The Great St. Trinian's Train Robbery

Though George Cole stayed put as the wily "Flash Harry", the stylishness and mischief of the Sim/Grenfell films has been replaced by the more crass, innuendo-laden and colour performances from Frankie Howerd and Dora Bryan. Raymond Huntley ("Sir Horace") is the government minister who decides to allocate £85,000 to locate the ailing school and to keep it up to date with the times. Thing is, it's headmistress "Amber" (Bryan) is his bit-on-the-side and she uses the cash to ensure the school becomes little better than a state of the art gambling facility that wouldn't have looked out of place in Atlantic City. Unbeknown to them all though, the old building in which their school is now housed has already been used for a nefarious purpose by some train robbers. Needless to say, they want access to their ill-gotten gains hidden under the floorboards - and when the unruly girls get wise to their plotting, shenanigans galore ensue! Bryan and Howerd both have good comedy coming and a degree of chemistry, but the latter is too domineering as an actor and as character - and as I was never really his biggest fan anyway, I found he rather robbed the thing of any subtlety or hint of comedic sophistication. If you like, "St. Trinians" is now steaming towards "Carry On" territory and leaving behind it the charming boisterousness of previous iterations. It isn't terrible and some of the humour is still quite perky, but these have run their course now, I'd say.

THE GREAT ST. TRINIAN'S TRAIN ROBBERY was the last of the St. Trinian's quartet (until the unwise attempt at revamping the series in 1980 with WILDCATS) and, to my mind, the most entertaining of the bunch. Whereas the earlier instalments of the 1950s were in black and white, quite slow moving and dated in their humour - nope, I don't find the sight of Alistair Sim in drag particularly funny - this is more like the British comedy films of the '60s and '70s that I know and love.

Headlining the cast is Frankie Howerd - hooray! - as a criminal mastermind who's successfully carried out a train robbery with his crooked gang, including plenty of familiar faces (such as Reg Varney of ON THE BUSES fame). The only problem is that the loot is hidden in an old building now inhabited by the St. Trinian's gang, so retrieving it is going to be tricky.

What follows is a quirky escapade full of the usual hooliganism and outrageous shenanigans as a battle of wits ensues between schoolgirls, teachers and robbers. George Cole is back as Flash Harry, although as usual he has little to do, but Dora Bryan is great value as quirky headmistress Amber Spottiswood. Watch out too for Eric Barker, Michael Ripper and Terry Scott popping up in brief roles.

Things really pick up for the extended climax set on the train tracks. Steam trains and carriages are flying back and forth to great effect and the film reaches farcical levels at this point, ending on a high.

When the Tories are beaten by Labour, public servants rejoice at the potential for public schools to be scrapped (in particular - St Trinians). However the new Minister for Education gives them a massive grant instead - although his Government don't know that he is helping his mistress to set back up the criminal exploits of the school. Trouble starts though, when the school is resituated in a building where train robbers have hidden their loot.

In full colour and without the original girls of the series, this film looks to have potential simply on the basis of the talented cast involved. The plot is silly, but when did that ever matter with this stuff? The plot gets a little laboured at the start in the effort to reopen the school and place it in the middle of a train robbers' plan. This doesn't matter too much as it does eventually break away into a more free-flowing chase at the end.

However, despite their being plenty for the film to do, it is surprising just how little actually happens, how little impact the film makes and how little any one character has to do. This is most evident in the waste of good comedy actors. The loss of two or three main girls in the cast has reduced the girls to just an unidentifiable mass of unruly girls. This is a problem to start with, but should have been covered by the talented cast. Sadly none really have much to do and much to work with. Frankie Howerd has a few good lines but nowhere near his ability, Cole does his usual stuff but has almost nothing to do. Terry Scott shows his face for about 3 lines, while others like Huntley, Bryan, Varney and so on are really not well used.

Overall this film starts slow and poorly however, like a train, slowly builds up a reasonable head of steam for an energetic conclusion. That said, it isn't really very funny and you can't help but watch and spend more time looking at the missed potential.

The Great Train Robbery of 1963 was a crime so audacious it had sufficiently embedded itself in the public consciousness for there even to be a topical reference to SPECTRE's "consultation fee for the British train robbery" at the annual stocktaking scene that opened 'Thunderball'.

Getting into the spirit of the sixties the time was therefore ripe for these desperadoes to be pitted against an even more formidable foe in the form of the girls of St Trinian's; although in reality the original train robbers were a ruthless gang of career criminals that it's hard to believe were really much like an old softy like Frankie Howard.

I remember seeing this in the cinema when it first came out. It is a lame version of the St TRINIANS films as were released in the fifties, but it had Frankie Howerd and Dora Bryan, among my favourites. The sad thing is they just don't make these sort of films any more,. True, ribald,funny British films. Just like Will Hay, the Carry On Films and Maragret Rutherford films: no politically correct nonsense, no fears of misinterpretation of paedophilia, no forced representation of different cultural groups, just good old British fun like a good dollop of treacle pudding with custard. People just took more responsibility for stuff back then without complaining about every damn thing!. That's why I like this film - that and of an England we are sadly losing! The film itself does get very boring when they are racing up and down the tracks but it is well done and I can recognise some of the places.