Adicionar um enredo no seu idiomaA Mexican bandit teams up with a band of renegade Native Americans to avenge his older brothers when they are killed by a prankster, gold-obsessed bounty hunter.A Mexican bandit teams up with a band of renegade Native Americans to avenge his older brothers when they are killed by a prankster, gold-obsessed bounty hunter.A Mexican bandit teams up with a band of renegade Native Americans to avenge his older brothers when they are killed by a prankster, gold-obsessed bounty hunter.
- Direção
- Roteiristas
- Artistas
- Juanito Perez
- (as Franco Derosa)
- Slim Anderson
- (as Vittorio Williams Bonos)
- Perez Henchman
- (as Amerigo Castrichella)
Avaliações em destaque
Overall, Ringo and His Golden Gun is a good, but not great, Spaghetti Western. I may have gone in expecting way too much as the movie was directed by the great Sergio Corbucci. His films Django, The Great Silence, and Companeros are among my favorites of the genre. Ringo and His Golden Gun doesn't quite measure up to that standard. Ringo and His Golden Gun is not as dark and brutal with the over-the-top violence found in many of Corbucci's other films. It almost feels like a standard, run-of-the-mill American Western. Not that that's a bad thing, just not what I was hoping for. I found the first third of the film very entertaining - meeting Ringo and getting the basic story of what's to come. But somewhere in the second act, things started to drag a bit. The grand gunfight during the film's finale should have been a highlight, but it lacked that something special to make it memorable. Most of the acting was solid, including Mark Damon as Ringo. Though I must admit that his ridiculous looking mustache and eyeliner made me chuckle a time or two. Other positives of note include Riccardo Pallottini's cinematography and, especially, Carlo Savina's score. Savina's work on Ringo and His Golden Gun is eerily reminiscent of Ennio Morricone. I've often said that if it weren't for Sergio Leone, Sergio Corbucci would probably be better known. I'll add to that by saying that if it weren't for Morricone, Savina would no doubt be better known.
6/10
This film, known variously as "Johnny Oro" and "Ringo and His Golden Pistol," almost overcomes that difficulty because of very good acting, great scenery (supposedly Italy), many and superlative stunts, and an excellent score.
And even good acting from the dubbers, something I have found rare in the past.
As to that score, I wonder if composer Carlo Savina influenced Ennio Morricone, or if Morricone influenced Savina. There are similarities in their scores, as witness this one and any of the Clint Eastwood "spaghetti Westerns."
But the story here is both unusual and clever. Written by Adriano Bolzoni and Franco Rossetti, "Ringo" presents many and varied characters as well as an involved story of Gringos and Mexicans and Apaches, back-stabbing, cowardice, courage, honor, and, yes, foolishness.
In addition, the chief villain, slimily played by Franco De Rosa, is surely one of the most evil ever portrayed on film.
Mark Damon might have appeared in a better light without a dubbed-in performance, but by and large he made a good ... well, "hero" might not be the correct term here, but as a strong protagonist Damon was quite watchable.
There is an interesting print at YouTube, with the dubbed English and Greek subtitles. I enjoyed it, and can recommend it.
Western action , an agreeable story in ¨Howard Hawks' Rio Bravo¨ wake , shoot-outs at regular intervals , and explosion abound in this decent film whose characters are well portrayed . Enjoyable Ravioli Western that didn't impress critics at the time but its reputation has improved over the years and , nowadays , it is considered to be one of the Corbucci best-regarded . Director Corbucci made various Westerns who quickly became one of the more prolific filmmakers in the genre and here's one of the most unknown ; in addition , this adequate production delivers what it should . Realized between ¨Franco Nero's Django¨ (1966) this ultra-violent masterpiece not only signaled a move toward an even grittier as well as more nihilistic brand of Western , and the pretty good ¨Burt Reynolds' Navajo Joe¨ , both of them brought an entirely new level of stylization to the genre . Stars Mark Damon who carries likable acting on his brawny shoulders and perfectly does . It is a decent Western with a lot of blow-up , plenty of shoot'em up , gun-play and some moments results to be quite entertaining . The picture is finely starred by Mark Damon who wants to get his mitts on a crooks' gold , along with Ettore Manni as an upright sheriff . At the beginning his career , Damon starred as an extra for American films , and , subsequently , performing secondary roles and Roger Corman films . Mark , then emigrated to Italy and he once reportedly missed out on a role in a Franco Nero western because his height made Franco Nero look too short . As he performed several Pasta Westerns , such as "Un Treno Per Durango" , "Cry for Revenge" , ¨Requiescant¨, ¨Johnny Yuma¨ . Soon moved into other film genres playing good guys , bad guys , and good-bad guys and interpreting adventure movies as "Lions of St. Petersburg" , ¨Normand sword¨, and "Long Live Robin Hood" ; these parts often exploited his athletic physique by having him remove his shirt . Co-starred by Ettore Manni who also interpreted some Westerns and adventures . Support cast is pretty good , such as : Franco De Rosa , Valeria Fabrizi , Loris Loddi , Andrea Aureli , John Bartha , Fortunato Arena and Giovanni Cianfriglia or Ken Wood as Indio Sebastian .
