Tetas Mortais

Out of the two Chesty Morgan features created by Doris Wishman, "Deadly Weapons" is probably the weaker. In this trash epic, Chesty plays a woman who sets out to get revenge on the men who kill her fiancee. The film suffers from too many scenes of seedy violence between the thuggish male characters, and the usual Wishman out-of-focus shots of legs, shoes, wallpaper, curtains, ashtrays and carpets. Chesty can't act to save her life, but she actually does make an attempt, unlike "Double Agent 73" where she resembles a drugged up zombie for the entire running time. She is helped immensely by a lot of her vocal performance being "inner monologues" that we hear without her having to actually try and read lines on camera.

Highlights include Chesty's "sexy" bubble bath near the beginning where she showcases an inability to even sit in a bath like any normal person. The lurid fashion crimes in both clothing and home decor will take your breath away, as will Chesty's hilarious method of dispatching her victims. Oh yeah, and the them tune "Hard Selling Woman" (I think) is great! If anything, "Deadly Weapons" is slightly better made then "DA73", but sadly, a lot of it is still boring. Still, for anyone who appreciates the craziest of cult trash cinema, this is a must see.

Yes, Doris Wishman was an odd director and made strange movies. Yes, Chesty Morgan is a rotten actress and should never have gotten into the business. However, there are two great reasons to watch Deadly Weapons . . . and they are both suspended from Chesty's magnificent torso! In this age of skinny starlets with their flat chests it is refreshing to see a full-figured gal get some coverage (or get uncovered as some of these scenes reveal). Despite the lame acting, the thin plot line and the dreadful music, Deadly Weapons earns two points from me! Two points for Chesty's two trophies! She could not act, sing or dance very well but for at least two films (both with Wishman at the helm) Chesty managed to break into show business. Found an article on the internet that stated she was a concentration camp survivor from WW II, and currently owns and manages some small apartment unit in Florida.

This movie is a must for what some of us call "le bad" cinema. The idea is great, a woman with unbelievably huge breasts goes on a killing spree to avenge her husbands death. Of course the acting is awful, the writing leaves a lot to be desired, and the plot is over-done, but how often do you get to see a man smothered to death with enormous breasts?

Directed by Doris Wishman, who started her career in the business of "Nudie Cuties", such as Nude on the Moon (1961) and Diary of a Nudist (also 1961). These were innocuous attempts at getting tits and ass on the screen, in the shape of the nudist camp. She did eventually move into the sexploitation genre, and made two films with the Polish-born exotic dancer, Chesty Morgan (credited on this first collaboration as Zsa Zsa). They consequently made another, released the same year, Double Agent 73. Now, what Chesty Morgan inevitably offers, is incredibly over-sized (yet very much real) bosom. In fact, many of the moments in this film are spent simply gazing at the unattractively massive mamories, as Chesty holds them, moves them, and generally turns them into a very visual form of baking preparation!

This aside, the film does have a semblance of a story. Crystal (Morgan), has had a promise from her partner, Larry (Richard Towers), of marriage. Unfortunately he is mixing with some unsavoury business elements. Headed by an unknown, unseen boss, two thugs, Tony (played by Harry Reems, legend of Deep Throat (1972) fame), and Nick (Saul Meth), are ordered to kill Larry as he holds some valuable information. As Crystal discovers who killed Larry, she decides to find the killers and get revenge. After becoming a stripper (cue various random scenes of boob movements), she kills Tony and Nick using her weapons of choice - her tits of course!

Now obviously this film had an overall spectacle that would have pulled some people in, and this is of course the circus-sideshow that is Chesty Morgan, and her repulsively humongous bazookas. This novelty is pretty much all the film has. It does attempt a poor twist ending, but this feels more like an episode of Ironside (1967 - 1975), or any other crime/mystery television shows of the time. And apart from the sex and nudity, the entire film could have been a plot for TV. The is one bizarre scene which humoured me. Chesty looks out of a window in deep thought, the camera pans down to gaze at her tits, the image of a memory of a swimming pool scene with Larry is superimposed on them. It's almost as if these memories are in fact those of her tits!

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Huge-breasted Crystal has a boyfriend who belongs to the mob, but doublecrosses his boss only to be killed by two hoods/buddies in said mob. Crystal overhears her boyfriend's death by phone and plans her revenge on the two murderers as she travels to Las Vegas and Miami to assault each of them with her very ample deadly weapons. Such is the basic premise of Deadly Weapons. Well, the film certainly is a one of a kind. I mean how many films feature as its main protagonist a woman with a 73 inch bust who becomes a breast-smothering vigilante. The film is directed by Doris Wishman and its is cheaply-made with little directorial flair and almost no acting(save the performance by porn star Harry Reems). The female lead is played by Chesty Morgan(in reality another very hard to write/pronounce Polish name), and she bounces her way through the film seeing how many different ways she can showcase her bust. She finds many ways. As films go, this is really nothing special except for its status as exploitative cinema or a cult film. It is worth a look for its oddity qualities. If anyone knows...let me know...but I believe the guy playing Crystal's boyfriend was the same man that played Mari's father in Last House on the Left. The names on IMDB are different but the two men are one and the same I believe.