AVALIAÇÃO DA IMDb
6,1/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA mysterious stranger appears to take terrifying revenge on former Confederate officers who during the Civil War betrayed and were responsible for the massacre of their unit.A mysterious stranger appears to take terrifying revenge on former Confederate officers who during the Civil War betrayed and were responsible for the massacre of their unit.A mysterious stranger appears to take terrifying revenge on former Confederate officers who during the Civil War betrayed and were responsible for the massacre of their unit.
- Direção
- Roteiristas
- Artistas
Luciano Rossi
- Hugh Murdok
- (as Lu Kamante)
Thomas Rudy
- Rowland
- (as Tomas Rudi)
Artemio Antonini
- Hawkins Henchman
- (não creditado)
Ettore Arena
- Murdok Henchman
- (não creditado)
Fortunato Arena
- Murdok Henchman
- (não creditado)
Bruno Ariè
- Hawkens Henchman
- (não creditado)
Ennio Balbo
- Storekeeper
- (não creditado)
Ugo Ballester
- Town Businessman
- (não creditado)
Omero Capanna
- Shotgun
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Ever since Bengt Enkerot approached Max von Sydow in THE SEVENTH SEAL and said the immortal words, "I am Death", it appeared as though cinema and its movie-goers had admired a new formula involving the supernatural...DJANGO THE BASTARD may not be in the same league as the mentioned Ingmar Bergman classic, but it may be responsible for elevating the "Avenging stranger" genre to new heights. In this Sergio Garrone-directed flick, Anthony Steffen bears the Django name (No relation to Franco Nero's DJANGO) and has a score to settle with some old Confederates that are responsible for many deaths, including...Django?? Did he survive? Or is he "A devil from hell"?
As I stated up above in the one-line-summary, yes there is some crude filmaking here, but there is also some effective stuff as well. Just watch the opening minutes involving a Grim Reaper-esque, Django, walking into town, camera angles panning from above and below. Stopping at his feet, then to have a man-made cross suddenly emerge from his cloak. The cross bearing the name of his first victim, planted into the earth with one stroke! Also kudos goes to the actor who played the demented, Luke Murdock. I got a kick out of that guy!
As I stated up above in the one-line-summary, yes there is some crude filmaking here, but there is also some effective stuff as well. Just watch the opening minutes involving a Grim Reaper-esque, Django, walking into town, camera angles panning from above and below. Stopping at his feet, then to have a man-made cross suddenly emerge from his cloak. The cross bearing the name of his first victim, planted into the earth with one stroke! Also kudos goes to the actor who played the demented, Luke Murdock. I got a kick out of that guy!
Django (Anthony Steffen) scares his enemies by presenting them with crosses bearing their name - and the day of their death. Western movie with horror effects, similar to `E Dio Disse A Caino' by Antonio Margheriti. Christopher Frayling suggested in his book `Spaghetti Westerns' that this `is a revenge film, with the central character avenging HIS OWN death', and that hits it pretty much. Django appears and disappears like a ghost, an idea Clint Eastwood picked up for `High Plains Drifter' two years later.
It is interesting to compare Steffen's expressionless interpretation of the Django character to the one he did in `Pochi dollari per Django', an earlier movie where he portraits Django as a sheriff without all the supernatural attitude, more human and passionate.
It is interesting to compare Steffen's expressionless interpretation of the Django character to the one he did in `Pochi dollari per Django', an earlier movie where he portraits Django as a sheriff without all the supernatural attitude, more human and passionate.
I've read alot about "Django The Bastard" and comparisons between it and Eastwood's "High Plains Drifter". I think it's safe to say that "HPD" is not a remake of "DTB" but is is also safe to say that it at least served as the inspiration for Clint's 1972 film IMHO.
I had high expectations for "Django The Bastard" and I was definitely NOT let down. It's an at times crude and low budget affair but it has enough action, tension and chills to make it a terrific little film that just may be one of the trendsetters in the Euro Gothic Western sub-genre. The atmosphere is thick in this creepy movie and Director Sergio Garrone goes all out showing us some unique camera angles which run the full spectrum from overhead shots to close-ups to fade-in's to handheld. Very effective as is the score which at certain times is eerie enough to raise a goosebump or two. Some remarkable scenes as mentioned in other reviews including a creepy opening that is almost completely silent except for the howling wind and the memorable scene in the graveyard.
Really wonderful stuff from the little SW that could. The performances are fine and I think that anyone who is a fan of Eastwood's "High Plains Drifter" owes it to himself or herself to check this one out. It's available on DVD from VCI under it's U.S. title of "The Strangers Gundown". Easily one of my favorite Westerns.
