Tormenta

While the setup is good, The Victim does suffer from a predictable conclusion. Once you look at the opening credits and see a star's name, but said star doesn't show up until the last 10 minutes of the movie, you have a good feeling they might be the one causing all the mayhem. It's still got a nice, creepy rain-soaked atmosphere and anything with Eileen Heckhart and Elizabeth Montgomery sharing the screen together can't be all bad.

I watched this for the first time since it was new yesterday, and, no matter how many times I replay that final scene, I can't make out Eileen Heckert's last line. She says, "Mr. Chapell, let her go," then something about calling the police. I can't help but think that line is critical in determining exactly which one killed her, or if they were in it together. Does anyone know exactly what she says? I remember when the networks all had the movie of the week. I sure wish they still did. I liked the comment about the eeriness without the graphic violence, and I agree that none of that is necessary. By the way, what are some other old favorites everyone has? Maybe I'll find one I don't remember seeing!

If not, why? Rather a number of them were high class suspense pictures. This is one of them.

Elizabeth Montgomery plays a lady who's going visiting her sister in an isolated upland cottage after learning that the sister is planning to divorce her husband. The sister is already murdered when Elizabeth arrives but she doesn't know that. Instead, there's a prolonged eerie cat-and-mouse sequence when she's searching for her and unexpectedly finds the half deaf old maid entering. The meeting with the maid is quite unsatisfactory and awkward. Then the sister's husband turns up and it's quite clear that he's hiding something...

Not to spoil the story, the set up is great and one wish that today's television could conceive originality of this kind.

I saw The Victim starting Elizabeth Montgomery when I was 12 years old. I just watched it again on You Tube and really enjoyed it, 44 years later.

It's an old-fashioned woman in jeopardy suspense thriller and I wish there were more movies like this today.

Elizabeth Montgomery plays Kate, a well to do woman who is concerned about her sister Susan. Susan lives in an isolated house, sounds troubled when she talks to her sister on the phone and a terrible storm is coming. Kate calls her sister back, but the line is dead, which worries Kate. Kate decides to drive to her sister's home in the storm and arrives to find her missing. The storm is in full force, the phone's not working, the power goes out....as a 12 year old, this scared me to death. As a 56 year old, I still enjoyed it. Eileen Heckhart gives a terrific performance as the sister's creepy housekeeper and George Maharis is excellent as the missing sister's husband.

For baby boomers like myself who loved Elizabeth Montgomery on Bewitched and who adored watching The Movie of the Week (a precursor to Lifetime Movies), this one's for you. I truly wish all the old Movies of the Week would be released on DVD or at least as Amazon Prime videos. There's a real market out there among the baby boomers and most of the movies, like The Victim, are really good.

After learning that her sister Susan is contemplating divorce, Kate decides to travel to the distraught woman's remote country home and spend some time with her. When Kate arrives, however, Susan is nowhere in sight. That's because someone has murdered her and stuffed the body in a trunk in the basement. As a storm rages outside, Kate tries to figure out where her sister could have gone and places her own life in great danger...the killer is still on the premises! In her first post-BEWITCHED vehicle, Elizabeth Montgomery gives a solid dramatic performance. Merwin Gerard's teleplay is based on a short story by McKnight Malmar. Malmar's tale was first brought to television in 1962 as an episode of Boris Karloff's THRILLER anthology series. THRILLER stuck very closely to the story, which is kind of a pity, for it could have used a little punching up. Granted Malmar wrote a moderately creepy number, but Gerard (creator of the ONE STEP BEYOND show) adds several clever ingredients that heighten the tension and suspense.