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Interlúdio de Amor

Título original: Breezy
  • 1973
  • 14
  • 1 h 46 min
AVALIAÇÃO DA IMDb
7,0/10
6,2 mil
SUA AVALIAÇÃO
William Holden and Kay Lenz in Interlúdio de Amor (1973)
A carefree young hippie, Edith Alice "Breezy" Breezerman, meets Frank Harmon, a divorced, middle-aged real estate agent. They fall in love, and each teaches the other a little about life.
Reproduzir trailer2:26
1 vídeo
71 fotos
Coming-of-AgeFeel-Good RomanceDramaRomance

Uma jovem tenta encontrar seu caminho na vida, sofrendo com sua própria ingenuidade e sinceridade.Uma jovem tenta encontrar seu caminho na vida, sofrendo com sua própria ingenuidade e sinceridade.Uma jovem tenta encontrar seu caminho na vida, sofrendo com sua própria ingenuidade e sinceridade.

  • Direção
    • Clint Eastwood
  • Roteirista
    • Jo Heims
  • Artistas
    • William Holden
    • Kay Lenz
    • Roger C. Carmel
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    6,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Clint Eastwood
    • Roteirista
      • Jo Heims
    • Artistas
      • William Holden
      • Kay Lenz
      • Roger C. Carmel
    • 105Avaliações de usuários
    • 53Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 indicações no total

    Vídeos1

    Trailer
    Trailer 2:26
    Trailer

    Fotos71

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    Elenco principal37

    Editar
    William Holden
    William Holden
    • Frank Harmon
    Kay Lenz
    Kay Lenz
    • Breezy
    Roger C. Carmel
    Roger C. Carmel
    • Bob Henderson
    Marj Dusay
    Marj Dusay
    • Betty Tobin
    Joan Hotchkis
    Joan Hotchkis
    • Paula
    Jamie Smith-Jackson
    Jamie Smith-Jackson
    • Marcy
    • (as Jamie Smith Jackson)
    Norman Bartold
    Norman Bartold
    • Man in Car
    Lynn Borden
    Lynn Borden
    • Overnight Date
    Shelley Morrison
    Shelley Morrison
    • Nancy Henderson
    Dennis Olivieri
    Dennis Olivieri
    • Bruno
    Eugene Peterson
    • Charlie
    Lew Brown
    Lew Brown
    • Police Officer
    Richard Bull
    Richard Bull
    • Doctor
    Johnnie Collins III
    • Norman
    Don Diamond
    Don Diamond
    • Maitre'D
    Scott Holden
    • Veterinarian
    Sandy Kenyon
    Sandy Kenyon
    • Real Estate Agent
    Jack Kosslyn
    Jack Kosslyn
    • Driver
    • Direção
      • Clint Eastwood
    • Roteirista
      • Jo Heims
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários105

    7,06.1K
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    Avaliações em destaque

    8Topher-26

    What an underrated movie !

    I can't believe this movie was only graded 5.6/10 (as of today) !! Even though this will obviously remind you of Kubrick's "Lolita" (1962), Clint Eastwood makes an incredibly promising debut as a director. His style is already intact. The development is simple and yet subtle, the acting is great and the lead cast is absolutely adequate. I was really pleasantly surprised and I deeply regret not taping it given its unavailability for sale. Unfortunately, this is yet another gem lost in a sea of mediocrity.
    big_bellied_geezer

    Great 70's movie from the Eastwood library of films...

    I have to echo some of the other comments here and say that this great film SHOULD BE RE-RELEASED ON VHS AND DVD!! ARE you listening Mr Eastwood??! A wonderful cross generational love story that doesn't ring a false note, I'm glad I was able to find a copy of the unedited for TV version since I've only seen a TV edited version some years ago and it stuck in my head....it's that good a film and I recommend it to all!
    8foursticks-ypers

    Love can be found anywhere......

    I saw "Breezy" last night on the Universal HD channel. I hadn't seen it since the '70s when I saw the TV version. One would expect to enjoy a film such as "Star Wars" in HD-you wouldn't immediately think that a film like "Breezy" would benefit from this treatment. However, the crystal-clarity of the presentation brings back the look of Southern California of the early Seventies in all of its glory that can only really be appreciated by those who lived here back then. Seeing the locations in Topanga Canyon, Malibu, and the Valley; the hippies, the straights in their suits and ties, and the way the Generation Gap (back in the day when there REALLY was one) is treated is definitely a trip down memory lane.

    Anyone who has ever had a love that has dissolved into sadness with the passing of time (most of us) can fully relate to this film. This is a story about a young woman who has so much to share: her exuberance, her unique way of looking at the world, her evolving femininity, her inner and outer beauty. It's also about a powerful and successful man who is at the crossroads in his life. It is a film is about two people that, for a brief moment, are able to look beyond the constraints of societal disapproval and just simply appreciate what the other has to give.

    When I first saw this film, I was the same age as Breezy. Now thirty three years later, I'm getting close to Frank's age. Nobody prepares you for the passing of time. They don't teach you how to handle it in school, there's no handbook that you can refer to as the years slip away. No, the greatest challenge in life is something you can't prepare for, you can only live through it, and each person's journey is different from the rest. In that aspect, this film is a wise and knowing look at real life. Sure, there's some stilted dialogue, and some of the scenes are a bit too predictable. but if you scratch the surface, you'll find a diamond underneath.

