O Menino de Cabelos Verdes

In a police station, a child psychologist uses his ability to interview a runaway boy with hairs completely cut-off that is reluctant to speak. The boy tells that his name is Peter Fry (Dean Stockwell) and his parents had traveled to London and have not returned yet; meanwhile he is living with Gramp Fry (Pat O'Brien), after being lodged in the houses of many relatives for short periods. He gets along with Gramp, the locals, his schoolmates and his teacher; however, when he discovers that he is an orphan of war, his hair turns green on the next morning and Peter is rejected by his community.

The metaphoric "The Boy with Green Hair" is one of the most beautiful and touching fantasies, with magnificent messages against war, racism and intolerance. Joseph Losey directed a fantastic film, absolutely underrated in IMDb, with an original story associated to an awesome screenplay and top-notch performances, highlighting a twelve year-old Dean Stockwell and Pat O'Brien. In times of intolerance, this movie is a gem to be discovered by worldwide viewers. Further, this is the type of movie that should be recommended in schools for children, not only because of the antiwar and anti-racism peaceful messages, but also because demands interpretation of the story told by Peter to the psychologist. My vote is nine.

Title (Brazil): "O Menino dos Cabelos Verdes" ("The Boy with Green Hair")

I saw the Boy With Green Hair a long time ago and it stayed with me. It was hard to imagine all that fuss even back in the 1960'3 over one poor kid who's hair just happened to turn green. But, like others have mentioned consider the times and the era. World war Two had just ended and the Cold War had just begun. I can still remember people picking on"long hairs" in the early sixties because they let their hair grow a bit. This is a very memorable, stay with you classic about tolerance of different people, especially those with no choices in the matter. It is worth watching and renting and possibly buying. Too many movie critics on these pages and with older movies try to applies today norms and political correctness to decades old movies when the norm was different then. The movie is an excellently acted parable. I am surprised it hasn't been released on vhs or dvd or just plain shown more often on some of the cable movie channels. Unlike today, no kid back, especially a boy would have dyed their hair green. It may be a movie from a different era but the message is still the same regardless of the times. It may be dated a little, but it is still a classic.

I saw this movie in Panama, where I was born, at the movie theater when I was 8 years old. The images of the movie and its message has stayed with me all these years. Other people can be cruel if you are different. Being different is NOT a

bad thing. Live with it and use it to your advantage. See this movie if you can. It is hard to find.

It would be an obvious point to state that "The Boy with Green Hair" is one of the most touching fantasies ever put on film, for indeed it is that. But, over and above that, it's a movie which states that being different is all right. That and its pacifistic message made it a film very much ahead of its time and, thus, its reputation as a classic caught up with it over the years.

All of the performances are excellent. Dean Stockwell is probably best known to a later generation as the star of "Blue Velvet" and "Quantum Leap." But his best role came at the age of twelve with this film. In an understated yet powerful way, he's very believeable as the young war orphan, living with his grandfather, who is at first bewildered by his sudden change on hair color (Well, wouldn't YOU be?), but eventually comes to accept it and what it means, hoping his hair, which has been shaved off by superstitious townspeople, comes back green. Pat O'Brien, underplaying more than was usually his wont, gives a charming, yet insightful, performance as his kindly grandfather, a former vaudeville entertainer turned singing waiter. Robert Ryan, forsaking his usual villainous roles, is the child psychologist who helps Stockwell make sense of it all. And those who know Barbara hale primarily as either "Della Street" on the "Perry Mason" shows, the "Amana" lady, or William Katt's real-life mother, gives a brief but believable performance as Stockwell's sympathetic teacher.

Joseph Losey was the far-sighted director who brought all this to the screen. Unfortunately, the "dare to be different" and "give peace a chance" aspects of the story would work against him just a few years later, when he was blacklisted. All but unemployable in America, he continued his career in England, and the results, usually in collaboration with screenwriter Harold Pinter, were such critical, if not popular, successes, as "The Servant" and "The Go-Between."

In short, this an underseen film that deserves to be seen more often. These days it's frequently on AMC, so catch it.

'The Boy with Green Hair (1948)' feels very much like a British film. I'm not quite sure why, but it's probably not because of Pat O'Brien's would-be Irish accent. The manner in which director Joseph Losey blends vivid working-class realism with elements of fantasy reminded me of Carol Reed's 'A Kid for Two Farthings (1955).' Both films feature a boy protagonist using fantasy to find solace amid the harsh realities of life – in Peter Fry's case, to come to terms with the death of both parents during the London Blitz. Young Dean Stockwell, who the previous year had played Nick Charles Jr. in 'Song of the Thin Man (1947),' gives a surprisingly mature and sensitive performance as the youth whose hair inexplicably turns green one morning. Displaying unique range for an actor of his age (and upstaging his adult co-stars), Stockwell oscillates between fresh-faced enthusiasm, timidity, resolution, and, in the film's framing sequences, a hardened resentment towards society.

Losey released his film in the relative calm between the end of World War Two and the slowly escalating Cold War, when the United States was still coming to terms with its losses. Far from simply being a fluffy, imaginative children's film, 'The Boy with Green Hair' has more ambitious aspirations, an anti-war film only years after Hollywood collectively urged audiences to stand up and fight. Given that the director was later blacklisted for alleged Communist affiliations, one finds it tempting to regard his film as political allegory of sorts. Stockwell's Peter Fry is an ordinary boy, liked and respected by his friends and acquaintances throughout town. Then he is physically branded with an arbitrary label, one that doesn't change the sort of person he was or is, but that is nevertheless viewed by society as unnatural and potentially dangerous. He is ostracised, harassed, and abandoned by his friends, ultimately forced to flee their persecution. Peter Fry was labeled with green hair; Losey, and hundreds like him, was labelled a Communist.

Every time I watch a film with Pat O'Brien he's forced to play it straight, so it was good to see him having some fun as Gramps, a faded Irish vaudeville performer who takes Stockwell's war orphan into his home and proudly adopts him as a grandson. Behind the hammy accent there's something distinctly wistful about O'Brien's performance, the ghost of a tired old man clinging to his long-gone youth, unable to properly nurture the next generation because he never grew up himself. Robert Ryan also appears as a child psychologist who interviews Peter, but he's not given anything much to do aside from listening to the boy's story, his characteristic intensity temporarily subdued. The film is shot in sumptuous Technicolor that almost looks too vibrant to be real, pushing the border between reality and imagination. Overall, 'The Boy with Green Hair' is both an intriguing children fantasy and a powerful anti-war fable, tinged with that childhood innocence that makes every ideal seem so attainable.