I had high expectations for "Django The Bastard" and I was definitely NOT let down. It's an at times crude and low budget affair but it has enough action, tension and chills to make it a terrific little film that just may be one of the trendsetters in the Euro Gothic Western sub-genre. The atmosphere is thick in this creepy movie and Director Sergio Garrone goes all out showing us some unique camera angles which run the full spectrum from overhead shots to close-ups to fade-in's to handheld. Very effective as is the score which at certain times is eerie enough to raise a goosebump or two. Some remarkable scenes as mentioned in other reviews including a creepy opening that is almost completely silent except for the howling wind and the memorable scene in the graveyard.
Really wonderful stuff from the little SW that could. The performances are fine and I think that anyone who is a fan of Eastwood's "High Plains Drifter" owes it to himself or herself to check this one out. It's available on DVD from VCI under it's U.S. title of "The Strangers Gundown". Easily one of my favorite Westerns.
Anthony Steffen in his ordinary role as gunfighter seeks vengeance against some Confederate traitors
This is an Anthony Steffen vehicle playing his usual character as revenger gunslinger as playing a phantom gone back from the grave to revenge his own death . An avenge-seeking soldier returns from the dead to take vendetta on three officers who betrayed his unit in battle during Civil War. The mysterious gunfighter without a name rides and arrives in the town to stay for execute his mission . After gunning down some desperado who tried to kill him, he set out to return to get their vengeance. Can the mysterious gunfighter without a name stop the outlaw brothers ? . This violent Western is set on eerie outdoors and dark interiors , the star is a mysterious revenger, ¨a man without name¨ , who comes to avenge against nasty villainous . It deals about a gunfighter (Anthony Steffen) arriving a little town that has the usual shops and buildings, as General merchandise, Livery stable, Hardware, Barber shop, Saloon , Hotel and of course the Church. The drifter will take on a couple of brothers called Murdock (Paolo Gozlino and Luciano Rossi) and their hoodlums (Carlo Gadi) , being only helped by the gorgeous Alida (Rada Rassimov) .
Well crafted Western with interesting screenplay written by main actor Anthony Steffen and director Sergio Garrone . Although atmospheric , it's also downbeat and sometimes just downright nasty. The story is almost terrific and creepy as the drifter comes to strange frontier town just in time to reckoning villagers and bandits . The film is made in somewhat similar style to ¨High plains drifter(1973)¨ , it has been said that is the uncredited inspiration and also ¨Pale rider (1985)¨, both of them acted and directed by Clint Eastwood , only this time the drifter appears to have been sent from hell rather than heaven to right from past injustices and double-crosses .
The picture is well starred by Anthony Steffen-Antonio De Teffe- , he began playing secondary roles into typical examples of popular Italian films of the late 50s as sword and sandal epics, comedies, adventures and was with spaghetti westerns that renamed achieved worldwide stardom. Anthony Steffen may be a name best remembered by Spaghetti Western aficionados, but in his day, from the mid-'60s to the early '70s, Steffen was one of the most popular actors of the genre — at the time cheap B movies, now revered cult classics . The handsome, Italian-born — actually at the Brazilian embassy in Rome — Antonio Luiz de Teffè von Hoonholtz began working in films as a studio messenger for Vittorio De Sica . From there, Steffen began acting in sword-and-sandal epics, later moving onto the Western genre, where he found his niche. Unlike fellow Spaghetti star Clint Eastwood, however, Steffen never became a top international box-office attraction. His acting is often accused of being wooden , but in many manners is ideally suited to playing the steely-faced gunslinger synonymous with the genre . His others successes include well liked features as Seven Dollars to Kill, The last Mohican¨, ¨Train for Durango¨, ¨Gentleman Jo¨ , ¨Four dollars for Django¨, ¨Shango¨, ¨Arizona colt¨, ¨Apocalypse Joe¨ and several others. He was still enjoyable in other genres, specially Giallos as the successful The Night Evelyn Came Out of the Grave¨, ¨Death in Haiti¨ or The ¨Crimes of the Black Cat¨, a good example of Giallo where he played a blind pianist - one of his roles he most liked- , and ¨Killer Fish¨ . The motion picture is interestingly directed by Sergio Garrone . Sergio started his movie career as a screenwriter and assistant director before making his solo directorial debut with the spaghetti Western ¨Se Vuoi Vivere... Spara (1968)¨. He continued to helm several other spaghetti Westerns that include ¨Three crosses of death (1968)¨, ¨Django Il Bastardo (1969)¨ his best film , ¨Quel Maledetto Giorno della resa Conti (1971)¨ and ¨Kill Django .. Kill first¨. He subsequently directed a wartime movie as ¨The dove must not fly¨ and Pornonazis and other exploitation films . Rating : Acceptable and passable.
