Um Homem Chamado Django

Nothing new story wise, like many of the spaghetti Westerns, a gunslinger is out for revenge after his wife is raped and murdered (why was this so common?).

The acting is pretty good, plenty of action to enjoy and the camaraderie between Django and Carranza is reminiscent of Blondie and Tuco, as pointed out by another reviewer.

However, the editing is very choppy and interrupts the story, as well as some plot holes.

All in all, not up there with the greats but an enjoyable hour and 20 minutes.

W Django! (1971)

** 1/2 (out of 4)

Django (Anthony Steffen) comes home to find that his wife has been raped and murdered by four bandits so he sets off to capture the killers. Along the way he saves a man (Stelio Candelli) who is about to be hanged because he use to be a member of the gang of killers. The two set out to kill the bandits but there are plenty of twists and turns to follow. You can tell watching this thing that the budget was probably very small but I think this adds to the enjoyment of the film because the director has to cover up some of the cheapness with clever action and stylish twists. The film looks the low budget very well and I think this really adds to the atmosphere as well. The film is ugly, mean and at times funny and this is what makes this a better than average Spaghetti Western. This was my first time seeing Steffen and he really shocked me at how good he was. He perfectly looks the part of the man wanting revenge but he also has a good comic timing in a few scenes. The greatest moment is when he's riding into a small town and runs into a prankster who likes throwing dynamite at people. Django, calmly picks up the burning stick, lights his cigar and throws it back at the man. Candelli is also very good in his role and the two men act very well together. There's plenty of gun battles in the film but none of them get too graphic so you could probably even show this to kids. The soundtrack by Piero Umiliani is also very good. This certainly doesn't rank up with the greatest films in the genre but it's a nice addition.

This spaghetti western has a typical but well executed storyline. The relationship between the two main characters is reminiscent of Blondie and Tuco from "The Good, The Bad, and the Ugly." It also has pretty decent acting, an awesome music score from Piero Umiliani, and one of the coolest endings I have ever seen.

I probably would have rated it even higher if it was dubbed in English. I don't mind subtitles in other kinds of movies, but for some reason I prefer to watch westerns in English, even if the dubbing is bad.

Still, it's a really enjoyable flick, and I recommend it to all die-hard spaghetti western fans.

A group of bandits raped and murdered a woman that, for their bad luck, was Django's wife.After that,the famous gunman goes in a vengeance against the bad guys, killing everyone in his trail. This one is a typical Italian western although is really strange to find Django as a married man. Some good moments - some violent shots, some comic scenes -but it's just routine material but good for spaghetti westerns buffs. I give this a 6 (six).

One of a number of cheaply made Italian Westerns designed to cash in on the Django brand name, "W Django!" a.k.a. "A Man Called Django", doesn't compare of course to the original Franco Nero film but is still very acceptable non-think entertainment that keeps you watching for an hour and a half. In this story the cunning bounty hunter is actually married, but the poor woman lasts barely a minute and a half; she's assaulted and gunned down by bandits. A year later Django (Anthony Steffen) comes to a small town and learns that a thief about to be hanged, Carranza (Stelio Candelli) can identify the members of that gang, so he saves his life. The two men are then united as Carranza points out one lowlife at a time while bodies regularly get pumped full of bullets and a shipment of guns plays into the plot. Don't look for too much story here, but you can expect a fair amount of style, courtesy of director Edoardo Mulargia, and the violence is pretty constant; the body count in this thing is impressive. You can also expect a LOT of comedy in this thing, thanks to writer Nino Stresa. Candelli in particular is an absolute hoot. The acting is competent all the way down the line; horror fans may recognize Chris Avram from Mario Bavas' "A Bay of Blood", cast here as the outlaw Jeff. Esmeralda Barros adds appreciable eye candy as Lola, and Donato Castellaneta is quite appealing as saloon owner Paco. Some fans of Italian Westerns may find that ultimately it gets too silly, but it's undeniably very lively from start to finish and hard not to like. Steffen may not be Franco Nero, but he's pretty cool in his own right and the viewer simply has to love how ingenious he is. He establishes himself as a cool customer soon after his entrance, and he comes up with nifty ways to trick various bad guys. (The bit with the fake arm is a show-stopper.) All in all, this is quite agreeable and well worth a viewing. Seven out of 10.