but remains true to the basic premise of MDG. Survival is a battle of wits between the hunter(s) and the hunted, and only the most resourceful of preys can make it alive to the end of the tale.

Viewers who like "The Naked Prey" ought to seek out MDG to recognize yet again the practice often used by Warner Brothers in the 1930s: if the original film tells a good story, it is worth remaking----and remaking----and remaking......

What a rare and glorious film. The Africans, the Whites, the Arabs -- all thrashing about a primitive world blindly lurching for profit, vengeance, pride, and redemption. The animal scenes are bit canned, but the hardy authenticity of tribal southern Africa is marvellous. You can tell these are not extras from Culver City. It's a movie not afraid of blood and savagery. You root for the cunning and feel the fear on both sides. And the ending does make sense to those who know that men appreciate even an enemy who has fought bravely.