Well crafted Western with interesting screenplay written by main actor Anthony Steffen and director Sergio Garrone . Although atmospheric , it's also downbeat and sometimes just downright nasty. The story is almost terrific and creepy as the drifter comes to strange frontier town just in time to reckoning villagers and bandits . The film is made in somewhat similar style to ¨High plains drifter(1973)¨ , it has been said that is the uncredited inspiration and also ¨Pale rider (1985)¨, both of them acted and directed by Clint Eastwood , only this time the drifter appears to have been sent from hell rather than heaven to right from past injustices and double-crosses .
The picture is well starred by Anthony Steffen-Antonio De Teffe- , he began playing secondary roles into typical examples of popular Italian films of the late 50s as sword and sandal epics, comedies, adventures and was with spaghetti westerns that renamed achieved worldwide stardom. Anthony Steffen may be a name best remembered by Spaghetti Western aficionados, but in his day, from the mid-'60s to the early '70s, Steffen was one of the most popular actors of the genre — at the time cheap B movies, now revered cult classics . The handsome, Italian-born — actually at the Brazilian embassy in Rome — Antonio Luiz de Teffè von Hoonholtz began working in films as a studio messenger for Vittorio De Sica . From there, Steffen began acting in sword-and-sandal epics, later moving onto the Western genre, where he found his niche. Unlike fellow Spaghetti star Clint Eastwood, however, Steffen never became a top international box-office attraction. His acting is often accused of being wooden , but in many manners is ideally suited to playing the steely-faced gunslinger synonymous with the genre . His others successes include well liked features as Seven Dollars to Kill, The last Mohican¨, ¨Train for Durango¨, ¨Gentleman Jo¨ , ¨Four dollars for Django¨, ¨Shango¨, ¨Arizona colt¨, ¨Apocalypse Joe¨ and several others. He was still enjoyable in other genres, specially Giallos as the successful The Night Evelyn Came Out of the Grave¨, ¨Death in Haiti¨ or The ¨Crimes of the Black Cat¨, a good example of Giallo where he played a blind pianist - one of his roles he most liked- , and ¨Killer Fish¨ . The motion picture is interestingly directed by Sergio Garrone . Sergio started his movie career as a screenwriter and assistant director before making his solo directorial debut with the spaghetti Western ¨Se Vuoi Vivere... Spara (1968)¨. He continued to helm several other spaghetti Westerns that include ¨Three crosses of death (1968)¨, ¨Django Il Bastardo (1969)¨ his best film , ¨Quel Maledetto Giorno della resa Conti (1971)¨ and ¨Kill Django .. Kill first¨. He subsequently directed a wartime movie as ¨The dove must not fly¨ and Pornonazis and other exploitation films . Rating : Acceptable and passable.
Sort of a conglomeration of ideas stolen from other stolen ideas, with a result that is decidedly unconvincing. Anthony Steffen and his poncho drift about in what has been described as a ghostly manner, seeking revenge on three Confederate Officers who deserted Steffen's unit resulting in a massacre. This set up is fine, but what follows is tedious and repetitious. Character development is totally absent for both the laconic hero and worse for the villains. Steffen may be Italy's answer to Clint Eastwood, but unfortunately there is more to "spaghetti success" than simply wearing a poncho and gunning down endless bad guys. - MERK
Você sabia?
- Erros de gravaçãoDuring the first shootout Django shoots eight times from his six gun without reloading.
- Versões alternativasTHe original Italian version of this film has a precredits explanatory scene: the betrayal of the confederates, and their subsequent massacre. For the English dubbed export version, this flashback was moved later in the film, and this is the version of the film available on DVD in America (from VCI) and on VHS in the UK (from Aktiv). The Italian DVD release contains the original Italian version of the film, with the flashback positioned before the credits as the filmmakers intended.
- ConexõesReferenced in Django: The One and Only (2003)
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- How long is Django the Bastard?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Django the Bastard
- Locações de filme
- Villa Mussolini, Roma, Lazio, Itália(The residence of Major Rod Murdok)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 38 minutos
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was Django, o Bastardo (1969) officially released in India in English?
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