Preocupado com o crescimento excessivo da população, o governo da Terra proíbe, sob pena de morte, todas as gestações, mas um casal decide arriscar ter um bebê real em vez de adotar legalmen... Ler tudoPreocupado com o crescimento excessivo da população, o governo da Terra proíbe, sob pena de morte, todas as gestações, mas um casal decide arriscar ter um bebê real em vez de adotar legalmente uma criança ciborgue.Preocupado com o crescimento excessivo da população, o governo da Terra proíbe, sob pena de morte, todas as gestações, mas um casal decide arriscar ter um bebê real em vez de adotar legalmente uma criança ciborgue.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
- Metromart Salesman
- (as Wayne John Rhodda)
- Telescreen Operator
- (as Ditte Maria)
- Thief
- (as Michael Hildesheim)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Like "LOGAN'S RUN", it takes a similar "What If?" scenario, and places it in a bleak, controlled society. While the film itself may not be great, the concept does prove interesting and qualifies as good science fiction.
In my opinion, Oliver Reed is always worth watching. Along with Geraldine Chaplin and the great (and often underrated) Don Gordon, Reed delivers a solid performance, giving the film it's real thrust rather than placing it in the usual special effects laden territory.
In closing, "THE BLOB" is a great film. And, anyone who may think otherwise can join a previous reviewer and soak their head.
Thank you. -NM.
While obviously done on a low budget, this is dealt with fairly successfully by having the outside world in this future be overcome by smog, forcing people to often wear masks. This gives this modest, reasonably entertaining production a certain degree of atmosphere. However, the film is never quite as involving as one would like. It's a little too slow and a little too static. It does succeed at being somewhat disturbing at times: first, whenever the authorities bring around their special killing domes, and second, when Russ goes to the library to learn what he can about premature birth, raising the suspicions of those in charge and leading to his being tortured.
Filmed on location in Denmark, "Z.P.G." gets by mostly on the performances of its four principal actors. Reed is commanding with his typical whispery delivery, and Chaplin is endearing as the young woman wanting a human child more than anything. The lovely Cilento and the under-rated Gordon are equally fine as the envious friends.
There is a sombre quality to the whole thing yet by the conclusion it does create a sense of hope and peace. With a bit more style and energy, this really could have been something special. As it is, it's good, if not great, and it does have a place among genre films of the time that dealt with the idea of dystopian futures.
Six out of 10.
The world is overpopulated, polluted and on the verge of a collapse from centuries of environmental abuse. The governments of the world have had to make the painful decision to ban birth for 30 years in an attempt to save the human race from extinction. Food is synthetic, and so are the robotic children. It is one fake, sterile place to live in.
The government uses all kinds of methods to quash the yearning for children with the death penalty being the ultimate deterrent. Despite this, many still decide to have children. One such couple are the Mcneils (Geraldine Chaplin and the late and great Oliver Reed). But their friends, the Bordens find out and want the baby for themselves and threaten to grass on the Mcneils if they don't let them have their baby. The Mcniels have to find a way out before time runs out.
This film very much reflects the hopes and fears of the era it was made (including the flares on the protective suit the populace have to wear outdoors). The environmental movement was in full swing with the fears that human race was destroying the planet. Zpg showed a disturbing outcome to way that the environment is treated and like in other films like 'Soylent Green' shows the affect on the quality of life. In zpg, technology had made life 'confortable'? But the populace was constantly starving because of eating only synthetic food. This very much reflected the belief that more and more things would become 'fake'. It was during this era that plastic furniture came into the home. There was also nylon clothing and the first 'ready meals' and of course, the 'Pot Noodle'.
The technology of this world offered so many distractions including the horrible robot children, but could not hide the yearning that people wanted things to be real. Including children.
The government of this world pretty much like in 1984 has a grip on the peoples minds from interfering on almost every part of daily life. Okay, there might not be a camera in every home, but one such example is an official government video that was playing while the McNiels were 'getting it on'. Such is the control that the government have, one such scene shows a baying mob surrounding a couple with their baby. The police turn up to arrest and execute the family. A women brags about spotting the baby and alerting the police. Proud of killing a baby. The awful thing is that this actually happens in China. The Mirror newspaper printed a picture of a dead newborn baby in a gutter in a street in China, with people just walking by like it was just a bit of trash. The one child, 1 family policy has caused many newborn girls to be murdered because a lot of couples want boys.
This is a good if sometimes disturbing film that should be viewed on the one chance it is shown on TV.
Você sabia?
- CuriosidadesThough the film did not do well commercially a novel adapted by co-screenwriter Max Ehrlich named The Edict did very well commercially.
- Citações
Carol McNeil: Couldn't we have a Christmas tree?
Russ McNeil: I seem to remember last year you called them 'sentimental' and 'decadent'.
Carol McNeil: This year I feel sentimental and decadent.
- ConexõesFeatured in Cinemacabre TV Trailers (1993)
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