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Dumped Along-Side Piles of Low-Budget James Bond Trash.

This Embarrassing Miss-Fire with Jeffrey Hunter as a Blue-Eyed Lady's Man is Juvenile Junk that Meanders Along with Hardly a Scene that isn't Worth-Less.

Hunter as Justin Powers Super-Spy, Complete with a Time-Travel Belt that Looks like it Came From the Toy-Section at K-Mart.

The Snazzy Adornment with its Multi-Colored Dials is a Cumbersome Gadget that also Comes with a "Ring" Accessory.

None of this Means Much Because it is Underused and Unimpressive when it is Used.

There are a Myriad of Jet Airliners Taking Off and Landing and Helicopters Hovering Here and There.

A Couple of Fight Scenes are as Boring and Dull as Possible in a Film that Struggles Consistently to be Anything More than an Episode of a Mediocre TV Show.

There are Bond,eh, Powers-Babes Sprinkled Around Winking, Fawning, and Pitching-Woo, because that's a Trope of the Genre.

Beefcake and Oiled-Up Harold "Odd-Job" Sakata Shows Up as, get this, "Big Buddha", but for Some Reason is Confined to a Wheel-Chair.

Abysmal, Atrocious, and Skippable this is 1 Bond Knock-Off that is a Complete and Utter Fizzle.

Belonging to that period after China successfully tested it's first atomic bomb on 16 October 1964 and diverted the West's attention from the Russkies to the menace posed by Red China; with the result that thirty years before Michelle Yeoh in 'Tomorrow Never Dies', special agent Justin Power (sound familiar?) is assisted by resourceful Asian babe France Nuyen in mopping up a gang of sinister orientals led by a wheelchaired Oddjob (Harold Sakata, plainly dubbed) planning a Christmas surprise for Los Angeles.

The goodies are equipped with cool gadgets around their waists like Willy McBean's Magic Machine - a bit like the device later employed in Michael Crichton's 'Looker' - that enables them to run rings round the bad guys; although their training evidently didn't extend to anticipating the most intelligent use of the enormous tactical advantage this gives them in the field.

KTLA, in Los Angeles, used to excavate this moldy bit of time-travel weirdness, fairly often. I got interested from the cast, uniting Jeffrey Hunter, (at about the same time he would have been filming the original "Star Trek" pilot, "The Cage"), with future "Star Trek" guest, France Nuyen, ("Elaan Of Troyas"). The SF is very low-budget, very typical of its time, but still manages some interesting comments on time-travel, and its ramifications. (similar in some ways to a classic bit of SF, also pretty forgotten nowadays, "Cyborg 2087"). The time-travel belt is astoundingly cheap, yet every kid I knew wanted one! (ah, the old days before marketing took over!) Hunter gives this more than it probably deserved, and his performance brings most of the worth to the proceedings, while Nuyen tries to look Chinese, (and Communist!). The production was obviously quite cheap, and I have my doubts this ever played theatres. Saw it for years on Independent TV stations around the country, but it's pretty rare anymore. Skiffy ran it once or twice (I think), back when they survived on old movies, and never since they got "respectable", yet it's really no worse than much of their low-budget offerings. It's good cheese, and I wish it would poke its head out now and then.

In this spy thriller from United Pictures and director Franklin Adreon, American secret agent Justin Power (Jeffrey Hunter) is teamed with Hong Kong agent Kitty Tsu (France Nuyen) to thwart a Red China terror group known as the Dragon from detonating a hydrogen bomb in Los Angeles. They must find the location of the mysterious crime lord Big Buddha (Harold Sakata), who is also an operative of Dragon, before it's too late.

This dollar store version of a James Bond movie is insipid, slow, and occasionally mildly amusing in its ineptitude. The film's big gimmick is the hero's use of cutting edge time travel technology to jump a few seconds or a couple of weeks forward or backward in time. He's warned by Donald Woods, playing the film's Bond boss M stand-in, that overuse of the time tech (housed conveniently in Hunter's wristwatch) could lead to a "time slip", a simplistic plot device to explain why time travel isn't used repeatedly to solve every little issue the hero comes across. Regardless, we never do see any suffer a time slip, unfortunately.

Harold "Oddjob" Sakata is an unusual boss villain, appearing in a motorized wheelchair, having all of his dialogue dubbed by Paul Frees, and, in one extended sequence, appearing shirtless. Lee Kolima, who looks a lot like Tor Johnson, plays big henchman Genghis, the kind of role Sakata usually played.

Justin Power (Jeffery Hunter) plays a guy who's supposed to be a super-smart secret agent. Then why is it once he's partnered up with Kitty (France Nuyen) he repeatedly blunders and is rescued time and again by this lady? It's especially amazing considering how often he acts like he is the super-spy and she is his acolyte?!

When the film begins, you learn that the Americans have a cool device that allows agents to jump back in time to the immediate past! They're using this to battle the ever-present Communist Chinese agents who seem bent on destroying America. Eventually he and his fellow agents learn that the Chinese have smuggled in parts to a nuclear bomb. Where in the US it's going to be detonated and by whom is something Power is going to need to discover--paired up with the Hong Kong-based investigator, Kitty. Can they stop the dreaded Big Buddha (Harold Sakata)?

I didn't mind seeing Hunter's character being out-thought by the female agent, but too many times he just seemed arrogant and really dumb...too dumb to live dumb! This is a weakness of the film. While she's obviously smarter than she is, at the end, Kitty is also a complete moron. And, so was Big Buddha for that matter!! However I did like how realistic and pragmatic the Power was, as he was not above slugging a woman or nearly twisting her arm off to get the truth--which makes since considering the Dragon organization is contemplating mass murder! And, I did like Big Buddha's style-- especially when one of his subordinates has the nerve to TELL him what he should do next! Overall, it's a film that had great promise but it really needed some editing to make the characters less like caricatures. I see this as a time- passer and not much more due to the inconsistent writing. In many ways, this plays like an old movie serial than a film that expected the viewer to take it seriously.

By the way, I saw this on YouTube and the print is badly faded--with the print looking sepia hued instead of in vivid color.