Missão Confidencial

Barry Newman is "Bill", a lawyer for a publishing company who travels to Salzburg to talk to a photographer who is working on a book about the local lakes. When he stops by the man's studio, he discovers from his wife "Anna" (Anna Karina) that the man has recently died - and that she and "Johann" (Klaus Maria Brandauer) suspect foul play. When Brandauer discovers a metal box in the water, he secretes it away in a remote house; hopefully safe from those who will stop at nothing to obtain it's contents. What now follows is a series of perilous escapades as Newman tries to stay alive long enough to get to the bottom of this mystery. This film might have been better had the star had a bit more of a presence, but as it is he is little better than a jobbing television actor who brings little gravitas or style to the role. Brandauer isn't much better, with a supporting cast of mediocre acting talent that rather drags this post-war thriller into the doldrums and leaves it there.

When they can't locate a photographer who was documenting lake scenes in austria, his sister, the brother in law, and a lawyer sent to speak with him start to be concerned. And why are there people following the lawyer (Barry Newman)? And how are the photographer's sister and brother in law involved in what's going on ? And is the lawyer really a lawyer? We're forty minutes in, and all we know is the photographer is dead. The brother has found a box with "something" in it, and "someone" is willing to pay a lot for the contents. And others may pay even more. Some fun foreign filming locations - were they really filmed in salzburg and vienna? This one is either a bit dated, or maybe too far from the subject matter for us to care..? It goes so slowly, and we don't really care about the characters. The story is solid enough, but not exciting. Directed by Lee Katzin. Had a couple big movies, and whole lot of television. Novel by Helen McInnes. Her biggest novel/film was probably Above Suspicion, with Joan Crawford and Fred MacMurray.

The Salzburg Connection is based on a novel by Helen MacInnes, and is a rather unoriginal spy thriller with the usual ingredients that characterise practically all early '70s movies within the genre: a convoluted plot, double-crosses, triple-crosses, characters with secrets, and attractive European settings. Barry Newman is actually rather good in the leading role, and is nicely supported by Anna Karina.

American lawyer William Mathison (Barry Newman) is vacationing in Switzerland when he is asked by an American publishing firm to go to Salzburg, Austria, to contact a photographer who has written a book about Austrian lakes. Mathison immediately realises that something is amiss when he reaches the photographer's small Salzburg shop and finds the photographer missing, and his anxious wife Anna Bryant (Anna Karina) being protected with near-claustrophobic zeal by her brother Johann (Klaus Maria Brandeur). Johann initially suspects that Mathison is a secret agent and refuses to give him any information. Gradually, though, Mathison realises that Anna's husband has been murdered, having found a chest in an Austrian lake containing a list of Nazi collaborators from WWII. Agents from all over the world, including Russia, Israel, Germany, Austria and America, want to get hold of the chest. Mathison finds himself playing a delicate game of cat-and-mouse, in which he can trust virtually no-one, such as KGB sex-pot Elisa Lang (Karen Jensen) who attempts to seduce him by posing as a free-wheeling American tourist, and elderly Austrian Felix Zauner (Wolfgang Preiss), whose name is on the list because he collaborated with the Nazis during the war in order to save the life of his wife.

The film could've been pretty good, but it misses rather too many opportunities. Newman and Karina, as I've already said, are quite good, and Jensen as the KGB lady-spy also registers well. Furthermore, the locations are pleasing to the eye. But other than these scant positives, the film is a somewhat poor affair. Lee H. Katzin directs sloppily, far too frequently punctuating his movie with gimmicky editing techniques such as meaningless freeze-frames and unnecessary slow motion sequences. Katzin also ruins several key scenes by failing to make it clear quite what's going on (e.g. the finale, in which Newman and Preiss approach an abandoned gunnery post on a mountainside, is terribly rushed and seems to make little sense). At a mere 93 minutes, the film tries to cram in a heck of a lot of plotting and counter-plotting, yet too many of the characters are so hurriedly introduced that it's hard to remember who they are or what agency they work for. One scene that I DID like, however, involved Karina being kidnapped by spies and whisked away in their car. Newman - a veteran of earlier car chase movies - takes a shortcut in his own car and manages to get in front of the baddies. In a clever twist on the traditional concept of a car chase, he slows down their getaway by driving so SLOWLY that the police eventually turn up to find out who's holding up the traffic! A rare ingenious moment in an otherwise dull potboiler.

You can jump in and out and see what someone thinks a spy movie should look like. TV movie score for sure. I almost anticipated commercials. Don't try to follow any story line; just enjoy how the actors do what they are told to do. You can hear the director coaching, while looking at his watch. Can only imagine what went on in editing.

But it is fun to look at!

Just what vacation was Barry on anyway? He must be some lawyer back home - a Bond/Flint type practicing law?

Lawyer picks up college grad and immediately invite her to his room; poor innocent American! He's in for a surprise for sure.

Anna Bryant is a joy, as she tries hard to carry the role. Barry keeps up, and along with Karen Jensen make it viewable.

One last thought: is not Walt Bissell always great?!!

I had very high expectations from this production. The presence of the super beautiful Anna Karina, of the charming Barry Newman from the spectacular "Vanishing Point" and "Fear Is the Key", then Wolfgang Preiss from the exceptional Mabuse series, the presence of Miss California Karen Jensen, Nazi mysteries and Salzburg as the place of action... But, everything was revealed from the first minutes and continued until the end: a total failure! A story no one believes in. If the Nazis had made a list of those who collaborated with them, they certainly would not have been in a metal box at the bottom of a mountain lake in a tourist area of Austria. And Klaus Maria Brandauer is false and the same in all his films.