    I am fortunate to be able to say that I see Kay Lenz frequently. I'd like everyone to know that she still has a unique beauty that is greatly unaffected by the passing of the years. Sure, she's not twenty anymore, but who is? She has an easy, graceful way about her that is a pleasure to experience, and just hearing her angelic voice, which has changed only slightly through the years, brings me back to that world of beach walks, undeveloped L.A. canyons, and six bedroom houses in the Valley that cost $88,000 (!!). For you non-actors out there, remember, Kay was playing a role. Breezy was a character, not a real person. However, if you were smitten with that character, you would not be disappointed to see the real Kay today. If anything, she is even more endearing in 2006 than she was in 1973.

    Let's face it folks, growing old stinks. Falling out of love is even worse. This film handles both of these issues with a grace and acceptance that is missing from most of the films made about these themes. I truly believe that there is something in this film for all who care to look for it.
    stephen-357

    Does becoming older mean feeling foolish?

    Clint Eastwood's 2nd directorial effort is a gentle, pleasant surprise that probably will evoke a completely different reaction if one were to observe a strict adherence to societal norms. A 50 plus well-to-do business guy with a 19-year-old hippie drifter? Not necessarily uncommon but in this film the girl's not in it for the money and the guy's not in it for the sex. They genuinely love and cherish each other, and strangely, this is the element of controversy.

    William Holden plays Frank, a cynical divorced real estate broker who lives by himself with only a series of uncommitted relationships for companionship and a mental rulebook that precludes serious involvement. He is likewise surrounded by like-minded cynics that all want for something they have long since given up on . . . youth. Not so much in chronological terms, but more in attitude and that sense of wonder about life. Breezy is the very embodiment of that sense of wonder, and despite her 19 years, possesses a wisdom that cuts through the cynical disillusionment of Frank, who unlike what you'd expect, never makes a sexual advance toward the younger girl, even though she's very attractive and probably willing. For her part, Breezy recognized the sensitive soul that Frank has taken pains to suppress and confounds his suspicions by giving of herself to him without asking for anything in return. When he eventually gives in to his feelings, the age difference becomes irrelevant, but Breezy and Frank do not exist in a vacuum and the outside world eventually fills his head with doubt. His best friend, while being envious of the "zing " Breezy has put into Frank's life, laments thus: "Why should a young girl like that love an old fart like me? I'd be a meal ticket for her and nothing more." And even if it could be more, "where could I go with her without feeling like a child molester?" And so Frank smolders in a crisis of perception that already had been countered by Breezy in an earlier scene. "Is that how it is Frankie? Do you start believing what you see in the mirror and forget about what you feel inside? Do you stop feeling because the outside of you makes it seem foolish? Does becoming older mean feeling foolish? What's there to look forward to if you can't go on loving and being loved?" Surely this bit of wisdom transcends any distance of years between two people.
    9beachneth

    Sticks in my mind

    William Holden is always a good reason to watch a film. I thought he was wonderful in this. And even though his face looked much older, his body certainly did not!!Nice!! He gave a terrific performance and was very cute in the cotton candy scene and when he was rolling up her sleeves(love that scene and dialogue). Kay Lenz was so natural and I thought their relationship was very believable. It's always nice to see a heart open up and let the happiness take over. No matter what your age, or differences. This is such a nice quiet movie and it really stays with me for days after watching it. Can't wait to buy it and watch it anytime.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Danny Peary in his book "Guide for the Film Fanatic" (1987) states "not many people paid attention to the film upon release" while Richard Schickel in his book "Clint: A Retrospective" (2012) states that this movie in theaters "came and went virtually without notice". In a later interview, Eastwood would blame Universal for not marketing this film correctly, leading it to be a flop at the box office - even with its relatively low budget of only $750,000.
    • Erros de gravação
      When Frank takes Breezy to the Pacific Ocean so she can see it for the first time, it is early morning. When they arrive, the sun is clearly behind the ocean, casting shadows onto the beach, not away from it, so the scene was shot at sunset, not sunrise. In the next scene, Breezy is seen in bright sunlight with the sun high in the sky.
    • Citações

      Frank Harmon: I'm sorry... is that better?

      Breezy: I know I'm being a baby. So, don't say anything.

      Frank Harmon: I wouldn't think of it.

      Breezy: No lectures on maturity, either.

      Frank Harmon: Not a word shall pass my lips. I'll let you in on a secret... nobody matures. They just grow tired.

      Breezy: Y'know, Davy and Marcy have been living together for almost six months now. But, they don't have this... what we have. Davy tells her he loves her all the time, but... the words by themselves don't mean a hell of a lot. Marcy says that she loves him, but I think she has to say it because... then she doesn't realize how really alone she is.

      Frank Harmon: Maybe sometimes it's better to be alone.

      Breezy: Sure. Just like if you have something incurable, it's better to be dead.

      [chuckles]

    • Conexões
      Referenced in The Tonight Show Starring Johnny Carson: Orson Welles/Orson Bean/Carol Lawrence/Kay Lenz (1976)
    • Trilhas sonoras
      Breezy's Song
      Lyrics by Marilyn Bergman and Alan Bergman

      Music by Michel Legrand

      Vocal by Shelby Flint

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    Perguntas frequentes18

    • How long is Breezy?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 19 de abril de 1974 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Breezy
    • Locações de filme
      • 4946 Vanalden Avenue, Tarzana, Califórnia, EUA(Frank Harmon's house, known at the 'Kimball House' or the 'Triangle House')
    • Empresa de produção
      • The Malpaso Company
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 750.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 17.753
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 46 minutos
    • Cor
      • Color
    • Proporção
      • 1.85 : 1

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