Cartes sur table

I happened to catch this foreign-made film by accident, many years ago, when I was just a kid. It came on TBS some time after midnight, and I started watching since it had something to do with secret agents. Later on, the old man asked me what I was watching, and I told him that I wasn't sure but that "this guy" was pretty good.

"This guy" that was referred to was Eddie Constantine. At the time, I thought he was just some minor European actor appearing for probably the first or only time in this minor spy caper. What came across was a certain attitude behind the coarsened, roughhewn character, which let you know that the actor did not take himself or the material too seriously. Constantine's hero stolidly made his way through the plot, doggedly determined to get the job done while showing as little emotion or concern as possible, and winning the viewer over in the process.

In the years since, I was surprised to learn that Eddie Constantine was born in the US, and eventually became a singing star in France during the late 1940s-early 1950s, before becoming a film star in 1953. Until the close of the 1960s, he played numerous detectives, secret agents, gangsters, etc., in a string of European (mostly French) action-adventures that were often shot in the fast-moving style of American B-pictures.

ATTACK OF THE ROBOTS was made in 1966, when Constantine's stardom was coming to an end (he would still have a long career ahead of him as mostly a supporting player, until his death in 1993). If his mere presence could raise the level of this material, it would be interesting to see some of the other action films from his heyday. Unfortunately, with the advent of infomercials, and scarcity of old European-made films such as these, you won't be finding them on the late, late show any longer.

In any event, it's a lesser spy film to be sure, but if you're a true fan of the genre you will find some entertainment value even with this. There is the usual fantastic plot, here a nefarious scheme in which the evil organization seeks to control people of a certain blood type. Hence, Interpol is called in and agent Al Pereira (Constantine) is on the case. Also, included in the plot are the requisite megalomaniacal villain (played by Fernando Rey, five years away from FRENCH CONNECTION), and a not-so-innocent heroine (played by sexy Sophie Hardy).

All in all, ATTACK OF THE ROBOTS is reasonably enjoyable on its own terms, taken for nothing more than what it was meant to be. But it is also a good introduction to the unique persona of Eddie Constantine, who managed to make the film a good deal more enjoyable.

One of my sci-fi/horror/fantasy reviews written 50 years ago: "Attack of the Robots" was directed by Jesus Franco; Screenplay by Franco and Jean-Claude Carriere; music by Paul Misraki, released in America by American-International TV, as a French-Spanish co-production. Starring Eddie Constantine, Fernando Rey, Francoise Brion and Sophie Hardy.

Action film of science-fiction interest due to Franco's imitation Fritz Lang plot involving assassinations performed by robot minions of a mad heavy, with Constantine appearing as Lemmy Caution bulling his way to the heart of the matter, loaded with tough guy dialogue as usual.

This movie is pure fun. The English dub is great. Eddie Constantine is a joy to watch on screen. The plot is interesting; mad scientist, using robots, and messing with blood types, you know standard spy stuff. But the movie's charm lies in Constantine as Al, as well as the various characters he encounters along the way. More enjoyable than it's sequel "Residence for Spies"/"Boarding School for Spies" - I really wish he had reprised this role for more movies.

Unlike later Franco, there is nothing objectionable here, PG by today's standards. Suitable for kids.

Interesting side note - it was actually filmed in color; although only B/W prints have surfaced on home media.

1966's "Attack of the Robots" (Cartes Sur Table or Cards on the Table) was a French-Spanish example of the growing Eurospy genre spoofing the James Bond films, scripted by director Jesus Franco and Jean-Claude Carriere after their previous collaboration "The Diabolical Dr. Z." A more lighthearted affair for European star Eddie Constantine, most popular in France as detective Lemmy Caution (over a dozen films since 1953), here as Interpol agent Al Peterson, whose rare blood type makes him the perfect bait for an organization requiring only susceptible test subjects to become unwitting human assassins of prominent political figures. The picture opens with a slew of such killings, the perpetrators identified by their dark complexion, pressed suits, and horn rimmed glasses, ultimately the work of Lady Cecilia (Francoise Brion) and her obedient husband Sir Percy (Fernando Rey), avoiding detection by sending their automatons across the globe but nervously eyeing Peterson on their Spanish turf of Alicante. Sophie Hardy as Cynthia keeps tabs on Peterson through a one way mirror in her closet, while Chinese spies led by Lee Wee (Vicente Roca) involve themselves by offering a generous bribe for whatever Peterson uncovers. Constantine wears a bemused look as he blunders from one location to another, finally tracking the villains to their hidden island lair by donning the glasses of a dead killer, which only work to subjugate the will of his specific blood type (their dark skin turns white after death, never regaining their lost humanity). Unencumbered by the zoom lens that would ruin many a later Franco effort like Christopher Lee's "Count Dracula," this is much like his entire 60s output, highly watchable if undistinguished, granting Fernando Rey less to do than in his earlier stint as "Goldginger" opposite Franco and Ciccio. Plots to use robot duplicates in place of people was a highly popular one at the time, from Frederick Stafford's "OSS 117 Mission for a Killer" to Richard Johnson's second Bulldog Drummond update "Some Girls Do," usually laced with humor.

Attack of the Robots (1966)

** (out of 4)

Spanish sci-fi/spoof about a mad scientist who creates some robots to kill off those with Type-O blood. Like many early films from director Jess Franco, this one here is technically well made but, as with the others, it offers nothing original and in the end it comes off rather slow and boring. We've seen this type of film so many times that this one here really doesn't have a single thing going for it.

Also, to be fair, I must admit that I prefer Franco's work from the 1970s, which is another reason why I didn't care for this one as much as others.