Emotive as well as thrilling musical score by Carlos Savina in Ennio Morricone style , this soundtrack is one of the best parts of the film , plenty of catching and attractive sounds . The orchestra , mostly playing by trumpets , whistles , flute , and guitar music set the proper tone for a western . Colorful and evocative cinematography by Riccardo Pallottini shot in Manzanares del Real , La Pedriza , Madrid and Castello di Rota, Tolfa, Roma, Lazio, and Elios Studios, Rome, Lazio, Italy . Sergio Corbucci's direction is well crafted , here he's less cynical and humorous and more inclined toward violence and too much action , though the character played by Mark Damonn gives hilarious and sympathetic touches , other Westerns he filmed contained broad comedy Spaghetti Western . His great hit was ¨Django¨, this picture established a lasting relationship between Corbucci and the film's star, Franco Nero . After this success , Corbucci embarked on a trail of directing more Western films . His subsequent Spaghetti Westerns , Hellbenders (1967) and Navajo Joe were filmed and released in quick succession to get a great success in Italy . His next Western was The Great Silence (1968) which referred as an "anti-Western" . Next Western film was The Mercenary (1968) , which would began his semi-genre with what he called the "Zapata-Spaghetti Westerns" , proletarian fables in Mexican sets , where the bad guys are on the right and the good guys are on the left ; along with ¨What Am I Doing in the Middle of the Revolution¨ (1972) that is almost a parody of his Zapata Westerns . By setting the story in Mexico and fleshing out his characters with political awareness , Corbucci's intent became more clear and his political statements became more explicit . After directing the semi-successful The specialist (1969) with recently deceased Johnny Halliday and the hero moving through cold rather then heat and fighting in the mud and snow rather then sweat and dust ; later on , Corbucci re-teamed up with Franco Nero again with Los Compañeros . During the 1970s Corbucci made three more Westerns , but the popularity of the genre began to die out . Of the three , only Sonny and Jed (1972) stands out as one of the best late series genre Westerns , though it was not well received . While The white the yellow an the black (1975) is married by racial stereotypes and an excessive parody .
This movie is directed by Sergio Corbucci (Django) and stars Mark Damon (House of Usher), Giulia Rubini (David and Goliath), Andrea Aureli (The Loves of Hercules), Loris Loddi (House of Gucci) and Ettore Manni (War of the Zombie).
The settings and shootouts are the best part of the movie. The shootouts are well executed and entertaining. The dialogue is okay too; although, the comedic elements were a bit cheesy. The drunken Native American cliche was blah. This just wasn't as funny as it tried to be. The storyline could have been better, and the acting is inconsistent.
Overall, this is a very average addition to the spaghetti western genre. I would score a 5.5/10 and recommend seeing it once.
Você sabia?
- Erros de gravaçãoWhen Sebastian throws an ax into Gilmore's head, Margie's scream is missing from the print used on the Warner Archive DVD.
- Citações
Johnny Oro: Hey, Sheriff! Looks like you're causing a lot of inconvenience for folks because of your interpretation of the law. Now, look. Aren't you being a little stubborn?
Sheriff Bill Norton: Now, listen to me, and listen close. You're under my protection here, and I'll defend you right down the line. Just as I'll defend my own wife and son. You broke the law, and you'll stay in jail.
Johnny Oro: You're not stubborn, Sheriff... you're crazy.
Sheriff Bill Norton: Could be. You do crazy things to collect gold. I do crazy things for my principles. Even if it means puttin' my life in danger. You know what principles are?
Johnny Oro: Yeah. That's a word that you see on tombstones. "Here lies a man of solid principles."
- ConexõesFeatured in A Life in Film (2007)
- Trilhas sonorasJohnny Oro
(uncredited)
Composed and conducted by Carlo Savina
Lyrics by Bruno Corbucci
Sung by Cantori Moderni Di Alessandroni
Appears in the Italian version
Principais escolhas
- How long is Ringo and His Golden Pistol?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 27 minutos
- Proporção
- 1.66 : 1